I’ve always connected with the work of Jonathan Lethem. I’m a fan of his novels and all, but I especially look at his criticism because his reference points are invariably the same as mine. We’re both big Philip K. Dick fans, he ended a novel (Fortress of Solitude) with an extended celebration of one of my favorite albums (Another Green World), and when he wrote an essay on his formative books and albums as a teenager, our lists were like dopplegangers. He also just wrote a book about Talking Heads Fear of Music, and his Promiscuous Materials project let independent […]
Over the last year Filmmaker Contributing Editor Brandon Harris has been making his first feature, Redlegs, and it receives a sneak preview next Thursday at Brooklyn’s reRun, sponsored by the Brooklyn Arts Council. It then opens for a week on May 25 at that same venue. Check out the trailer below. (There’s also a Tumblr blog, where Harris is promising “goofy, poignant and otherwise unmissable stuff.”)
Elles is being distributed by Kino Lorber and opens theatrically in NYC and LA on April 27, 2012. Visit the film’s official website to learn more. In Elles, the new film by Polish director Malgorzata Szumowska, Juliette Binoche plays a journalist writing an article for French Elle on young women who finance their education (and more realistically, their apartments, clothing, and lifestyles) through prostitution. But forget the pimps and hookers of the movie underworld. The world in Elles isn’t one of coercion or strung out desperation, but of choices. It’s softcore social criticism, far less interested in systemic injustice than in the strange forces that […]
You don’t have to be British royalty to find a cure for a speech impediment through film. High school senior Daniel Altman wrote the below account of his work on an independent feature as his college essay. It was subsequently published on the Stuttering Foundation website, where it has attracted thousands of hits, and Altman has been accepted at his top choice school for the Fall. We’re reprinting it, with permission, because it’s a great reminder that the practice of filmmaking brings many rewards, many of which often go unsung. — Editors I stutter. I stutter like Porky Pig. Sometimes […]
Second #4982, 83:02 This frame comes from perhaps the most difficult scene to watch—without flinching or looking away—in Blue Velvet. Frank, getting warmed up for his violent gender-bending abuse of Jeffrey, assaults what is beneath Dorothy’s robe. The viewer is trapped in the backseat with Jeffrey, sutured into his point of view. Jeffrey, who is unable to decipher the meaning of Frank. On one level, Blue Velvet is a post-apocalyptic film, where what has been destroyed is not just buildings but meaning itself. In Brian Evenson’s new novel Immobility, the main character—a paralyzed-from-the-waste-down man named Horkai—considers the devastated landscape as […]
Critic and cultural forager Nick Rombes is making an artistic practice of unexpected connections, chance encounters and disrupting the temporal logics of cinematic narrative. Filmmaker readers know him well for his on-going The Blue Velvet Project, but he has other ventures, including recently, the “Do Not Screen/Ceremony” series. “Do Not Screen/Ceremony” was birthed when, while on a long, late-night drive, Rombes pulled over to the side of the road and decided to explore an abandoned barn nearby. There, he found a box containing film strips cut in 12-frame segments with the written directive, “Do Not Screen.” And then… (from Peggy […]
Very funny Kickstarter parody because, after all, life is a project too. (By the way, Filmmaker has a curated Kickstarter page, and I just added some new projects.)
How to take stock of the Tribeca Film Festival? 9/11 was a long time ago, after all. Bin Laden is dead. Rebuild the neighborhood, De Niro said. Bring back economic activity and all that. Perhaps the machinations of the real estate market took care of it. A classy sandwich down here costs $16. Not like I buy any food during the festival in Tribeca; it’s all free. Go to the Apple Store (in SoHo, but close enough) and have some wine. The 92YTribeca had bite-sized bacon cheeseburgers during GE’s-sponsored Film Forward shorts program yesterday. And if I actually want to […]
Some 70 years ago, the economist Joseph Schumpeter introduced the notion of “creative destruction” to explain the role of technological innovation in capitalism. Over the last decade, digital disruption has wrought havoc on the publishing industry (i.e., magazines, newspapers and books) as well as records and broadcast TV. Now, it is upsetting the cable TV apple cart. A recent Wall Street Journal article noted that the audience for 11 of the top 15 most-watched cable channels, including Nickelodeon, TNT and FX, is falling. Reuters reported that a Citigroup analyst, Jason Bazinet, found: “Beginning late last year we began to notice […]
Truth-Telling from Mississippi to Israel to China to Texas Yes, truth is the essence of documentaries. But whose truth? What truth? In dangerous times, truth is elusive. When pain lingers, truth digs deeper into the obscure. Regardless, sometimes truth must come out. Sometimes there is no choice. Sometimes even fear is no match for truth — such as in Booker’s Place: A Mississippi Story. In 1965, filmmaker Raymond DeFelitta traveled to Greenwood, Mississippi to shoot a documentary for NBC News on racial tensions in the South. DeFelitta initially planned to capture the conflict from the perspective of Southern whites, yet […]