Filmmaker Magazine‘s coverage of the Cannes Film Festival will begin soon. Today is day one; here are some contextual items of interest while waiting for the first reviews and interviews to roll in. • Fandor‘s David Hudson rounded up the largely scathing reviews for opening night selection Grace of Monaco, as well advance writing on the festival, including interviews with festival heads Gilles Jacob and Thierry Fremaux, on the defensive against charges that (among other things) Cannes recognizes the same safely-established world cinema directors year after year. • The main jury convened for a press conference, where head juror Jane […]
Temperature rise can mean crumbling Antarctica glaciers, but, in New York at least, it also means the arrival of Rooftop Films. Now, this essential screening series is crowdsourcing a membership drive on Indiegogo that will support what is a killer 2014 line-up. Join by Wednesday at midnight and receive, in addition to tickets and season passes, bonus gifts including mugs, posters, DVDs and admission to VIP events. Check out this year’s lineup (which includes, this Saturday, our current cover film, Obvious Child) at the Rooftop site and consider joining — in the next day! — at the Indiegogo page.
IFP ANNOUNCES DOCUMENTARY LINE-UP FOR ITS ANNUAL INDEPENDENT FILMMAKER LABS 2014 Marks the 10th Anniversary of Yearlong Mentorship Program Brooklyn, NY (May 12, 2014) – The Independent Filmmaker Project (IFP) announced today the ten documentaries selected for the 2014 Independent Filmmaker Labs, IFP’s annual yearlong fellowship for first-time feature directors. The creative teams of the selected films, chosen from a national pool of 200+ submissions, are currently attending the first week’s sessions – The Time Warner Foundation Completion Labs – taking place May 12-16 in New York City. The Narrative Lab selections will be announced in June. The Independent Filmmaker Labs are […]
Given the bullpen of entrepreneurial ventures populating its space, it seemed only fitting that the MINY Media Center by IFP would have an inaugural demo day. At their campus in Dumbo, Brooklyn last Thursday, four of the Media Center’s “incubators” offered a ten-minute pitch before fielding questions from a panel of experts — a first from all two of the demo days I’ve attended, that proved a welcome inclusion. The central undercurrent running across the four startups’ presentations was economical storytelling, or, how to tell stories in the most effective manner possible. Blank on Blank, the brainchild of media producer David Gerlach, […]
Most festivals mixing movies and music include the former as an afterthought, even if they’re lovingly programmed. That’s certainly the case at SXSW, the granddaddy of them all, and attendance at the film programs of nascent music festivals across the country bears this out. Indie film audiences skew older if not whiter than indie music audiences, so a conundrum is born: how does one get indie films out in front of the same eyes that stare at Pitchfork every morning? It doesn’t seem that Pitchfork offshoot The Dissolve, as good a site as it is, will necessarily provide a solution; […]
I don’t know Kentucker Audley, but I can’t stop thinking about his tongue-in-cheek call for mediocre filmmakers to pledge to stop making films so that in a crowded environment the truly talented can shine. Recently I’ve been wondering if his Change.org petition should be expanded to film festivals as well, many of which are erstwhile enablers of said mediocrity. As a whip-smart producer friend of mine once told me, “The world needs another film festival like it needs another strip mall.” Which brings me to the event that started this whole thought process. In late February I attended the Richmond […]
Just as the snow began to melt, the sun began to shine and the mercury began to rise after a brutal winter in New York City, I hopped aboard a plane to Colorado to attend the 23rd annual Aspen Shortsfest. The festival takes place April 8-13 in the aftermath of ski season, when the snow on Ajax Mountain turns to slush and Aspen’s high-end boutiques appear empty. The Wheeler Opera House gets packed full of seasonal citizens either at the tail end of their winter stay or just getting into town to prep for the summer rush. Though the festival […]
BAMcinemaFest has announced the lineup for its sixth annual edition. The Brooklyn festival opens with Boyhood and closes with a 25th anniversary screening of Do The Right Thing; in between, Bong Joon-ho’s Snowpiercer will serve as a centerpiece, while David Wain’s forthcoming romantic comedy satire They Came Together will be highlighted in a special screening. But the meat of the festival is in its overview of current festival circuit films, and this year there are 25. Below, the titles, brief synopses from BAM’s press release and links to relevant material we’ve published on the movies in the past: 10,000KM (Carlos […]
A more consolidated, off-the-beaten-path cousin to Rooftop Films, the Northside Film Festival will take place from June 16 – 19, in and around Williamsburg, Brooklyn. Priding itself on partnerships, Northside will co-present a number of New York premieres and Special Screenings in conjunction with the likes of IFP, DCTV, BAMCinemaFest, Women Make Movies and Indiewire. Films to keep an eye out for include recent Tribeca winner Ne Me Quitte Pas, Homemakers, The Badabook, i hate myself :), Summer of Blood, and retrospective showings of Daises and Seventeen (in 16 mm). Entries in the festival’s DIY competition will compete for a prize package including filmmaker services at DCTV, a […]
“There are more people here this year, but less money.” That’s how one veteran Canadian documentarian summed up the market at Hot Docs, North America’s largest documentary festival, which just wrapped in Toronto. At workshops and cocktail receptions, the chatter was as dark as the skies outside. Broadcasters here and abroad continue to slash their development and production budgets, and that’s forced doc directors to crowdfund on Indiegogo and Kickstarter to make up (part of) the shortfall, while others just leave the business. Sure, there were great films unveiled over the past 10 days at Hot Docs. Thomas Wallner’s Before The Last […]