In celebration of the 25th season of PBS’ groundbreaking documentary series POV, Filmmaker is this week running a four-part conversation series between two non-fiction directors with close ties to the show. A few weeks ago, acclaimed documentarian Jennifer Fox — whose 20-year project, My Reincarnation, kicks off the 2012 POV season today — and The Last Conquistador director Cristina Ibarra, a relative newcomer to the non-fiction scene, sat down to talk about a variety of issues that arise from their work. Despite radically different backgrounds and, at the time of the conversation, being literally continents apart — NYC resident Fox was […]
In celebration of the 25th season of PBS’ groundbreaking documentary series POV, Filmmaker is this week running a four-part conversation series between two non-fiction directors with close ties to the show. A few weeks ago, acclaimed documentarian Jennifer Fox — whose 20-year project, My Reincarnation, kicks off the 2012 POV season this Thursday — and The Last Conquistador director Cristina Ibarra, a relative newcomer to the non-fiction scene, sat down to talk about a variety of issues that arise from their work. Despite radically different backgrounds and, at the time of the conversation, being literally continents apart — NYC resident Fox […]
In celebration of the 25th season of PBS’ groundbreaking documentary series POV, Filmmaker is this week running a four-part conversation series between two non-fiction directors with close ties to the show. A few weeks ago, acclaimed documentarian Jennifer Fox — whose 20-year project, My Reincarnation, kicks off the 2012 POV season this Thursday — and The Last Conquistador director Cristina Ibarra, a relative newcomer to the non-fiction scene, sat down to talk about a variety of issues that arise from their work. Despite radically different backgrounds and, at the time of the conversation, being literally continents apart — NYC resident Fox […]
In celebration of the 25th season of PBS’ groundbreaking documentary series POV, Filmmaker is this week running a four-part conversation series between two non-fiction directors with close ties to the show. A few weeks ago, acclaimed documentarian Jennifer Fox — whose 20-year project, My Reincarnation, kicks off the 2012 POV season this Thursday — and The Last Conquistador director Cristina Ibarra, a relative newcomer to the non-fiction scene, sat down to talk about a variety of issues that arise from their work. Despite radically different backgrounds and, at the time of the conversation, being literally continents apart — NYC resident Fox […]
If a massive UFO descended upon the city you lived in, what would you do? Would you cower in fear, waiting for rescue? Or would you rally a ragtag band of resistance fighters to confront this encounter of the third kind? Or maybe you would do nothing, waiting for the aliens to make the first move and inviting a cosmic game of chess with the fate of Earth at stake. Nacho Vigalondo offers his own answer to this question in his latest film, Extraterrestrial, a romantic comedy/science fiction synthesis about a love triangle struggling to resolve itself in the wake […]
Robert Downey Sr.’s films are ribald, socially-conscious, highly experimental works that make Richard Lester’s oeuvre seem polite and Godard’s plot-heavy. Though he achieved cult success with 1969’s Putney Swope, some of Downey’s other, more radical works from the period are arguably more interesting, and their revival by way of an Eclipse box set is exceptional news. Up All Night With Robert Downey Sr. brings together five early films which show the director at his unhinged best, and if nothing else should prove a hedge against Downey becoming a mere footnote to his more famous son’s career. A part of New […]
India-born, Toronto-bred Nisha Pahuja’s beautiful and poignant The World Before Her won the World Documentary Competition Award at Tribeca Film Festival, where it premiered a few weeks ago. And while Pahuja grew up and lives in Toronto, she still has a fascination for her homeland. The World Before Her is her third film, after Diamond Road and Bollywood Bound, and her second dealing with India. It presents two sides of the country. For one segment of the film, Pahuja’s crew follows 20 “Miss India” contestants as they endure the pageant’s controversial month-long training regimen. The audience accompanies the women on […]
The self-described “grandmother of performance art,” Marina Abramovic has for almost 40 years been one of the leading lights of a still-marginalized form. Born to ex-partisan parents in 1946, in the early days of Tito’s Yugoslavia, she is the fascinating subject of Matthew Akers’ new documentary, Marina Abramovic: The Artist is Present. Despite her international renown, the Belgrade-born, New York-based Abramovic failed to enter the public consciousness in the States until her blockbuster 2010 MoMA retrospective. Akers’ film is a sinewy tour through Abramovic’s peculiar life and working process as she embarks upon her most high profile performance yet, one […]
I first met writer/director K. Lorrel Manning and actor/producer Michael Cuomo at the Santa Fe Independent Film Festival, where we found ourselves the fish-out-of-water New Yorkers in a sea full of Southwest cinephiles. Their SXSW 2011 (sold out) hit Happy New Year is grounded in star Cuomo’s nuanced portrayal of a fictional outsider named Cole Lewis, a sergeant who served in the Iraq and Afghanistan wars and now finds himself battling demons both mental and physical in the psych ward of a veterans hospital. I spoke with the two about their veterans outreach effort, Indiegogo versus Kickstarter, and the best […]
“I want to want you,” says the cripplingly depressed Miranda (Selma Blair) to her suitor with excruciating honesty. The coddled, overweight Abe (Jordan Gelber), a compulsive collector who still lives at home with his parents (Mia Farrow and Christopher Walken), will take what he can get. “That’s enough for me,” he breathes. In Todd Solondz’s Dark Horse, the queasy tale of a 35-year-old man-child who decides to add a wife to his possessions, the writer-director’s dialogue is as sharp as ever, each line an arrow poisoned with sincerity. Known for colorful, stylized, cynical films including Welcome to the Dollhouse (1995), […]