New York-based filmmaker Riley Hooper has just posted online his short doc, Flo, about blind New York street photographer Flo Fox. The film has played numerous festivals, including Rooftop Films, Hot Docs and the Hamptons, and it won a Grand Jury Prize at DOC NYC. In the words of the filmmaker: This 10-minute documentary explores the life and work of photographer Flo Fox, who, despite blindness, multiple sclerosis, and lung cancer, continues to shoot the streets of New York City. No longer able to hold a camera, she instructs her aides to take photos for her. She’s an incredible woman […]
A film I’ve been looking forward to for some time is Leah Meyerhoff’s I Believe in Unicorns, which I saw in rough cut at the IFP Narrative Lab. I was tremendously impressed with what I saw then, particularly the emotional sensitivity of its direction and central performances. The film is now finished, and premiering at SXSW. And there’s a Kickstarter campaign. Check out the new teaser above, read information from the filmmakers about the film below, and consider donating: I Believe in Unicorns is Leah Meyerhoff’s debut feature film which tells the story of a teenage girl who gets in […]
Filmmaker and dancer Lily Baldwin premieres here at Filmmaker the first episode in her new series of short films, The Paperback Movie Project. Each short “is an interpretation of a novel and explores the fluid relationship between a reader and the book’s characters.” The debuting piece is titled “A Juice Box Afternoon,” and it tells “the story of Anne Morrow Lindbergh through her own writing as she comes of age, meets Charles Lindbergh, and experiences flight in more ways than one.” Following her breakthrough at SXSW 2012 with the dreamscape thriller Sea Meadow,Baldwin’s next short, Sleepover LA, will world premiere […]
Miami-based filmmakers Jillian Mayer and Lucas Leyva — two of Filmmaker‘s 25 New Faces — have been touring the festival circuit with their short film, #PostModem, which they describe like this: “[It’s] a comedic satirical sci-fi pop-musical based on the theories of Ray Kurzweil and other futurists. It’s the story of two Miami girls and how they deal with the technological singularity, as told through a series of cinematic tweets.” For the first time this insanely infectious riff on virality and uploaded consciousness is online. Watch it above, and try to keep its K-Pop-styled song out of your head.
Best known as Andrea Arnold’s right-hand man, Robbie Ryan has a surprisingly large number of short film credits for a cinematographer of his standing. While the majority of d.p.s graduate to the feature format and stay put, Ryan has shot a whopping 14 shorts since his breakthrough lensing on Fish Tank. Beyond a steadier flow of income, short films afford Ryan a sort of trial period with directors. Speaking in an in-depth interview with Barry Ackroyd (d.p. of Captain Phillips, The Hurt Locker) at the 28:25 minute mark, Ryan puts it plainly: “I think the reason I do short films […]
Following in the footsteps of his debut The Men of Dodge City, Nandan Rao has released his second film Hawaiian Punch for free on Kentucker Audley’s No Budge site. (Just because Kentucker is no longer making independent films, doesn’t mean he can’t afford to support them.) The 66-minute tropical excursion tracks two Mormons (Nicholas Boissonneault, Tor Kristian Anestad) through quotidien, Minimalist circumstances. Though Rao runs Simple Machine, which connects filmmakers with theatrical screening opportunities, at least a fraction of his loyalties appear to lie online.
Following strong notices in Berlin, Anja Marquardt’s debut feature, She’s Lost Control, receives its U.S. premiere at this week’s upcoming SXSW Film Festival. The intense psychological drama, executive produced by writer/director Oren Moverman, considers the meanings and cost of intimacy through its focus on a professional sex surrogate. Premiering here at Filmmaker is the film’s newest trailer.
Credited to a fellow by the name of Savage, What Do You Want From Me? (I Asked You A Thousand Times) gets at more than just the familiarity of that knee jerk line. Writes the maker of this clip collage: “Driven by a fascination into the cult of celebrity and the desire to be famous being a ubiquitous career aspiration in many, this collection of hundreds of film clips delivers an insistent, repetitive and seemingly pointless question that offers as much empty promise as the fame to which so many seek.” This grim probe, “perhaps a wider paradox to the […]
There’s a case to be made for viewing any old film in the theater, but few seem to demand the widescreen format like the work of Michelangelo Antonioni. Every frame of L’Avventura, the first entry in his monumental early 60s trilogy, is unusual and breathtaking in its construction. In the above video, fellow filmmaker Alain Robbe-Grillet (screenwriter of Last Year at Marienbad) discusses how Antonioni’s rejection of meaning and a closed-circuit narrative defined the Modernist aesthetic. Positioning him against the plot heavy Hitchcock, Robbe-Grillet notes the elusiveness of Antonioni’s intentions: “What you see is very clear, but the meaning of the images in constantly […]
For our Winter issue, experimental documentarian Godfrey Reggio, along with his producer Jon Kane and d.p. Trish Govani, explored the significance of selected stills from his latest film Visitors. A revealing exercise for any filmmaker, Reggio’s excerpts carry far more weight than they would for most: the eight shots account for more than 10% of the film. Comprised of only 74, 4K black and white shots, the Philip Glass-scored Visitors is a meditation on the act of spectatorship, as the viewer unflinchingly gazes at 70+ second takes of faces, swamplands, disembodied hands and the moon. In the above video for The Creators Project, Reggio extols […]