A Filmmaker reader recently emailed me with a simple question. After going to film school, making some shorts and working conspicuously within his means, he’s now written a script purely from the imagination — not censoring himself by thinking of things like money and production requirements. The resulting project, I take it, is too big for his usual DIY methods. He asked, “What do I do now?” A tough question, not knowing the filmmaker very well and not having read the script. There are easier-said-than-done answers: “Find a producer! Get an agent!” But just sending out a bunch of PDFs, […]
I’ll confess to, after getting all worked up about SOPA and PiPA, not being up to speed on CISPA, the latest internet bill barreling through Congress. So, I found the below graphic, from ParaLegal.Net, pretty helpful. Created by: Paralegal.net
Jon Reiss has finally realized that the secret to indie-film tutorial success is having a catchy moniker. So, his DIY distribution-and-marketing book Think Outside the Box Office has now birthed what he is artfully dubbing “the TOTBO System.” If you’re a filmmaker, file this snazzy acronymn along GTB, Zen to Done, or 7 Habits of Highly Successful People. Oh yeah, and you need a YouTube channel too. Reiss has relaunched his under the authoritative title “TheJonReiss.” Each week he’ll be posting excerpts from his workshops, which I recommend to anyone considering releasing his or her own film. Here he is […]
Our friends at SNAGFILMS are giving away swag for the iTunes launch of Dragonslayer, director Tristan Patterson’s award-winning skate documentary about Josh “Skreech” Sandoval. (You can watch it here.) The first prize winner will receive an Addikt Skateboard deck (right) inspired by the legend of “The Gonz” graphic, Skatebook 3 — a skateboard photography coffee table book — as well as an action-packed street skateboarding DVD featuring Skreech and other insane skaters. Two runners-up will receive the Addikt deck and the DVD. To enter, just send an email to nick@filmmakermagazine.com and tell us which award Dragonslayer won at last year’s SXSW Film Festival. To […]
With her debut documentary, Beetle Queen Conquers Tokyo, Jessica Oreck reinvented the nature doc. Oreck, an entomologist who worked as a docent at the American Museum of Natural History, made a film about an insect that was as much about man’s fascination with that creature as it was the creature itself. To top it off, she made her poetic and allusive picture in Japan, exploring the country’s endemic beetle-mania through evocative cinematography and haunting voiceover. When so many documentary filmmakers make their artistic choices based on the desires of their funders, Oreck chooses the harder path. Her latest film, Aatsinki, […]
And like that it was gone. Funny thing about film festivals — no one seems to really miss them when they’re over, although within the provisional community that pops up during such events, no one seems to be able to talk about much else (except what they’d rather be doing). So it was with the 11th Tribeca Film Festival, which came to a close on Sunday. Even at the party for The Fourth Dimension, perhaps the most undeniably hip film in the selection (Vice! Grolsch!), the mood was sort of dutiful. As for the actual film, I, like many, left after the Harmony […]
The opening night movie of the Los Angeles Film Festival — Woody Allen’s To Rome with Love — was announced three weeks ago (along with screenings of Sundance winners Middle of Nowhere and Beasts of the Southern Wild), but today the rest of the line-up was unveiled, with the headline news being that Steven Soderbergh’s male stripper romp, Magic Mike, starring Channing Tatum and Matthew McConaughey, will close out the June fest. In the narrative competition, there are notable entries from Cory McAbee (The American Astronaut), Jared Moshé (a familiar name as a producer, making his first film as director), […]
Over the weekend, I stumbled across Luxembourg-based filmmaker Jeff Desom’s incredible Rear Window timelapse remix, which is shortlisted for the upcoming Vimeo Awards (although it just got pulled from Vimeo, presumably because of rights issues.) However, for the time being, it’s still on YouTube, and I’ve embedded it below for your enjoyment. Desom’s remix is not only technically brilliant, but also winningly playful; part of its genius is that Desom shows you how he’s constructing the world seen from James Stewart’s window in Rear Window before he begins the action. Here’s an extract from an interview with Desom on One […]
In this second part of an interview with Eric Austin of HeliVideo, Eric talks about camera control, future cameras, and the most amazing sequence he’s shot so far: What camera control are you doing remotely? We have remote record-on, off from the ground, and we can also punch-in. The lens we are currently using on the Sony is actually the kit lens, usually the 18 to 55. Are you using that because of the image stabilization? Yes, in part. The gimbal is stabilized, and with the extra little stabilization in the lens it just takes out the little nicks […]
(You can read part one, two, and three.) The hackathon came to an exciting conclusion yesterday with presentations from all seven teams and a brief awards ceremony. I was too exhausted to write about it last night, an indication that the 34-hour event had been a success. Last weekend my wife ran in a 200-mile Ragnar relay race, and it occurred to me more than once that hackathons are the tech/transmedia equivalent. Hacking had begun just after 10 a.m. Saturday morning and continued nonstop until 3:30 p.m. Sunday. My own team’s final hours were fueled with adrenaline more than caffeine. […]