On the heels of their Time Is Illmatic opening night announcement, Tribeca has released the first 47 of its 89 feature-length titles in the World Narrative and Documentary Competitions, as well as the non-competitive Viewpoints. Gabriel, the debut film from 25 New Face Lou Howe, which I can’t recommend enough, will open the Narrative section, with Dior and I and Onur Turkel’s Summer of Blood kicking off the Docs and Viewpoints, respectively. Other notable titles include Keith Miller’s latest, Five Star; Junebug scribe Angus MacLachlan’s directorial debut Goodbye to All That; d.p. Jody Lee Lipes’s Ballet 422; the Golden Bear-winning Black Coal, Thin Ice; Sundance hit The Overnighters and British prison drama Starred Up. Find the full list below. […]
By this point, you’re probably well aware of who has a new golden figurine on his/her most prized mantelpiece this morning, but here’s the full list. I found the show relatively painless — in large thanks to Ellen DeGeneres and the show-stopping Adele Dazeem — with the predictable loss of The Act of Killing and its fellow “issue” docs to 20 Feet From Stardom a cynic’s microcosm for the affair. More curious was the passive agressive beef between 12 Years a Slave’s John Ridley and Steve McQueen, who seemed to go out of their way not to acknowledge one another in their respective […]
Halfway through, it’s too early to take the overall temperature of True/False 2014 in its 11th year (my fifth attending, each year with the hotel paid; full disclosure). All smooth so far, though it’s early going, so let’s forego atmospherics at this point and jump into one of the festival’s world premieres, Approaching The Elephant. (“Thanks for everyone being here for basically the highlight of my life,” director Amanda Rose Wilder said in her introduction.) The subject is “free schools”: further left on the continuum than Montessori, and (at least as practiced by the subject school’s founder Alex Khost) an […]
In memory of Elliott Stein, the purest film maven I’ve ever known and the friend who first drew my attention to this film. The most familiar films of the Czech New Wave in the U.S. are most likely the dry dark comedies of Milos Forman and Ivan Passer; the diverse works of Jiri Menzel, Jan Kadar, Vera Chytilova and Juraj Jakubisko are recognized in more specialized circles. For Eastern and Central European cinephiles, however, the modernist historical drama Marketa Lazarova (1967), never lumped together with the movement, is not only the masterpiece of the era but also one of the […]
Despite its stated policy about not announcing a film’s premiere status, is the True/False Film Fest the new place to launch your documentary? In part one of a three part series, filmmaker and writer Robert Greene will chronicle the fortunes of five films that will world premiere at the 2014 True/False Film Festival, including his own, Actress. No film festival has meant more to me than True/False. My last two films (Kati with an I and Fake It So Real) began their lives in Columbia, MO — in front of the festival’s famously engaged crowds, amidst its street parades and […]
What happens when you distill filmmaking to its barebones, limiting runtime to six seconds, and the recording apparatus to a cell phone? Judging from last year’s winners of Tribeca’s #6SecFilms Vine competition, the answer is some pretty inventive stuff. Animators and genre fans alike can submit their Vines to the competition through March 27, using the #6SecFilms hashtag, along with the appropriate category: #drama, #comedy, #animation and #genre. The winners will receive a meeting with GrapeStory, a mobile marketing agency and production house. Last year’s winners and short-listers went on to be featured in the Super Bowl Budweiser ads and currently […]
This year’s edition of CineKink NYC, now in the final day of its Kickstarter fundraising drive, wastes no time heating up, opening on February 26 with a cinematic bang in the form of Wiktor Ericsson’s The Sarnos: A Life in Dirty Movies, a stellar pic about softcore pornographers with a love story at its heart. (The festival’s gala kickoff party is the day before, February 25.) The titular elderly couple at the center of this doc are the legendary porn director Joe — the “Ingmar Bergman of 42nd Street” — and his longtime wife and support system (and sometime actress) […]
A Sundance heavy set of additional titles has been announced for this year’s New Directors/New Films series, taking place at MoMA and the Film Society of Lincoln Center from March 19 – 30. I covered the first announcement back in January, noting that the festival’s obscure spirit was alive and well, though the recent inclusions appear to be verging on BAMcinemaFest territory, with such buzzed titles as Obvious Child, Dear White People, She’s Lost Control, The Babadook, To Kill A Man and A Girl Walks Home Alone At Night. I’ve enjoyed the festival for international discoveries, and we still have plenty of those too: Fish & Cat […]
Noah Cowan, the founding Artistic Director of the Bell Lightbox, is leaving Toronto for the Bay Area, where he will take over as the Executive Director of the San Francisco Film Society. “I am grateful to the Board of Directors of the Film Society for providing this remarkable opportunity,” said Cowan in a press release. “The Bay Area has a storied relationship to cinema’s century-plus history and is currently home to the technology companies that will decisively influence the medium’s future. SFFS is uniquely positioned to work with filmmakers, educators and enthusiastic local audiences to embrace the dynamic and exciting […]
The Tribeca Film Festival announced that Time Is Illmatic, a documentary commemorating the 20th Anniversary of Nas’s iconic debut album, will open its 13th festival on April 16. Directed by multimedia artist One9 and written by Erik Parker, the film tracks the musical legacy of Nas’s family and his youth in Queensbridge, among other facets that shaped this modern benchmark of East Coast hip hop. To celebrate the world premiere, Nas will be on hand to perform Illmatic, front to back. Time Is Illmatic was supported by the Tribeca Film Institute’s All Access program and The Ford Foundation’s Just Films. For two years running, […]