The Miami International Film Festival wrapped its 30th edition this past weekend, unspooling 138 films across 10 days. The program was strong enough across its myriad sections that many longtime observers were calling it the best iteration of the festival in memory, with a smattering of noteworthy films pulled from the mega festivals sprinkled across a wide reaching selection of work new and old. While light on significant premieres, sandwiched as it is between True/False and SXSW, it is a well-oiled machine, organized and efficient, with well-attended screenings that start on time in multiplexes, microcinemas and beautiful movie palaces such […]
The strong Tribeca lineup is bolstered by a very promising selection of shorts programs, which were announced today. While this year’s Sundance shorts slate was stacked with work by filmmakers who had features already under their belts, the TFF lineup does not include a lot of well-known names, which is always exciting. Among the shorts I’m particularly looking forward to are the non-fiction Wilt Chamberlain: Borscht Belt Bellhop, about an unchronicled part of the basketball icon’s life; Grandma’s Not a Toaster, written by Shawn Christensen, who just won Best Short at the Oscars for Curfew, a Tribeca favorite from last […]
Tucked away in the middle of the Ozarks, far away from the bright lights of the coasts, lies Branson, Missouri, a place that has been dubbed “the live music capital of America.” The opposite of hip, its theaters feature a wide variety of traditional family entertainers such as the comedian Yakov Smirnoff and the singer Andy Williams who are neither gone nor forgotten by the 7.5 million tourists who visit each year. It’s the type of place where a lively game of bumper boats might be followed by a dinner and a rodeo show at the Dixie Stampede Theater. Five […]
When President Obama announced in the State of the Union that the war in Afghanistan would effectively end by 2014, the news was greeted with little more than a collective shrug. That thing was still going on? But what is very far away for most Americans is very close for all Afghans, a fact made clear in the SXSW-premiering documentary, The Network. The feature directorial debut of the Academy Award-winning producer Eva Orner, The Network tells the story of TOLO TV, Afghanistan’s first independent television network. Granted complete access by Saad Mohseni, the founder of the network (dubbed the “Rupert […]
Quickly after premiering Filly Brown at Sundance in 2012, filmmakers Youssef Delara and Victor Teran moved into production on their newest feature, Snap. As close collaborators for many years on other films, Delara and Teran teamed up again to co-direct and produce Snap. Set in the explosive world of underground dubstep, the film explores the dangerous psyche of a young man as a social worker and her mentor try to uncover his secrets before his violent past erupts. Snap stars Jake Hoffman (Barney’s Version), Nikki Reed (Thirteen, Twilight), Scott Bakula (American Beauty, TV’s Quantum Leap), and Thomas Dekker (Kaboom), and makes its world premiere tomorrow at SXSW in […]
After self-releasing his first feature film, Box Elder, around the country in 2008, director Todd Sklar has had a successful run of it with major U.S. film festivals. His short ’92 Skybox Alonzo Mourning Rookie Card premiered at Sundance in 2012, which he has made into the feature Awful Nice. Co-written by Sklar and Alex Rennie, Awful Nice follows the misadventures of two brothers who travel back home to Branson, Missouri, to put their recently deceased father’s estate in order. Starring Christopher Meloni, Alex Rennie, and James Pumphrey, Awful Nice premiers in the Narrative Feature Competition category tomorrow at SXSW. Filmmaker: Awful Nice is an expansion […]
Andrew Cohn and Davy Rothbart have been friends since childhood, when they used to shoot hoops together in their hometown of Ann Arbor, Michigan. Since then, Rothbart has become a contributor to This American Life and an acclaimed writer of short fiction and personal essays, and also had his (Manti Te’o-esque) tale of a phone romance with someone who turned out to be a guy adapted into the 2009 film Easier with Practice. Rothbart and Cohn collaborated a few years ago on FOUND: People Find Stuff. Now It’s a Show, the off-Broadway show based on the magazine Rothbart started. Now they […]
In the astounding and lyrical Elena, Petra Costa charts the journey of her charismatic, troubled older sister from their youth in Brazil to their year abroad in New York, where Elena is consumed by her pursuit of an acting career. Juggling found footage, voiceovers, interviews, and visual metaphors with effortless aplomb, Elena maintains the utmost intimacy despite the far-reaching chronology and geography of its subject. Elena is a love letter to her lost soul of a sister, and Costa’s gaze is as honest in its examination as its reverence. In fitting fashion, Costa recorded her responses to Filmmaker’s questions, with […]
Sometimes a story is too compelling not to tell, and that certainly was the case when first-time filmmaker Lotfy Nathan came across the 12 O’Clock Boys — a dirt bike street gang which terrorizes the police, who are forbidden to chase them — while a student in Baltimore. Immersing himself in the world of the riders, Nathan found a protagonist for his documentary in the precocious Pug, a 13-year-old self-professed “man” whose dearest dream is to become a member of the gang. Part coming-of-age movie, part gripping, real-life action film, Nathan’s debut — which went through the IFP Documentary Labs […]
The primarily documentary director Keiran Evans was fortunate enough to know writer Niall Griffiths before he wrote Kelly + Victor, which Evans has adapted into a feature film. Evans’ relationship and familiarity with Griffiths and his work facilitated him to adapt the cinematic novel into the screenplay of Kelly + Victor. The gritty drama about a young couple finding themselves in love in Liverpool makes its North American premiere tomorrow at SXSW, after a world premiere at the London Film Festival in October. While Kelly + Victor is Evans’ first narrative film, he approached the movie’s subjects as he would a documentary — as […]