Directing
Filmmaking - Directing
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“One of the Basic Questions of Directing is When Are You with Someone and When Are You Not?”: Eskil Vogt on Blind
Blind, the feature directorial debut of Joachim Trier’s co-writer Eskil Vogt, is an aesthetically spick-and-span Nordic nightmare, a meditation on loneliness, illness and responsibility. If its effects are a bit sneakier than the wrecking ball to the chest approach of Oslo, August 31, it’s due to the meticulousness of its script, and the complex interplay among its many principal characters. Ingrid (Ellen Dorrit Petersen) has recently lost her sight, and spends her days cooped up with her computer while her husband Morten (Henrik Rafaelsen) is at work. Unable to relate to the outside world, Ingrid retreats into her imagination, crafting an interwoven tale of […]
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10 Lessons on Filmmaking from Roger Corman
The following interview, in which producer and director Roger Corman broke down the filmmaking rules he lives by, was conducted in 2013 and is reposted today on the sad occasion of Corman’s passing last Thursday at the age of 98. R.I.P. Roger Corman. The legendary Roger Corman is America’s proto-independent filmmaker, having produced literally hundreds of films and directed dozens more, most of them genre films made under a “fast, cheap and profitable” model that still offers guidance for new filmmakers everywhere. And while Corman is best known for films made during an earlier independent era, one in which regional […]
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Looking and Listening: Jem Cohen on Counting
Hewing closely to the tradition of documentary as diaristic essay, Jem Cohen’s Counting moves from New York to Sharjah as the cinema eye ruminates on street life, destruction, displacement and disparate urban portraiture. Divided into 15 chapters, Counting seldom forces any conclusions, drawing on the viewers’ emotional responses to its alternately lyrical structure and literal depictions — the removal of Brooklyn’s iconic Kentile Floors sign among them. Filmmaker spoke to Cohen about where Counting falls in the documentary tradition, and how his approach was not all that different from his most recent “narrative,” Museum Hours. Counting is now in theaters from Cinema Guild. Filmmaker: What is your process on an essayistic […]
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Christopher Makoto Yogi at the Sundance Directors Lab
Hawai’i-born director Christopher Makoto Yogi is at the Sundance Directors Lab with his feature, I Was a Simple Man. “Like marionettes on a toy stage, the ghosts of Seiichi’s past haunt the countryside in this tale of a Hawai’i family facing the imminent death of their eldest,” is how its described by the Sundance Institute. Below, Yoti describes leaving the Labs and finding quiet time — but missing the experience. Read Part One of Yogi’s diary here. The final night of the Directors and Screenwriters Labs went something like this: fellows, advisors and staff roved up to a mountain house […]
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Livi Newman on Shooting Successful Sex Scenes at the Sundance Directors Lab
Olivia Newman is at the Sundance Directors Lab with her feature First Match, the tale of “a teenage girl from Brooklyn’s Brownsville neighborhood [who] decides that joining the all-boys high school wrestling team is the only way back to her estranged father.” She is also eight months pregnant. Below, she writes about shooting sex scenes. Read Part One of her Sundance Diary here. “Shoot every scene like a sex scene and you’ll be wildly successful.” That’s what James Mangold said to me. I was sitting in a circle with the Week Three Creative Advisors who had all just watched the […]
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Process vs. Result: How I Learned to Stop Worrying and Enjoy Filmmaking Again from my Brother, Mike Leigh, Rory Culkin and My Newborn Daughter
Lou Howe landed on our 25 New Faces list in 2013 while in post-production on his debut feature, Gabriel. An IFP Narrative Lab veteran, Howe here describes the lead-up to his film, and how one crucial, family-oriented decision in pre-production reshaped and enriched it. Gabriel opens today in New York at the Village East. It’s embarrassing to admit it, but I see now that I had stopped enjoying making movies. It took me a long time to realize it, deep into post-production on my first feature Gabriel, I think, but I had lost sight of what I was doing over […]
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“Couple That With a Long Take and I’m Ecstatic”: Chris Bell on The Winds That Scatter
A former critic for The Playlist, Chris Bell fulfills the promise of the observant, patient lens he wielded in shorts such as Bridges with his feature length character study, The Winds That Scatter. Baring more in common with the films of the great Abbas Kiarostami than say your average Brooklyn-based filmmaker, The Winds That Scatter follows a Syrian immigrant named Ahmad as he moves from job to job in nondescript New Jersey. Primarily structured in long takes and slow-burning, affecting episodes, The Winds That Scatter will have its world premiere at the Northside Film Festival next Wednesday at UnionDocs. Filmmaker: You’ve spoken about wanting to create something […]
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Five Questions with Men Go To Battle Director/Co-Writer Zachary Treitz and Co-Writer Kate Lyn Sheil
Hats off to director Zachary Treitz and co-writer Kate Lyn Sheil for sidestepping the more introspective, resource heavy trends of much contemporary independent filmmaking, and swinging for the fences with their Civil War period piece, Men Go To Battle. Set in 1861 Kentucky, the brothers Francis and Henry Mellon (Tim Morton and David Maloney) are desperate to scare up some funds for their overgrown farm before winter arrives, but the pair’s constant quarreling is a hindrance to much progress. Eventually fed up with Francis’ heavy drinking and general flippancy, Henry takes off to join a far more populated battle amidst the Confederate army. […]
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DIY Previs: Developer Dan Fearing on ShotPro
Just as pencil-and-paper storyboarding has by and large given way to computer-based previsualization software, high-end previs suites are now confronting much more budget-friendly software and apps. The newest of these is ShotPro, an iOS app from WebGames3D.com that premiered on the App Store late last year. Developed by Dan Fearing and a small team of Sacramento-based designers and coders, ShotPro already looks like a game changer in the world of DIY previsualization. It launched loaded with characters, props, settings, lights and even lenses, and two updates have already followed, adding scalability for onscreen items, animatable cameras, new camera models, moveable keyframes and other features. Version 1.5 […]
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Five Questions with Bloomin Mud Shuffle Director Frank V. Ross
For my money, Frank V. Ross is one of the most inventive, witty and honest low-budget filmmakers that major festival land has neglected to embrace. With the exception of the SXSW-premiering Audrey the Trainwreck, Ross’s films have toured the regional circuit like best kept secrets, with their structurally complex, yet casually rendered studies of modern relationships serving as any program’s unmitigated highpoint. His latest, Bloomin Mud Shuffle, which premieres tonight at the Wisconsin Film Festival, concerns Lonnie (James Ransone), a vaguely alcoholic house painter, and the object of his unsteady affection, Monica (Alexia Rasmussen). Such a distilled synopsis scarcely does justice to Ross’s execution, with its […]
