Turkish filmmaker Nuri Bilge Ceylan won the Palme d’Or at the 2014 Cannes Film Festival today for, Winter Sleep, his discursive tale of ethics, love and relationships set in and around a small inn in central Anatolia. The prize was awarded by Quentin Tarantino and Uma Thurman in a ceremony that saw nearly all of the most critically-praised films emerge with some award or another. (Interestingly, this was the second year in a row Cannes awarded its top prize to a film over three hours in length.) Earlier in the week, Winter Sleep was also awarded the FIPRESCI prize for […]
Ahead of Saturday’s Competition ceremony, the Cannes Film Festival sidebars Un Certain Regard and Critics Week have announced their prizewinners. Critics are often want to beat the drum for various UCR selections, decrying their supposed relegation from the main slate, and this year was no different. Hotly tipped titles such as Lisandro Alsono’s Jauja and Jessica Hausner’s Amour Fou nonetheless went home empty-handed, as Kornél Mundruzcó’s more divisive White God scooped up the Prix d’Un Certain Regard. Also the source of critical contention was the opening night selection Party Girl, whose writing-directing trio comprised of Marie Amachoukeli, Claire Burger, Samuel Theis received an ensemble prize. Over in the Critics […]
News items of interest as the Cannes Film Festival rolls through its ninth day: • At The Conversation, Sue Harris has an overview of the furious reception Abel Ferrara’s Welcome To New York has received in France. As she points out, the casting of Gérard Depardieu is far from incidental: Depardieu’s casting breaches the fictional veneer of Ferrara’s film in ways that no other actor could. No one could be more suited to play the nation’s premier “disgraced” Frenchmen than the other principle one. And so, thanks to a volatile mix of the real and the imagined – a heady […]
It’s been the most talked about film of Cannes this year, one of the most well-reviewed yet, and it’s not even part of the competition line-up. That’s just Abel Ferrara’s style: he’s still one of the few directors who consistently manages to make films his own way, outside the typical studio system. His latest is a masterstroke of filmmaking. It’s a story that puts the fun back into cinema, a film that breathes wit, heart and imagination. The New York native returns to the Croisette with Welcome to New York, a damning film inspired by the Dominique Strauss-Kahn scandal. The film […]
Following up on her 2011 debut Corpo Celeste, which premiered in the Directors’ Fortnight section, Alice Rohrwacher returns to Cannes with Le Meraviglie (The Wonders), this time as part of the main slate competition. It’s an intimate fairytale full of surreal characters and scenery, marvelously shot in Italy’s central-northern landscapes. Eldest daughter Gelsomina is the head of the family. While taking care of her three sisters, she struggles to keep the bee farm running with her stubborn German father, who opposes anything modern. The family has run out of money when the government imposes new regulations that could shut the […]
If it weren’t for the inflexible, charmingly antiquated press hierarchies of the Cannes Film Festival, where journalists queue up and get let into screenings by priority of their rainbow badge color (yellow, blue, pink, pink with a yellow dot, and the all-powerful white), it would only be a matter of time before influential Twitter users were accredited. The social media juggernaut of mass brevity — like college, marriage, or colonic irrigation — is not for everyone, but during Cannes, it’s the handiest tool for aggregating kneejerk reactions to what typically shakes down as half of the year’s Most Important Films. […]
While we took the weekend off from keeping tabs on news in and around Cannes, here are some highlights we missed: • Over at the Montreal Gazette, Liz Ferguson rounds up photos of red carpet activism, ranging from nearly the entire cast of The Expendables 3 holding papers reading “Bring our girls back” (after riding down the streets in two tanks) to Jauja director Lisandro Alonso, star Viggo Mortensen, screenwriter Fabian Casas and other cast members bearing a sign reading “We want the trophy” in Spanish — a message of support for Buenos Aires’ Club Atlético San Lorenzo de Almagro, […]
The outside world’s political problems are intruding more than usual on the Cannes Film Festival. Some relevant items: • A few days ago, Turkish culture minister Omer Celik was excited about coming to Cannes and bullish about the development of his country’s film industry. In an interview with Variety, Celik managed to more or less duck questions about Turkey’s attempted recent bans on YouTube and Twitter (“Turkey is a country with rule of law. Access to certain social-media sites such as Twitter and YouTube has been limited on legal grounds”). But Tuesday’s deadly coal mine collapse in the city of […]
Over one long weekend at the end of April, the third annual edition of Sundance London — a slimmed-down, satellite companion to its 30-year-old US forebear — took place. The first thing to note about the festival is the sheer oddness of its location. The films screen at a characterless (though decently-appointed) Cineworld multiplex inside the O2 Arena, a corporate enormo-dome that hosts everything from musical concerts to live comedy to darts tournaments. The O2 is situated at the Greenwich peninsula on the south bank of the River Thames, roughly six miles to the east of central London, where most […]
It’s day two of Cannes and initial reviews are starting to come in. Some items of related interest: • Thanks to an ongoing nationwide government worker strike over a four-year proposed pay freeze, travel to and from the festival is tricky, what with extensive flight delays and cancellations. Among those caught in the turmoil: the band Spandau Ballet, the subjects of a documentary set to premiere tomorrow. • At the Russian Pavilion, events kicked off with a showcase for Ukrainian-Russian co-productions. A tricky proposition given the current political climate, but producers Natalya Mokritskaya and Mila Rozanova were there to show […]