Festivals & Events
Festivals & Events
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“He Was a Chameleon”: Director Aaron Brookner | Uncle Howard
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? I was aware that my uncle Howard [Brooker, director of Burroughs the Movie, 1983] had many secrets […]
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“It’s a Very Exposing Process, and Oftentimes Quite a Lonely One”: Director Matthew Ross | Frank & Lola
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? Frank & Lola is my first feature film. I’m not sure if this is necessarily a secret […]
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“The Perfect Parallel for the Director’s Loneliness”: Director Bernardo Britto | Jacqueline (Argentine)
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? Something that started becoming more and more apparent to me as I finished the movie was the […]
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What a Documentary DP Does: Kirsten Johnson on Cameraperson
Documentary DP Kirsten Johnson is probably best known for her work with Laura Poitras (The Oath, Citizenfour), but she’s been shooting for years. Out of her experience comes Cameraperson, an essay film assembled from mostly unused footage shot for many projects. Each segment is labeled by place rather than the project it came from. In eschewing voiceover, the chain of argumentation can be a little heavy-handed for my taste — i.e., cutting from someone talking about death to someone giving birth in a hospital — but the overall effect is constantly surprising and stimulating. The film begins by reminding us that even the […]
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“Discovering New Parallels and Personal Inlets”: Director Jason Lew | The Free World
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? I think our great hope is that, as an audience member, you can find a moment of […]
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“They Used Faith as a Fuel for Hope”: Director Anne Fontaine | Agnus Dei
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? Twenty years ago, I met a couple of old Vietnamese nuns, who used to run an orphanage […]
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“The First Filmmakers to Tell Her Full Story”: Co-Director Bob Hercules | Maya Angelou and Still I Rise
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? Like many films we’ve worked on, there’s always the narrative you have in your head about the […]
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“You Have Very Little Control Over So Much of the Process”: Director Clea DuVall | The Intervention
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? I learned very quickly that it requires a great deal of acceptance to get a movie made. […]
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“Shame Is the New Black”: Director Jessie Kahnweiler | The Skinny
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? My filmmaking is often about looking back at the mess of the past so that I can […]
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At Sundance: In Defense of Daniel Radcliffe’s Farting Corpse
The atmosphere was tense at the Eccles Theater Friday afternoon. The premiere of Swiss Army Man, the debut feature from acclaimed music video directing duo The Daniels (Dan Kwan and Daniel Scheinert) was running 25 minutes behind and audience members were still fighting over the venue’s few remaining seats. The buzz leading up to the film’s premiere had been fervent, with many pegging it as the anticipated breakout of the festival’s competition lineup. Were audiences about to see the next Beasts of the Southern Wild or Whiplash? No. In fact, it wasn’t long after the film let out that the […]
