Distribution
Filmmaking - Distribution
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Neutralizing Net Neutrality
Net neutrality may end this year. Verizon, AT&T and the American Legislative Exchange Council (ALEC) are spearheading a three-pronged attack against the open Internet and other open forms of digital communications. If they succeed, telecommunications will be further “deregulated” and, thus, further privatized and monopolized. As a consequence, telecom services will get more expensive, local requirements subordinated to the whims of huge corporate monopolies, competition and innovation will suffer and U.S. world ranking in terms of broadband speed – 15th today! – will further erode. One attack involves Verizon’s court challenge to the FCC’s very authority to regulate digital communications. […]
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Immersive Storytelling for The Lost Children Pt. 4
Film as Software The final installment of this series is about the actual screening of The Lost Children feature film at Film Society of Lincoln Center. In working out this screening, I am working with a concept called “Film as Software.” What exactly does this mean? To me it means film taking on some of the qualities of software. One of those qualities is the ability to react to user input in real time. That’s my take. But I asked Mike and Hal of Murmur to join in on the discussion. Murmur is the hybrid studio/technology company handling the interactive […]
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Indieflix’s Scilla Andreen Announces “Royalty Pool Minutes”
Payment models in the digital film distribution world can be surprisingly confusing once you get past the simple straight cut of a Vimeo or iTunes download. Streaming in particular can raise questions. How much should a filmmaker make when his or her film is only viewed partially? Indieflix CEO Scilla Andreen proposes one answer she calls RPM — “royalty pool minutes.” It’s the new artist payment model for her site, and in an interview at Sundance, she argued for its simplicity and clarity. “We take a percentage of the overall monthly revenue coming to Indieflix,” Andreen explains. “We’ve evolved to […]
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Immersive Storytelling for The Lost Children Pt. 3
For as long as I can remember, I’ve been a lover of science. Astronomy especially. I grew up watching Carl Sagan’s Cosmos, and James Burke’s great series Connections. Even today, I am indebted to writers like Neil deGrasse Tyson, Stephen Hawking and Sean Carroll for writing about subjects like black holes and the nature of time in ways that a layman like me can understand. I think people like this are imperative to society because many of the subjects they study are critical to us as a race. Two of those subjects are NEOs (Near Earth Objects) and astrobiology. NEOs […]
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The 2013 Art House Convergence | The Brave New Art House
Each year, the owners and operators of America’s art house cinemas gather the week before the start of the Sundance Film Festival at a resort nestled in the mountains of Midway, UT. The Art House Convergence, this year celebrating its 6th anniversary, brings together theaters from all over the US and Canada to help foster the growth and viability of art house and independent cinemas. The Convergence, organized under the non-profit status of the Michigan Theater in Ann Arbor, MI and chaired by the Michigan’s Executive Director, Russ Collins, has continued to grow over the past six years; what began […]
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Sundance Institute Artist Services Program Expands Self-Distribution Opportunities
Keri Putnam, Executive Director of Sundance Institute, announced today that the Institute’s Artist Services program – which provides Institute artists with exclusive opportunities for creative self-distribution, marketing and financing solutions for their work –has expanded to include selected films supported by one foundation and five nonprofit organizations. Additionally, these organizations will join with Sundance Institute in continuing to shape the program and the services it offers. The Bertha Foundation, BRITDOC, Cinereach, Film Independent, the Independent Filmmaker Project and the San Francisco Film Society will each select films that they have supported to receive access to best-in-class digital distribution arrangements that […]
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Video Streaming & Indies
Now that the 2013 Sundance Film Festival is underway, it’s an opportunity to remind indie filmmakers that, sadly, their future is on the web and not in movie theatres. Park City screenings, parties and other get-togethers are great fun and a good chance to meet other makers and distributors. However, don’t expect to make a deal! This year Sundance will screen 119 feature-length films from 32 countries, including works from 51 first-time directors. These works were selected from 12,146 submissions, including 4,044 feature-length films and 8,102 shorts. One can only wonder if the odds for having one’s feature selected (2.9%) […]
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How to Succeed at Self-Distribution if You’re Not Louis C.K.
James Swirsky & Lisanne Pajot are the directors, producers and distributors of the Sundance award-winning feature documentary, Indie Game: The Movie. Before we began production on Indie Game: The Movie, we saw Louis C.K. perform in our hometown of Winnipeg, Canada. It was a great show. He was hilarious, and we walked away cemented in the idea that Louis C.K. is one of the funniest people on the planet. Creatively, it’s hard not to be inspired by someone performing at the top of his or her field. However, little did we know, two years later, Louis C.K. would be inspiring […]
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The 2013 Art House Convergence | Upstream Color Offers A Unique Case Study
This past Monday night, as temperatures dipped well below zero, film curators and programmers from America’s art house cinemas gathered in a screening room in Midway, Utah, for a unique screening opportunity at the annual Art House Convergence. Shane Carruth, the Sundance award winning director of Primer, brought his new film, the highly anticipated Upstream Color, to the conference to show the film directly to art house cinema programmers a full week before the film’s World Premiere at the Sundance Film Festival. And while writers (like I) have been asked to embargo our thoughts on the film itself until the […]
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Sun Don’t Shine Acquired by Factory 25 for World Distribution
Factory 25 announced today that it has acquired world rights to Indiewire’s number one undistributed film of 2012 and SXSW award-winning film Sun Don’t Shine. Written and directed by acclaimed actress/filmmaker Amy Seimetz (Tiny Furniture and Sundance Film Festival 2013 films Upstream Color and Pit Stop), Sun Don’t Shine was nominated for the “Best Film Not Playing” category at IFP’s Gotham Independent Film Awards in 2012 and was produced by Kim Sherman, a member of last year’s edition of “25 New Faces” here at Filmmaker. Sun Don’t Shine follows Crystal (Kate Lyn Sheil) and her boyfriend Leo (Kentucker Audley) on a tense and mysterious road trip […]
