Filmmaking
Filmmaking
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Psyched: Alex Ross Perry’s Queen of Earth
In his compact, unnerving new chamber film Queen of Earth, Alex Ross Perry packs a potent, inventively off-key punch with his combo of a brilliant pre-credit emotional breakdown scene and the baroque calligraphy of the main title and the credits themselves upon its completion. He holds the face of the anguished Catherine (Elisabeth Moss) in tight close-up in the former, her hair mussed, tears and mascara forming rivulets that slowly cascade down her cheeks. Her interior pain is palpable. Off-camera, longtime boyfriend James (Kentucker Audley) tells her it’s all over, justifying his infidelity and assailing her “suffocating overreliance.” Some of […]
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The Studios “Are Wanting a Strong Female Perspective”: Pamela Ribon Talks Novel and Television Writing on She Does Podcast
Pamela Ribon is a television writer, screenwriter, best-selling novelist and all around hilarious human. She’s been a writer in comedy rooms for both network and cable television and is the author of four novels. NPR called her new memoir, Notes to Boys, “brain-breakingly funny.” Ribon has developed original series and features for ABC, ABC Family, Warner Bros., Disney Channel and 20th Century Fox Productions. She recently finished working on a feature for Walt Disney Animation Studios, and she’s currently writing for Sony Pictures Animation on an upcoming feature. Ribon started writing on the web in 1998, before most people even […]
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A Reader Asks, “How Do I Find A Director for my Screenplay?”
We’re always happy to receive questions here at Filmmaker about filmmaking itself. One such question inspired one of our most-read posts, “15 Things to Do After You Finish Your Script,” and now a reader of that blog post has written in with a logical next question: How do you find a director for your screenplay?” Below, my response and, as I like to do, further comments from someone who might have more experience than me — in this case, screenwriter and Filmmaker reader (and writer), Marc Maurino. First, here’s the reader letter: Hello Scott: I’ve just read and thoroughly enjoyed […]
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What Everyone Does on a Film Set
For those new to physical production, here is a list of film set departments, with notes on their staff positions, responsibilities, benefits and attractions. (This is a companion piece to “The Seven Arts of Working in Film: A Necessary Guide to On-Set Protocol.) Production Personnel includes: Unit Production Manager, Production Coordinator, Production Secretary, Office PA’s, Assistants to Directors & Producers. Responsibilities: Organization, preparation, wrap, taking care of actors, producers, director, financiers. Join this department if you like: Working on a movie without being chained to a set, knowing everything that’s going on, solving problems, aka fielding constant complaints. Favorite game: […]
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The Mommy Trek: Paul Weitz’s Grandma
“So I didn’t suffer for my art!” Feminist poet and lecturer Elle Reid (Lily Tomlin), an irreverent, confrontational carryover from the hippie era, yells defensively at Olivia (Judy Greer), a much younger former student of great promise as well as her girlfriend in a recent doomed relationship. The bitter ex has just aimed what in literary circles are insulting barbs at the seasoned author. “Writer-in-residence!” she screams outside the café where she is now waiting tables after abandoning her studies, much to Elle’s consternation. “Solipsist!” she adds to the sting. I did suffer for my art. Sort of, and not for […]
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Memories of Afterdevelopment: John Magary on Making The Mend
[Editor’s note: The Mend writer/director John Magary has written for Filmmaker before in a critical capacity. Today he contributes an essay about the making of his debut feature, with bonus oral history appended. For information on playdates, click here.] “This movie…it’s a quilt!” — Russell Harbaugh, exiled roommate Over about five weeks in September and October of 2013, an unusually sustained period of bright and pleasant weather, we shot The Mend in New York City. The idea early on, before the first index card was pinned up, was to make something makeable. “Makeable” is a funny word, an aspirational spin on “possible,” […]
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Shooting A New Feature on Super 8: Director Matthew Wade on the Three Years It Took to Complete How the Sky Will Melt
Matthew Wade‘s How the Sky Will Melt premieres September 1st on NoBudge.com. In this guest post, he explains the difficulties of shooting a Super 8 feature and completing post-production over the course of the last three years. There are two questions I’ve become all too familiar with since prepping my first feature film, How the Sky Will Melt, three years ago (principal photography took place October 2012). The first and most common were “Are you crazy?” The question is not asked because I want to make a movie, or even a feature length movie, nor even necessarily that I’m choosing […]
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Mother Load: Xavier Dolan’s Tom at the Farm
I have the romantic’s weakness for tales of thwarted opportunities in the relationship department. Saddest and most frustrating are those for whom faulty communication, intentional or otherwise, generates the lion’s share of the blame. Ever read Poe’s short story “The Purloined Letter?” It involves theft, blackmail, a woman of royal lineage — it’s opiated Poe, what do you expect? — but we Little People can suffer in our more ordinary ways from the exchange of tainted information. I use the word exchange purposely: The action pains not only the victim, but the perp as well. Quebecois director Xavier Dolan puts […]
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Watch: Paul Thomas Anderson’s Extreme Close-Ups
Here’s a thorough, succinct look at the rather particular use of extreme close-ups in the films of Paul Thomas Anderson. Note how they are almost never routine inserts or signifiers — there’s always a motion to the shot, either within the frame or as the camera pushes in toward its subject. Check it out above.
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Samyang/Rokinon Announce New Cine Lens Line: XEEN
Samyang [also sold under the Rokinon brand] attracted quite a bit of attention from budget filmmakers when it started selling its budget line of “Cine” lens. These were their traditional still lenses with standard geared focus and aperture rings, de-clicked aperture ring, and remarking for T stops rather than F stops. The lenses received generally positive reviews from users — particularly as they provide a good mix of image quality/construction for the price. They are, however, fully manual lenses, with no auto-focus support or image stabilization built in. But adding teeth to the focusing ring of a lens doesn’t truly, a […]
