Welcome to Filmmaker Magazine’s fourth annual digital cinema camera round-up. Each year for reasons of publishing schedule, this overview is written on the brink of the big NAB show in Las Vegas. By the time some of you read this, journalists and bloggers will have breathlessly uploaded each and every scrap of breaking news from the frenzied show floor, saving you the airfare, sore feet, and those Vegas cab fares calibrated to expense accounts. But what do these splashy product introductions mean? Do we need to trade up our cameras? How soon? Are more resolution, bit depth, frame rates, color […]
Idaho’s only city of 100,000+ residents sits in a valley north of the Snake river. Boise is a boomtown these days, with over 150,000 new residents since George W. Bush took office and new west corporate bravado written all over it. The flat city’s pert, immensely walkable and surprisingly bumpin’ downtown extends into residential areas north and east. Looming hills ringing much of the town can be glimpsed from almost anywhere in the city proper as long as the light is just so; it’s an oddly marvelous place to roam around. A gold rush town after the French and Native […]
For a beach bum cinephile it doesn’t get much better than the Riviera Maya Film Festival. Only in its third year, Riviera Maya mixes the accessibility of AFI Fest – surprisingly, it’s free and open to all – with a bit of the sensational cachet of Cannes. (Right down to a brazenly coordinated, multi-store jewelry heist in Cancun that resulted in the car carrying Peter Sarsgaard and Maggie Gyllenhaal getting stopped en route to the opening night screening of Kelly Reichardt’s Night Moves. Now that’s entertainment!) I didn’t catch Reichardt’s edge-of-your-seat eco-thriller until the last day of the fest, but […]
Like many so-called “regional” film festivals, the Miami International Film Festival might not be on the tip of every rising filmmaker’s tongue when figuring out where they ought to submit. Struggles to get attention from the film world at large aren’t new for festivals taking place in non-media hub cities that happen to be events where movies aren’t bought and sold, just shown. Regardless of whether they’re “regional” or not, such festivals often get stuck with that half derogatory term. Such is the case with Miami even though it’s in a major city, is over 30 years old and has improved […]
Coincidence or zeitgeist? Three of the four outstanding films in the second, slightly shorter segment of ND/NF feature swarthy, sensuously handsome male protagonists who live and act out their dramas in sweltering countries with edges that kiss the cool yet uncomforting Mediterranean. And no, this is neither a projection nor an implication of selectors. Violence, be it palpable or discreetly off-screen, is a powerful element in all four. New Directors ends March 30; Part I of this review appeared last week. Four of 10 viewed (I missed centerpiece Obvious Child and closing nighter 20,000 Days on Earth)? A respectable proportion, […]
It was only a matter of time. With quality, funds and star power funneling into television, the Sundance Institute is the latest name to hop on board the medium, in announcing their first ever Episodics Story Lab to be held in the Fall of 2014. Designed for TV and online serial writers, the six day lab will pair the chosen few with accomplished mentors who will aid in script development as they also impart wisdom on the production and distribution landscape. Cary Fukunaga, Louis CK and Lena Dunham are among Sundance’s Screenwriters Lab alumni who enjoyed breakouts through their television […]
Spring is a always a godsend, especially so after a harsh winter. For discerning cinephiles, it marks an end and a beginning. The exhausting awards season is over. It is followed in New York by a celebratory spring cleaning, a shift in priorities to some of the finest emerging directors from all over the world in the prestigious and prophetic New Directors/New Films, now in its 43rd edition (March 19-30). Not only do the principal artistic creators get their due, but, unlike the U.S.-centric January-to-March hyperamas, the pool of pictures is fiercely international. How does ND/NF’s focus on the filmmaker […]
Cinereach, the not-for-profit film support and production company, is offering moviegoers who see at least two of the four Cinereach-supported pictures in theaters this month special, one-of-a-kind artist gifts. The films — all of which are very good, by the way — are Matt Wolf’s Teenage, Tom Gilroy’s The Cold Lands, Eliza Hittman’s It Felt Like Love and Daniel Carbone’s Hide Your Smiling Faces. (The first two are at the IFC Center in New York now; It Felt Like Love opens next week and Hide Your Smiling Faces on the 28th). Here is info from Cinereach: Why? Indie releases unite! […]
“Our degrees cost us about $90,000 a piece, and in the last five years of making movies, the three of us together have made about $5,000 from our work.” That’s ornana producer Jim Cummings speaking at his Future 15s New Media talk at SXSW last Sunday. Drawing from his article series over at Ted Hope’s Truly Free Film, Cummings gave a micro-keynote on what he calls “The Digital Recession,” the supersaturation of content and what can be done to effectively combat the glut. Cummings made the common observation that nowadays, any old person is encouraged by “camera companies, film festivals, and arts […]
The Full Frame Documentary Film Festival today announced its lineup for the festival to be held April 3-6 in Durham. Along with the full list of feature and short documentaries are a Full Frame Tribute to veteran documentarian Steve James and the titles in the Thematic Program, which this year is called “Approaches to Character” and is under the curation of Lucy Walker. In a response to the honor of a retrospective, James said, “I’m excited to have so many of my films play again in front of the appreciative audiences at Full Frame. It will give me a rare opportunity […]