Festivals & Events
Festivals & Events
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You Can Take a Horticulture: The Margaret Mead Film Festival
Margaret Mead’s achievements during her 52 years as a curator at New York’s Museum of Natural History have been more seminal than my personal favorite, one that for some unknown reason is close to my heart: persuading the American Jewish Committee to publish a book, driven by interviews with immigrants from Eastern European shtetls, which purportedly created the stereotype of the loving, smothering, guilt-inducing (all that suffering!) yiddishe mama. More to the point of this article, I also admire her willingness in 1976, on the occasion of her 75th birthday, to lend her name to an annual ethnographic film festival […]
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Miami Female Filmmakers: Three Points of View on Thursday, October 22
I’ll be moderating a Q&A tomorrow night, Thursday, October 22, in Miami with three of the city’s most compelling and original filmmakers: Jillian Mayer, Monica Pena and Carla Forte. It’s the closing night of this edition of the Miami Beach Cinematheque’s “Speaking in Cinema” series, and we’ll be discussing the individual works by these directors that have played at this series as well as the filmmakers’ general practice and thoughts on the Miami scene. Filmmaker readers will be familiar with Jillian Mayer’s work as she, along with partner Lucas Leyva, were selected for our 25 New Faces list in 2012. […]
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A Master Class on Filmmaking with Gaspar Noé
On Wednesday, October 28, Filmmaker Magazine will be presenting at the IFP’s Made in New York Media Center a Master Class on filmmaking with the provocative Paris-based, Argentinian auteur Gaspar Noé. As his latest film, Love, a romantic melodrama with hardcore sex and shot in 3D, prepares to hit American screens, we’ll be screening Noé‘s first, rarely-screened picture, Carne, and then discussing his subsequent work. With its widescreen cinematography, William Castle-ish flourishes and spasms of ultra-violence, Carne, a tale of a racist horse-meat butcher in the South of France bent on avenging what he believes to be the rape of […]
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“There Is No Thinking of Poverty Without Subjectivity”: Isiah Medina on 88:88
From its opening frames, Isiah Medina’s first feature 88:88 announces itself as a torrential carousel of images and sounds, with one seemingly independent from the next even as they teeter along the same line of questioning. Loosely described as a personal meditation on poverty, friends and family in his hometown of Winnipeg (with scant commonalities to Guy Maddin’s characterization), Medina uses a variety of camera technologies to interrogate a specific situation of young adulthood that nonetheless consumes the viewer in its visceral flashes of intimacy. Filmmaker spoke to Medina about democracy in filmmaking, his concept of the cut, and whether or not he considers his work documentary. 88:88 […]
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NYFF Critics’ Notebook: Paul Thomas Anderson’s Junun
I don’t think it’s unreasonable to speculate that any director, following his second ambitious, divisive high-profile theatrical underperformer/probable money-loser (or anyone fresh off a recently completed production, really), might generally welcome a chance to get out of town. It’s unclear how far in advance Radiohead’s Jonny Greenwood planned to go to Rajasthan to collaborate on an album with Israeli-born, Indian-residing Sufi convert Shye Ben Tzur, or whether Paul Thomas Anderson initially committed to tagging along; regardless, it seems to have been restorative fun. Junun is a 54-minute music doc in which Anderson shoots whatever he wants, however he wants to. There are five credited camera operators, including Anderson […]
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A Sense of Crisis: Directors Paula Ortiz, Mercedes Moncada, and Hanna Sköld at the San Sebastián Film Festival
“Life doesn’t have punch lines or a plot. It unfurls in ways that are somewhat random,” says Laurie Anderson. We’re sitting in a small room with fluorescent lighting and acoustically challenged walls. Anderson is wrapping up her last morning at the San Sebastián Film Festival with her newest hit, Heart of a Dog. She isn’t happy I showed up for the interview without having seen her film. I wasn’t happy myself, having missed the screening after several bus route missteps when I arrived in town the night before. If I hadn’t missed the film though, I wouldn’t have gotten the […]
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In the Sun by the Sea: The San Sebastian Film Festival
With the late summer and autumn film festival calendar almost an embarrassment of riches — from the traditional splendor of Venice to the ever-expanding line-up in Toronto — filmmakers can be faced with a tricky choice of where to go. They will find plenty of reasons to pick Spain’s San Sebastian, which often screens films in a quick turnaround after their premieres in Toronto helping to consolidate their appeal, and offers a wealth of cash awards, including a €50,000 ($56,000) purse for the New Directors winner, a €35,000 ($39,000) prize for a Latin-American film in the Horizontes Latinos strand and the €50,000 […]
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IFP Announces Fall and Winter Slate for the Theatrical Screen Forward Series
IFP has announced the complete lineup for the Fall and Winter season of their Screen Forward series. The four films, Field Niggas, Funny Bunny, Cronies and Henry Gamble’s Birthday Party, will each receive a weeklong theatrical run at the Made in New York Media Center by IFP in Dumbo. Read up on the films below. October 16 – October 22 FIELD NIGGAS, directed by Khalik Allah A wise-cracking, probing urban flaneur, Khalik Allah paints an impressionistic portrait of the loiterers and denizens in and around 125th Street and Lexington Avenue in Field Niggas. Beneath the bright lights of a corner convenience store, Allah […]
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NYFF ’15: In The Shadow of Women and No Home Movie
Slotting a festival schedule is one of those tasks that falls subject to a number of outside variables, namely, filmmaker and celebrity availability. One would figure that less thought goes into structuring a press and industry schedule, where 10 AM screenings are decidedly void of glamour, and yet the occasional revelatory double feature presents itself, in which two disparate filmmakers appear in dialogue. Case in point: back-to-back screenings of Philippe Garrel’s In the Shadow of Women and Chantal Akerman’s No Home Movie proved a joint exercise in obstruction, fostering a shifting interplay between objects and protagonists, despite their very different surroundings. Garrel […]
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“I Didn’t Really Like Directors”: The Fits Filmmakers Anna Rose Holmer and Lisa Kjerulff at the Venice International Film Festival
About 4,500 miles away from my home state, I find myself back in Ohio. What’s cool about a film festival is experiencing stories from different places all over the world on the same screens all day everyday. What’s not cool about a film festival is spending more time experiencing Ohio on a screen than discovering Italy outside on the street. But in the case of two Cincinnati-based stories programmed in the 72nd Venice International Film Festival, I was delighted to be transported home. I use “home” loosely. I’m actually from Cleveland, and it’s not as if the stop-motion iteration of […]
