Directing
Filmmaking - Directing
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Sibling Cinema: A Brother-Sister Perspective on Indie Film
Lumière, Cohen, Zucker, Farley, Duplass, and Polish. All siblings in cinema. Are siblings just genetically inclined to be good partners? My sister Eva and myself are not your garden-variety filmmaking partnership. We’re brother and sister, bound by shared nature and nurture. We formally joined professional forces in 2003 and founded Last Ditch Pictures, now a full-service production company spanning the gamut: commercials and industrials and shorts, editing and scoring and visual effects, and — closest to our hearts and common circuitry — features. I sat down with my sister over the weekend, having just completed post production on our fourth […]
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“Don’t Go Through The System”: John Singleton Talks in Toronto
John Singleton was raised on silent movies. The 45-year-old director of Boyz in the Hood and the Shaft remake grew up next to the Century Drive-In in Inglewood, California. As a boy, he’d literally peek out his window and watch his heroes Bruce Lee and Billy Jack‘s Tom Laughlin battle on-screen without sound. “The first breast I saw was Pam Grier’s,” Singleton confessed to a rapt audience at Toronto’s TIFF Bell Lightbox Tuesday night, hosted by director Clement Virgo as part of the city’s Black History Month celebrations. “Every time I see Pam Grier I tell her, ‘You made me want […]
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Sam Neave, Almost in Love
Director Sam Neave and his producer/star Marjan Neshat are both Iranian-born, but the films they tend to make together — including 2003’s Sundance entry Cry Funny Happy and their terrific new two shot high-wire act Almost in Love — focus on the romantic travails of upper-middle-class Westerners in ways that are as funny as they are earnest. Their newest film, despite its intentionally schematic, downright arty structural contrivance, is a surprisingly rich meditation on friendship, the difficulty of settling down and the importance of being earnest. Performed in humorous and melancholy shades by an odd assortment of performers, most notably Ms. Neshat, Gary Wilmes, Alan Cumming and Alex Karpovsky — who […]
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Five Questions with Bully Director Lee Hirsch
Far more insidious than strep or the flu, Lee Hirsch’s Bully investigates a different sort of contagion infiltrating classrooms across the country. Centering on the South and Midwest — Georgia, Iowa, Texas, Mississippi, and Oklahoma — Hirsch and his crew peer into the lives of families and children that are dismantled and uprooted by relentless acts of bullying. While most surrender to the cyclical ostracizing, downplaying the shame before their parents and superiors, others seek solace in suicidal measures. Following its premiere at the 2011 Tribeca Film Festival, Bully shocked and educated audiences with its frank portrayal of the ramifications […]
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Five Questions with I Send You This Place Directors Peter Ohs and Andrea Sisson
The debut film from husband and wife team Peter Ohs and Andrea Sisson (also known collectively as Lauren Edward, a composite of their middle names), I Send You This Place is a very unconventional documentary which tackles themes of mental health, creativity and the natural world through the prism of the couple’s trip to Iceland. Gorgeously shot and made with genuine invention by Ohs and Sisson — whose backgrounds in science and design bring a fresh approach to their interpretation of the non-fiction form — I Send You This Place establishes the pair as directors with a bright future. Filmmaker spoke to the […]
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Matt Boyd on A Rubberband is an Unlikely Instrument (+ Exclusive Teaser)
In the quickly gentrifying Brooklyn neighborhood of Greenpoint during the mid-aughts, Walter Baker — a collector of sound, a street musician, a man of many talents and eccentricities — lives with his wife Andrea, a poet, and their adolescent son Sidney. Baker spends his days rummaging through barren lots and decaying Greenpoint docks recording sound, or lurking in the subway, using an extra large rubber band to make unearthly yet remarkably compelling quasi-music. Baker’s skills on the rubber band improve throughout Matt Boyd’s singularly self-possessed, unforgettable doc-narrative hybrid A Rubberband is an Unlikely Instrument, while his home life becomes more […]
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Director Cate Shortland on Lore
In telling the story of Lore (Saskia Rosendahl), a 14-year-old daughter of Nazi parents who travels across a devastated Germany in 1945, Cate Shortland’s Lore, adapted from Rachel Seiffert’s novel The Dark Room, plays with fire. As the director acknowledges, it could easily be misread as a statement that (Gentile) Germans were also victims of World War II. Instead, the film suggests what it’s like to fall from great privilege. Without fully understanding what it means to be a Nazi and what responsibility for evil her parents hold, Lore goes from being rich and well cared for to being treated […]
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Film Forum’s ‘New Yawk New Wave’ Isn’t Over
New Yawk New Wave has been running at Film Forum since January 11 but still has a couple of precious days of life left. In a way, it’s one of the more ambitious curatorial projects to emerge from the theater’s august archivists. The series isn’t bound to a single era (it encompasses the period from 1953 to 1973), genre (everything from madcap comedy to downcast drama makes an appearance), or even style (there’s New Wave, cinema vérité, post-noir, and whatever you want to call Robert Downey Sr.’s still-photos-plus-voiceovers oddity, Chafed Elbows). Besides New York origins, the main thing this wildly […]
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“Tough Little Stories”: Director Walter Hill at 92Y Tribeca
Tuesday night at 92Y Tribeca in downtown Manhattan, critics Nick Pinkerton and Nicolas Rapold presented Walter Hill’s 1981 Southern Comfort and the man himself afterwards. “I’m very pleased that you’re looking at this movie 30 years later,” Hill first said when sitting down for a 57-minute Q&A. “You’ve made an old man happy. The movie, when it came out, got mostly bad reviews and did absolutely no business. Did better in Europe and Asia.” “Did better in Europe and Asia” is a common lament for American director prophets without honor in their own country. Hill’s not precisely one of those […]
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Tempo: A budget VFX lesson from Seth Worley and Red Giant
Red Giant is known for their effects software, including Magic Bullet Looks, Colorista and Trapcode Particular. But they are also developing a name for themselves with a series of short films that are both entertaining and great demos of how-to-do effects on a budget. It probably doesn’t hurt that they also demonstrate how to use their software too! Director Seth Worley and Aharon Rabinowitz, director of Communities at Red Giant, spoke at a recent meeting of the Boston Creative Pro Users Group about the production of their latest short, Tempo. Worley first came to Red Giant’s attention when the company […]
