Directing
Filmmaking - Directing
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Director Cate Shortland on Lore
In telling the story of Lore (Saskia Rosendahl), a 14-year-old daughter of Nazi parents who travels across a devastated Germany in 1945, Cate Shortland’s Lore, adapted from Rachel Seiffert’s novel The Dark Room, plays with fire. As the director acknowledges, it could easily be misread as a statement that (Gentile) Germans were also victims of World War II. Instead, the film suggests what it’s like to fall from great privilege. Without fully understanding what it means to be a Nazi and what responsibility for evil her parents hold, Lore goes from being rich and well cared for to being treated […]
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Film Forum’s ‘New Yawk New Wave’ Isn’t Over
New Yawk New Wave has been running at Film Forum since January 11 but still has a couple of precious days of life left. In a way, it’s one of the more ambitious curatorial projects to emerge from the theater’s august archivists. The series isn’t bound to a single era (it encompasses the period from 1953 to 1973), genre (everything from madcap comedy to downcast drama makes an appearance), or even style (there’s New Wave, cinema vérité, post-noir, and whatever you want to call Robert Downey Sr.’s still-photos-plus-voiceovers oddity, Chafed Elbows). Besides New York origins, the main thing this wildly […]
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“Tough Little Stories”: Director Walter Hill at 92Y Tribeca
Tuesday night at 92Y Tribeca in downtown Manhattan, critics Nick Pinkerton and Nicolas Rapold presented Walter Hill’s 1981 Southern Comfort and the man himself afterwards. “I’m very pleased that you’re looking at this movie 30 years later,” Hill first said when sitting down for a 57-minute Q&A. “You’ve made an old man happy. The movie, when it came out, got mostly bad reviews and did absolutely no business. Did better in Europe and Asia.” “Did better in Europe and Asia” is a common lament for American director prophets without honor in their own country. Hill’s not precisely one of those […]
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Tempo: A budget VFX lesson from Seth Worley and Red Giant
Red Giant is known for their effects software, including Magic Bullet Looks, Colorista and Trapcode Particular. But they are also developing a name for themselves with a series of short films that are both entertaining and great demos of how-to-do effects on a budget. It probably doesn’t hurt that they also demonstrate how to use their software too! Director Seth Worley and Aharon Rabinowitz, director of Communities at Red Giant, spoke at a recent meeting of the Boston Creative Pro Users Group about the production of their latest short, Tempo. Worley first came to Red Giant’s attention when the company […]
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Five Questions for Towheads’ Shannon Plumb
Premiering in Rotterdam, the disarming and oddly delightful Towheads is the feature debut of artist and experimental filmmaker Shannon Plumb. Exploring and extending aspects of her short-form Super-8 work within a feature context, Towheads is, on the surface, a familiar story of a bored housewife whose creative aspirations are stifled by the pressures of domesticity and the disinterest of a work-obsessed husband. But these frustrations are just the catalyst for a charmingly playful series of episodes in which Plumb’s character adopts various guises — a drag king, a pole dancer and many more — in an attempt to explore alternative […]
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Daniel Schechter, Supporting Characters
A genuine meditation on male friendship, the absurdities of indie moviedom and many different kinds of loyalty, Daniel Schechter’s Supporting Characters, a surprise hit at last year’s Tribeca Film Festival, sneaks up on you, its seeming limitations becoming its strengths over the course of its easy-going 87 minutes. Despite being shot in a fashion that recalls a comedy you might find on FX, Supporting Characters maintains an old-fashioned, craftsman-like quality about it; it’s written with feeling and humor that rings with truth, offering us characters whose lives are as complicated and full of ambiguity as our own. Alex Karpovsky and newcomer Tarik Lowe have […]
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Dave Grohl on Directing Sound City
Dave Grohl has a history of fruitfully redefining himself. After Nirvana self-destructed, he went from being the former drummer for one the most momentous rock bands of the 20th century to being the frontman for one of the biggest acts of the 21st, Foo Fighters. So it shouldn’t seem too surprising to find him making a successful broad jump from musician to documentarian, especially with a project is as close to his heart as Sound City. Opening its doors in 1969, L.A.’s Sound City Studios was low on frills and gloss, but boasted an almost magical live-room ambience and a […]
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Shooting the Short BART: an Interview with the Director and DP
When L.A.-based director Rich Landes was offered the chance to shoot a short narrative piece for Canon he jumped at the chance. Landes has extensive experience as a commercial director, but this was a chance to direct a narrative based on his own idea, and with few restrictions from the “client.” But first he had to come up with an idea and treatment in two days. Then he had to fly to New York and cast, find locations, and hire a DP in four days, and then shoot the whole thing over the course of two days. None of this […]
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Five Questions with Let My People Go! Director Mikael Buch
“On a set I feel like the strongest person in the world,” says Mikael Buch, quickly adding, “In real life, things are far more complicated!” Buch’s new film, Let My People Go!, is his first full-length feature. But in directing and co-writing this frisky combination of sexual farce, romantic comedy, and family drama revolving around a young, gay, Jewish Frenchman named Ruben (Nicolas Maury) and his international misadventures, Buch had some stalwart support, including co-writer Christophe Honoré and actor Carmen Maura (of Women on the Verge of a Nervous Breakdown fame). “All these people gave me the confidence I needed,” says […]
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Three Questions for Jonathan Demme
Academy Award-winning director Jonathan Demme has made Hollywood spectacles (The Silence of the Lambs, The Manchurian Candidate), eccentric indies (Rachel Getting Married, Something Wild), timeless rock docs (Stop Making Sense, Neil Young Journeys) and other unclassifiable delights. At the 12th annual Festival International du Film de Marrakech, Demme’s filmmaking legacy was honored with both a formal tribute, and an invite to give a “masterclass” to an enraptured Moroccan audience. Filmmaker sat down with Demme to discuss his iconoclastic career. Filmmaker: For decades, you’ve been slinking between narratives and documentaries. What interests you more? Demme: I’ve always followed my enthusiasm. If […]
