Festivals & Events
Festivals & Events
-
Latinbeat: Five Vettings and a Funeral
Once again, this festival of both rarefied and salt-of-the-earth films from all over Latin America graces the Big Apple at the Walter Reade Theater, once again with a delicious menu that does the Film Society of Lincoln Center proud. I’ve been drawn to Latinbeat since now-retired FSLC Program Director Richard Peña established it in 1997. It has consistently displayed not only fine titles but also a less apparent connective tissue that has been expertly if unconsciously simulated, one affording us more than single plotlines, and which provokes a pleasurably heady and arty stretch. Now in its 15th edition, the films […]
-
Borscht Corporation Launches Crowdsourced Scarface Redux
“Say hello to my little friend!” If you’ve ever fantasized unleashing your inner Tony Montana — or, more accurately, your inner ’80s-era Brian DePalma — then the latest crowdsourced art project from the Miami-based Borscht Corporation is for you. Borscht has announced Scarface Redux, a fan remake of the 1983 drug lord epic, with filmmakers from all over the world invited to direct and submit their own 15-second segment. The clip can be “live action, animation, puppets, legos, Chihuahuas, it doesn’t matter!”, the site says. The finished film will be screened at the Borscht Film Festival in December at a […]
-
Four Nights in D-Town: The Third Annual Oak Cliff Film Festival
A few days before the summer solstice, I arrived on an oddly cool night in Dallas for the Third Annual Oak Cliff Film Festival. A driver picked me up from the airport and whisked me directly to a pre-festival soiree at a bar called Wild Detectives where everyone seemed to know each other already. A few houses from the corner of East 8th St. and North Bishop Ave., Wild Detectives is proof Dallas’ zoning rules are the envy of lushes everywhere; the bar is a two-story house right in the middle of a residential neighborhood! That neighborhood, from which the […]
-
Adam Rifkin on Giuseppe Makes A Movie
With the maniacal film geek erudition of Quentin Tarantino and the madcap family values sensibility of John Waters, Giuseppe Andrews has made 30 independent features that you’ve most likely never heard of. And he probably couldn’t care less about that. A veteran of both Hollywood and indie film, Adam Rifkin, on the other hand, is a name familiar to any fan of the 1999 cult comedy Detroit Rock City, which Rifkin directed, and which starred Andrews alongside Edward Furlong. Now Rifkin and Andrews have teamed up again as Rifkin follows the director in his quest to shoot in two days […]
-
Looking Both Ways: Tales of Future Past at Sheffield Doc/Fest 2014
Talent, money, and press descended on the otherwise quiet northern English city of Sheffield last week for the 21st edition of Doc/Fest — officially named the Sheffield Documentary and Digital Media Festival. With its mix of screenings, live events, music, and genuinely fantastic parties, this five-day celebration earns its reputation as the Glastonbury of documentary festivals (albeit without the mud). The analogy is encouraged by the seemingly endless days (the sun doesn’t set until 11pm), as well as some remarkable outdoor venues. These include a giant cave affectionately known as the Devil’s Arse, where I caught an evening screening of […]
-
MoMA Björk Retro in 2015 to Feature Installation Directed by 25 New Faces Alum
A new press release from MoMA announces that the museum will be the sole host of a Björk retrospective from March 7 to June 7. From the press release: The installation will present a narrative, both biographical and imaginatively fictitious, cowritten by Björk and the acclaimed Icelandic writer Sjón Sigurdsson. Björk’s collaborations with video directors, photographers, fashion designers, and artists will be featured, and the exhibition culminates with a newly commissioned, immersive music and film experience conceived and realized with director Andrew Huang and 3-D design leader Autodesk. Andrew Thomas Huang, who directed Björk’s “Mutual Core” video, was one of […]
-
Hive Minds and Solitary Settings: BAMcinemaFest’s Sixth Edition
A carefully curated round-up of the festival circuit’s notable American titles, BAMcinemaFest begins its sixth edition today with the New York premiere of Richard Linklater’s Boyhood. Though the program is designed to favor nascent talent — Spike Lee, Les Blank and other repertory screenings aside — it’s hard to think of a more exemplary opener than this American independent masterwork. As a narrative experiment, Boyhood is every bit as unparalleled as you’ve heard, elevating its seemingly generic arc with moments of searing veracity. Given the holistic scope, I would wager that any viewer is bound to encounter a mirror image demanding of introspection and a helping side of tears. Not all of the festival’s inclusions scrape […]
-
Six Filmmaker Picks for the 2014 Northside Film Festival
The Williamsburg-based Northside Film Festival is in swing this week with its typically eclectic mixture of pictures curated by various local film partners (including IFP, Filmmaker‘s publisher) as well as, for the DIY Competition, their in-house team. Below are seven picks for those on the L train this week. More details on these screenings can be found at the Northside site here. i hate myself :). Any cultural critic namechecking Lana, Lena and Leslie (Jamison) while untangling the limits of autobiography, masochistic self-portrayal and the representation of female sexuality in the pornified internet age should reserve a paragraph or two […]
-
Cutting Sports and Spielberg: The “Sight, Sound & Story” Editing Workshop
A not very wise man once reflected that the strongest examples of film editing are the sequences where you don’t notice it. Day-long seminars such as “Sight, Sound & Story,” which took place last Saturday at the Florence Gould Hall in Manhattan, seek to pull back the curtain on the constantly evolving digital tools and techniques in need of demystification. Structured around a series of topical, industry-specific interests, the panels I attended approached the craft (and the difficulties of perfecting it) from a myriad of vantage points, none the least being narrative structure, the identification of theme and post-production sound […]
-
Tales from the Emerald City: The 40th Seattle International Film Festival
At film festivals worth their metaphorical salt (or just the free labor the volunteers put into them), there is too much to see, too much to do. Your existential clock gets real prominent: time is going to run out and you’ll inevitably have missed most of the fun. You try to make four screenings a day but make three if you’re lucky and two if you’re acting like a relatively normal human, one who tries to consume food at a pace that doesn’t upset the stomach. That 10 am panel sounds real promising until you get wasted the night before […]
