Festivals & Events
Festivals & Events
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“Maintaining a Respectful Distance”: DPs Sushmit Ghosh and Karan Thapliyal on Writing With Fire
Rintu Thomas and Sushmit Ghosh’s feature debut Writing With Fire painstakingly follows Khabar Lahariya, India’s only all-female news network, as they transition from print to digital and challenge the caste system every step of the way. Ghosh acts as co-DP alongside Karan Thlapliyal on the film. The two discuss maintaining a respectul distance from their subjects and the inclement climate conditions of their filming. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Ghosh: When my codirector Rintu and I decided […]
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“Film as a Prayer”: Editors Jeanne Applegate and Dustin Waldman on Faya Dayi
Jessica Beshir’s feature debut Faya Dayi is all about khat, a plant native to Ethiopia harvested and known for its euphoric properties when chewed. On another level, the film is about khat’s cultural significance as a major cash crop, analyzing its role both economically, socially, and generationally. Editors Jeanne Applegate and Dustin Waldman share the fine line between crafting a visual drug trip and spiritual resonance, extracting meaning from beautiful images, and the liberatory aspect of editing a conceptual film. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led […]
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“Dalit Women as Colleagues, Bosses, Leaders and Risktakers”: Editors Rintu Thomas and Sushmit Ghosh on Writing With Fire
Rintu Thomas and Sushmit Ghosh’s feature debut Writing With Fire painstakingly follows Khabar Lahariya, India’s only all-female news network, as they transition from print to digital and challenge the caste system every step of the way. As a director duo, Thomas and Ghosh also took the massive undertaking of editing and producing their film, with Ghosh also acting as one of two cinematographers. The duo share their editing process, what it was like to respectfully but intimately capture the lives of the women of Khabar Lahariya, and reframing the image of Dalit women through editing. Filmmaker: How and why did you […]
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“The Most Cruel Form of Social Distancing”: Directors Rintu Thomas and Sushmit Ghosh | Writing With Fire
How did events of 2020—any of them—change your film, either in the way you approached it, produced it, post-produced it, or are now thinking about it? We had set up an edit studio at a friends’ place in the mountains and were busy working through the post-production when the lockdown was declared in India. That’s when it dawned that we couldn’t head back to Delhi, where our home is, nearly 600 kilometers away. Our consultant editor, the amazing Anne Fabini, was supposed to join us for two weeks. Just a few days before she was scheduled to travel, the travel […]
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“Online Dating Operates Through a Skein of Lenses”: DPs Martin DiCicco and Daniel Claridge on Searchers
Dating’s complicated arc during the pandemic has been lovingly captured in Pacho Velez’s documentary Searchers. Whether on Grindr, Tinder, or any other app, the question “what are you looking for?” varies from person to person amid the chaos of mid-COVID New York City. DPs Martin DiCicco and Daniel Claridge tell us how they framed Velez as one of the film’s most vital subjects as well as the parallels between film and dating profiles. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this […]
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“A Portrait So Specific and Singular in Time”: Editors Katharine McQuerrey and Anthony Valdez on El Planeta
Amalia Ulman’s El Planeta is a modern day picaresque, following a young fashion student and her mother as they grift their way into small riches amid the backdrop of post-financial crisis Spain. The film explores consumerism, gendered expectations, and class with devilish humor. Editors Katharine McQuerrey and Anthony Valdez discuss bringing the city of Gijón to life and the difficulty of making a Skype call feel urgent and real. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? McQuerrey: I […]
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“My Film Family Was Atomized”: Director Jamila Wignot | Ailey
How did events of 2020—any of them—change your film, either in the way you approached it, produced it, post-produced it, or are now thinking about it? Ailey was made in fits and starts over a period of four years. We’d raise a sum of money to cover one portion of the process, spend the money, stop down, raise more money. Rinse repeat. Stopping down and starting is always tough. You lose momentum or you risk losing key collaborators. By 2019, we’d completed the bulk of production and we were trying to figure out whether to start up our edit when, […]
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“I Wanted the Film to Feel Like an Online Dating Hall of Mirrors”: Pacho Velez on his Sundance-Debuting Searchers
As someone who came of age at a time when looking for a potential partner(s), be it for a lifetime or one night, was less a neat calculated exercise and more a messy spontaneous surprise, I’ve never quite understood the appeal of online dating. Seeking love and/or sex via swipe just always seemed creepily clinical and controlled, cold and robotic — about as sexy as in vitro fertilization to my mind. And yet watching Pacho Velez’s Searchers, an exploration of online connecting through the eyes (literally, as Velez’s Interrotron-style setup allows his characters to look directly at us as they […]
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“I Usually Avoid Celebrating Birthdays, But it Felt Important to Embrace This One”: Director Pacho Velez | Searchers
How did events of 2020—any of them—change your film, either in the way you approached it, produced it, post-produced it, or are now thinking about it? I imagine that many directors are writing about COVID or the BLM protests, and both of those events shaped Searchers, but I also experienced a more personal milestone—my fortieth birthday. I usually avoid celebrating birthdays, but it felt important to embrace this one. Then came the pandemic, and I spent the day like every other lockdown day, reading the news, listening to podcasts, and experimenting in the kitchen. Besides the symbolic weight of forty, […]
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“The Uncanny Similarities of a Town Dealing with a Fast-Spreading Curse”: Director Sean Ellis | Eight for Silver
How did events of 2020—any of them—change your film, either in the way you approached it, produced it, post-produced it, or are now thinking about it? It didn’t affect us at all except the uncanny similarities of a town dealing with a fast-spreading curse that forces them to stay in their homes and board all the windows shut in order to avoid any unwanted exposure to it (insert funny pandemic virus emoji being chased by a hypodermic needle and a werewolf here). (Check back daily during the festival — new answers are uploaded on the day of each film’s premiere. […]
