Filmmaking
Filmmaking
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ReelCall is Here to Make Networking and Staffing in the Industry Accessible to All (Sponsored)
Finding your team and talent for a project is a lot like dating. Have you ever wondered why companies like match.com, eHarmony and, more recently, apps such as Tinder and Bumble are so good at finding matches? They use data and inputs from their users to put the right people in front of each other. ReelCall uses that same idea to help creatives match on projects, jobs and roles to help find the right fit for each person. Do you have an idea for a project but don’t have the network to find other creatives to make your film come […]
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BMI Names Tracy McKnight, Vice President, Creative, Film, TV & Visual Media
BMI announced today that veteran music supervisor Tracy McKnight, whose work includes scores of independent films, has been appointed the performance rights organization’s new Vice President, Creative, Film, TV & Visual Media. From the press release: In this role, McKnight will lead the day-to-day functions of the Film, TV & Visual Media department. She will help identify and sign new affiliates to BMI, while continuing to cultivate and nurture relationships with the company’s industry-leading roster of film, TV and visual media composers. McKnight will also help develop programs and events that support career development and provide opportunities to highlight the […]
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Sound and Visionaries ’23: Our Picks for Awards Season’s Most Exciting Below-the-Line Artists
Filmmaker‘s most recent print issue features our annual selection of below-the-line artists whose work has excited us through this Fall’s awards season. Linked below are profiles by A.E. Hunt, Vikram Murthi, Matt Mulcahey, Isaac Feldberg and Abbey Bender on the most impressive technical aspects of six recent films, which we highly recommend viewing. Editing: Everything Everywhere All At Once‘s Paul Rogers, by A.E. Hunt Production Design: The Fabelmans‘ Rick Carter, by Vikram Murthi Cinematography: Bardo‘s Darius Khondji, by Matt Mulcahey Original Score: Women Talking‘s Hildur Guðnadóttir, by Isaac Feldberg Costume Design: The Banshees of Inisherin‘s Eimer Ní Mhaoldomhnaigh, by Abbey […]
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2022 in Cameras
2022 was a quiet year for camera technology, thank goodness. The decade plus I’ve been covering camera breakthroughs on this website has been a rocket ride. So much velocity, so little time to stop, catch one’s breath, smell some roses. Ask yourself, who can any longer tell the difference between film and digital origination on the big screen? Be honest. No less than Roger Deakins declared film a dead issue half a dozen years ago. His latest, Sam Mendes’ Empire of Light, shot using Arri Alexa Mini LF (large format) and spherical Arri Signature Primes, is a loving paean to […]
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Cinematography Notes – Desaturating Women Talking
A perk of living in New York is the arrival each autumn of the New York Film Festival, which this year marked a milestone, its 60th edition — kudos to The Film Society of Lincoln Center. I’ve long thought of NYFF as a sampler of what’s happening in world cinema, a box of fine chocolates à la Forrest Gump. New Yorkers attending NYFF are privileged to enjoy choice selections from Cannes, Venice, Berlin, even Sundance. Which is to say, if there are new winds blowing somewhere in Cinema, they will be felt at NYFF. This year, the drained-color look of […]
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Cinema Is Dead and We’re All Its Ghosts: 2022 at the Movies
“User-generated content” is the future of the moving image, and the present as well. A less sentimental look back at 2022 in film would probably take the measure of TikTok trends, Instagram Reels, Twitch streams, YouTube reaction videos and OnlyFans porn. Before cinema dies, you see the Ring Video Doorbell surveillance footage repackaged, America’s Funniest Cops–style, in the syndicated Ring Nation, which premiered this year (coproduced by Ring and MGM Television, both subsidiaries of Amazon). The overwhelming proliferation of digital images, recorded by consumer-grade digital cameras with ever-greater resolution, storage capacity, and ubiquity, is the story of the century. Such […]
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Projectr Partners With Educational Institutions to Launch New Streaming Service Projectr EDU
Projectr, the independent film-focused streaming service, has announced the launch of its new streaming branch Projectr EDU. Partnering with public libraries, universities and educational institutions across North America, the free streamer presents a curated selection that encompasses acclaimed films, archival restorations and award-winning documentaries. The streamer kicks off its educational initiative by partnering with the New York Public Library, meaning that any New Yorker with a library card can access Projectr EDU’s extensive library, which at present includes over 1,000 titles. It is also the only streaming service currently partnered with the NYPL. “With Projectr EDU, we’re delighted to be […]
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Oscar-Winning Documentarian Julia Reichert Dies at 76
Documentary filmmaker Julia Reichert, who won an Oscar with her partner Steven Bognar for American Factory, has died. Reichert passed away in her Ohio home on Thursday night from urothelial cancer after being diagnosed as Stage Four back in 2018. She was 76. Reichert’s filmography has championed the plight of marginalized Americans, particularly through the lens of gender and class. Her first film, Growing Up Female (1971), examined the lives of six women, ages four through 35, and their gendered socialization within American culture. The film was originally completed as her senior project while attending Antioch College in Yellow Springs, […]
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How the Oscar Contending Song “Brasília Bella” Is the Key to Watergate Film 18½
In making my Watergate historical fiction film 18½, I always knew that coming up with a consistent musical soundtrack was going to be essential for balancing the tone of a film that swings from comedy to thriller to drama at breakneck speed. One genre of music, and indeed one song, “Brasília Bella,” is the key to unlocking not only how our team navigated the tones and themes of the film, but also reflects the scale and scope of making an indie film at the high point of a global pandemic. Around 2018, I started working on the script for 18½ […]
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Columbia University Launches New Film MFA Concentration: Writing for Film & Television (Sponsored Post)
Columbia University School of the Arts Launches New Film MFA Concentration: Writing for Film & Television Columbia University School of the Arts is proud to announce a new addition to the Film MFA Program: the Writing for Film & Television concentration. This three-year program is designed specifically for students whose main focus is writing. “Columbia is known around the world as ‘the story school.’ We believe storytelling should underpin every aspect of filmmaking—because platforms and technology may change, but story is eternal,” said Associate Professor of Professional Practice and Chair of the Film Program, Jack Lechner. “Writing For Film & Television is […]
