Cinematography
Filmmaking - Cinematography
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“If You Put Up a Video Village You’re Going to Get 10% Less Material Every Day”: DP Giles Nuttgens on Hell or High Water
In Hell or High Water two brothers (Chris Pine and Ben Foster) embark on a spree of heists intended to fleece predatory Texas banks, with an about-to-retire Texas Ranger (Jeff Bridges) hot on their heels. The film is an elegy to a dying way of life – not only for family ranchers Pine and Foster, but also for lawman Bridges. Making the movie was an elegy of sorts as well for cinematographer Giles Nuttgens, a vocal celluloid proponent who ultimately opted to shoot with an Alexa Studio on the project. In the words of another great western requiem The Wild […]
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Kelly Reichardt on Shooting Certain Women on 16mm, the Ugliness of the Day, and Making the Space Tell the Story
In the more than two decades since her stunning debut film River of Grass premiered at Sundance in 1994, Kelly Reichardt has managed to carve out a unique niche for herself in the independent film world. Her distinctive and uncompromising body of work includes Old Joy, Wendy and Lucy, Meek’s Cutoff, Night Moves, and her latest, Certain Women, which premiered at the 2016 Sundance Film Festival. Written and directed by Reichardt and based on the short stories of Maile Meloy, Certain Women stars Laura Dern, Kristen Stewart, Michelle Williams, James Le Gros, Jared Harris, Lily Gladstone and René Auberjonois. Shot by frequent collaborator, DP […]
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Canon Surprises With Two Camera Announcements
Canon has announced two new cameras, one expected, the other a bit of a surprise: the Canon 5D Mark IV and the Canon C700 Cinema Camera. Ever since the amazing success of the Canon 5D Mark II, the announcement of new cameras from Canon has tended to provoke a fairly standard response from bloggers and social media; in their still cameras, the video functions are always considered hobbled in some way, and their video cameras are always too expensive and don’t have the features found in some of the latest cameras. And then Canon sells a boatload of the cameras, […]
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86 Pages in 12 Days: DP Eve M. Cohen on Shooting Be Somebody
Eve M. Cohen studied art as a painter and a photographer in undergrad, and received a Master’s in cinematography from UCLA. Beginning work in narrative film and documentary, she has most recently been diving into virtual reality, and filming interviews for an unscripted series on TV. “I don’t focus on one kind of filmmaking,” she says. “I really like a variety.” In this first part of the interview, she talks about shooting the narrative feature film Be Somebody that was shot in December, and released in July. In the second part of the interview she talks about shooting for virtual […]
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Because Breaking Up is Hard to Do
As a cinematographer, I’m always looking for the perfect marriage: the director I can lock eyes with to communicate volumes without uttering a word. Someone who knows how to use my work to its best potential, who can challenge my ideas about filmmaking and push me to reach places I didn’t think I could — and then keep going. In my dreams, it never starts and ends with one film. It’s a lifelong journey to seek out something greater. All my heroes have these sorts of relationships: the Coens and Deakins, Allen and Willis, Iñárritu and Prieto (maybe now Lubezki?!). When meeting with directors, […]
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Get MōVI Level Shots From Your GoPro With This Stabilizer from Polaroid
Polaroid sent over their handheld 3-axis stabilizer for GoPro for a hands on review. In the video below I do a run through of the device along with taking it out for a spin with some test footage. At $180 it’s one of the least expensive gimbals for GoPro, and the shots are impressively smooth. Controlling the camera takes a little getting used to. It works with the HERO 3/3+/4. You can use it with or without an LCD BacPac (it includes a spacer when using it without). I caved and bought the screen because it was getting hard to operate holding a phone […]
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Watch: Which Movies Have the Greatest Cinematography?
Over at Fandor Keyframe, Scout Tafoya muses about what makes a great cinematographer. “None of us seems to quite have the same definition of great photography,” he intones. “It seems that none of us agree what a cinematographer is supposed to do, what their relationship is with the image, the camera itself.” He asked dozens of critics to select ten films that feature their version of ideal photography in order to see if there was any common ground among them. He then created a video essay (above) analyzing the films that received the most votes, including The Tree of Life, The […]
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Kodak and Kickstarter Launch Program for Indie Filmmakers to Shoot on Film
Despite outliers such as Alex Ross Perry and Todd Haynes, the general consensus among independent filmmakers is that shooting on film is too expensive to be feasible. Over the past year, Kodak has been working to get the word out that shooting on film is a possibility – even for low-budget indies. Along with Kickstarter, the Eastman Kodak Company today announced a new initiative to support independent filmmakers who want to shoot on film. The program is open to cinematographers launching a Kickstarter campaign in order to bring their vision to life using 35mm or 16mm film. Four directors with upcoming Kickstarter campaigns […]
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Watch (and Read): Video Tribute and Interview with D.P. Jeff Cronenweth
With Josh Maczinski’s tribute to Jeff Cronenweth popping up around the interwebs, here’s a good time to post, alongside it, Jamie Stuart’s 2014 interview with the cinematographer. Maczinski’s supercut surveys favorite scenes from films like Gone Girl, The Social Network, Hitchcock and One-Hour Photo. Stuart’s interview gets deep into it regarding digital technology, lens choices and a lot more. Here is Cronenweth on Fincher’s use of digital tools: But it’s part of David’s tenacity in making sure that every image supports the story and nothing ever unsettles an audience member unintentionally. In other words, you see everything you’re supposed to […]
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Atomos Announces 7” HDR Field Monitor/Recorders that can Display Log Footage
Atomos has announced the Atomos Flame series of field monitor/recorders. These new units feature 7” 1920x 1080 resolution screens with 1,500 nits of brightness — four times the brightness of their existing screen. Atomos claims it’s the world’s brightest and widest dynamic range panel in a field monitor. But what is HDR footage? Atomos CEO and co-founder Jeromy Young explains that if you have a camera that shoots in a Log format, and that will output that over SDI or HDMI, you already have an HDR camera. The problem is that it can be difficult to see what that Log image is […]
