At the 2013 Sundance Film Festival, Filmmaker magazine asked a series of directors to talk about the films they were excited about at this year’s event. Here Frances Bodomo, writer/director of the short Boneshaker, offers her recommendation.
At the 2013 Sundance Film Festival, Filmmaker magazine asked a series of directors to talk about the films they were excited about at this year’s event. Here Hannah Fidell, writer/director of A Teacher, talks about the films she is looking forward to seeing.
At the 2013 Sundance Film Festival, Filmmaker magazine asked a series of directors to talk about the films they were excited about at this year’s event. Here James Ponsoldt, director of The Spectacular Now, offers his recommendations.
At the 2013 Sundance Film Festival, Filmmaker magazine asked a series of directors to talk about the films they were excited about at this year’s event. Here Jonas Carpignano, writer/director of the forthcoming feature A Chjàna, offers his recommendations.
The Dirties may very well be some kind of terribly depressing cautionary tale or it may just be that the joke is on us, but this debut film from Matt Johnson, who also stars and co-wrote, couldn’t be more topical. It’s bound to cause much discussion should it find larger audiences, and perhaps even if it doesn’t, as the spectre of school shootings hangs heavy in many hearts this winter.The most talked about film at this year’s Slamdance even before winning the festival’s Grand Jury Prize at a ceremony last night at Park City’s Treasure Mountain Inn, Johnson’s film is […]
The Film Society of Lincoln Center announced today the lineup for the upcoming 13th edition of Film Comment Selects (February 18-28), Film Comment magazine’s eclectic film festival. The roster is hand-picked by the magazine’s editors and contributors from their travels around the international festival circuit. Highlights include 104-year-old Portuguese director Manoel de Oliveira’s Gebo and the Shadow, Antonio Campos’s engrossing portrait of a serial killer-in-the-making Simon Killer, Marco Bellocchio’s compelling drama Dormant Beauty starring Isabelle Huppert, Sergei Loznitsa’s gritty World War II drama In the Fog and James Benning’s Stemple Pass, which contemplates the life of Unabomber Ted Kaczynski. Exciting new […]
Last night, the winners of the Slamdance Film Festival were announced. The Grand Jury Prize on the narrative side was awarded to Matt Johnson’s The Dirties, arguably the buzz title of the festival, in which two teens set out to make a movie about the bullies who are making their lives a misery. In the doc section, the main award went to Nicole Teeny’s Bible Quiz, about a lovelorn teen hoping to win the National Bible Quiz Championship and the love of her team captain, which stood out to a jury which included Filmmaker‘s own Dan Schoenbrun. The audience awards for narrative and […]
“Sundance is our annual tradeshow,” a friend remarked to me at one of the very crowded parties this year. Indeed, it is a place to catch up, even if that short conversation is in line at a theater or at Starbucks instead of the kind of proper sit-down you’d have at Cannes or Berlin. Here are a few of the folks I bumped into at Sundance, beginning with, above, director Jehane Noujain, snapped on Heber Street just hours before the premiere of her latest documentary, The Square. I was knocked out by the film, which is a vivid and expertly […]
I’m looking out my window right now and I don’t see mountains or snow. Miraculously, after 12 hours of traveling and functioning on about 15 hours of sleep over the last five days, I’m back in New York. Between packing up all my sweaters and saying goodbye to friends, I was still able to have a productive last day at Sundance though. I photographed a brunch the IFP and Sundance Institute hosted for film festival organizers, saw The Spectacular Now and Shane Carruth’s incredible Upstream Color, and made it up to Main Street only to be denied that free latte I […]
When I published my piece, “How To Do a Festival Q&A,” there was one word of advice from Trevor Groth that I wondered about: “#5: Don’t bring too many people onstage”: “It slows everything down and tends not to work with the vibe of a good Q&A,” says Groth about long lines of cast and crew marching to the stage after a film’s premiere. “Just bring the key actors and someone who played a crucial role — maybe a production designer or editor.” Apparently many of the Sundance filmmakers didn’t read my article — or heed Groth’s advice — because […]