Far more whimsical than his down-the-middle abrasive character sagas Ape and Buzzard, Joel Potrykus’s 2010 short Coyote relates an outward manifestation of inner demons. Played by regular collaborator Joshua Burge, the Coyote in question is a heroin addict who trolls downtown Grand Rapids in between binges at his rundown compound. Replacing tirades with tunes, and low-grade digital with Super 8, Coyote presents a more curious Potrykus, whose character is guided by circumstance as much as his malcontent.
We’ve been on a bit of a Kubrick kick lately, and here’s another tidbit to add to the heap. Dubbed “one-point perspective,” the above video showcases the symmetrical framing — often from a down-the-corridor POV — in Stanley Kubrick’s The Shining, 2001: A Space Odyssey, A Clockwork Orange, Full Metal Jacket, Barry Lyndon, Eyes Wide Shut and Paths of Glory. Set, for dramatic effect, to Clint Mansell’s “Lux Aeterna,” the collage demonstrates the versatility of the shot, as it adopts a humorous stance (Alex DeLarge slurping spaghetti) and a one filled with dread (Jack Torrance, the twins).
A few weeks out from its release, here’s the first trailer for Volume II of Lars von Trier’s Nymphomaniac. There not much going on here that hasn’t already been introduced, so I’ll take the opportunity to point you toward Charlotte Gainsbourg’s interview in New York Magazine. The article offers insight into her intriguing relationship with von Trier, but also gifts us this nugget: One thing she’s not entirely happy with: the casting, as Joe’s younger self, of English actress Stacy Martin. (Nymphomaniac is, for some reason, supposed to be set in the U.K., though like most of von Trier’s films it’s really set in a darkly […]
For the Society of Camera Operators 2014 Lifetime Achievement Awards Bob Joyce edited this supercut showing, in just under four minutes, the evolution of the movie camera, from the box-y instruments used by the Lumiere Brothers through massive 70mm rigs to, more recently, tiny handheld and wearable devices. Indeed, what’s fascinating here are the alternations of large and small. For much of cinema’s lifetime, there was a push-pull going on, with larger units enabling better picture quality and resolution while, simultaneously, smaller cameras were developed enabling greater mobility. But, as the piece shows, with technological developments these two trendlines may […]
(Full disclosure: Chris Bell is a friend and his feature film The Winds That Scatter, due to hit the festival circuit this year, is great, so I’m getting the word out now.) In this single-take short, Chris Bell layers on the vérité. Perched behind a bench in a transit hub, his camera watches as a crane rises to the ceiling, two men greet one another and an off-screen voice breaks the fourth wall. It’s unclear as to whether any of the action was previously orchestrated or Bell merely whipped out his camera in the moment, and it’s probably best to keep it […]
Expect to be hearing a lot more from me on Under The Skin in the ensuing weeks. The film is pretty much flawless. One of its innumerable exciting aspects extends beyond the glossy finished product, and into its production. Director Jonathan Glazer and his team rigged Scarlett Johansson’s abduction vehicle with eight cameras, allowing her to freely cruise the Glasgow streets and lure actual pedestrians to her van. They’d drop her in a mall, a busy intersection, and let the scene unfold before their very eyes. In the above featurette, Glazer, Johansson and producer James Wilson discuss the film’s guerrilla production, among […]
Opening Night of Tribeca Film Festival’s Viewpoints section, Onur Tukel’s Summer of Blood looks to be the latest entry in the genre that keeps on giving: vampires. Despite his average Joe likeness, Erik Sparrow (Tukel) seems to have a lot going for him: a good job, stable relationship, all against the thriving backdrop of New York City. Things take a sharp downturn when his girlfriend Jody (Anna Margaret Hollyman) goes out on a limb and proposes to him, and the pompous Erik rejects her offer. Drowning in a post-breakup malaise, Erik is fortuitously bitten by a vampire and revitalized in mind, […]
New York-based filmmaker Riley Hooper has just posted online his short doc, Flo, about blind New York street photographer Flo Fox. The film has played numerous festivals, including Rooftop Films, Hot Docs and the Hamptons, and it won a Grand Jury Prize at DOC NYC. In the words of the filmmaker: This 10-minute documentary explores the life and work of photographer Flo Fox, who, despite blindness, multiple sclerosis, and lung cancer, continues to shoot the streets of New York City. No longer able to hold a camera, she instructs her aides to take photos for her. She’s an incredible woman […]
A film I’ve been looking forward to for some time is Leah Meyerhoff’s I Believe in Unicorns, which I saw in rough cut at the IFP Narrative Lab. I was tremendously impressed with what I saw then, particularly the emotional sensitivity of its direction and central performances. The film is now finished, and premiering at SXSW. And there’s a Kickstarter campaign. Check out the new teaser above, read information from the filmmakers about the film below, and consider donating: I Believe in Unicorns is Leah Meyerhoff’s debut feature film which tells the story of a teenage girl who gets in […]
Filmmaker and dancer Lily Baldwin premieres here at Filmmaker the first episode in her new series of short films, The Paperback Movie Project. Each short “is an interpretation of a novel and explores the fluid relationship between a reader and the book’s characters.” The debuting piece is titled “A Juice Box Afternoon,” and it tells “the story of Anne Morrow Lindbergh through her own writing as she comes of age, meets Charles Lindbergh, and experiences flight in more ways than one.” Following her breakthrough at SXSW 2012 with the dreamscape thriller Sea Meadow,Baldwin’s next short, Sleepover LA, will world premiere […]