Filmmaking
Filmmaking
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Good Things Come in Smaller Packages: Large-Sensor Cameras, One Year Later
Signs are everywhere. ARRI’s ALEXA swept TV series production in the U.S. Canon harnessed Hollywood pomp to launch its C300. RED placed an eight-page glossy fold-out to tout EPIC in April’s Vogue (“The camera that changed cinema is now changing fashion”). Sony shipped no less than 100 F65s, the first Super 35 camera with an 8K sensor. A year ago, in “Does Size Matter?” I surveyed the still budding field of large-sensor cameras for Filmmaker and described the industry’s growing embrace of the 120-year-old Super 35 format. Not only were existing cine and SLR lenses given a new lease on […]
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The Blue Velvet Project, #101
Second #4747, 79:07 You, in one part of your brain, know that Ben is not really singing at this moment. But then, Roy Orbison is not singing, either. He is dead, although he was alive at the time of Blue Velvet (and credited the use of “In Dreams” in the film to helping revive his career). You know it’s lip-synched, and yet somehow it’s not. It can’t be. If this seems like a contradiction, then consider that the entire scene is a special case of black magic, culminating in Frank’s literal disappearance from the screen in a few minutes in […]
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A Conversation with Cabin in the Woods Director Drew Goddard
They say you have to know the rules to break them. And Drew Goddard is a man very familiar with how to write for genre, collaborating over the last decade with some of the biggest names in American horror and sci-fi. In 2008 Goddard penned the screenplay to J.J. Abram’s found-footage monster movie Cloverfield, and before that he served as a series writer on television shows such as Buffy the Vampire Slayer, Lost, and Alias. So it should come as no surprise that his directorial debut, Cabin in the Woods, not only pays homage to the genre tropes implied in […]
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A TRAILER CONTEST FOR PETER CHRISTIAN HALL’S “AMERICAN FEVER”
Back in the day Filmmaker took note of Peter Christian Hall’s independent drama Delinquent, and more recently we’ve followed his move into fiction writing. Now, film and literature are combining for the promotion of his new novel, American Fever, a dystopic tale about avian flu. With book trailers a requirement for new books, Hall has decided to let fans create one for American Fever — and win $1,000 in the process. What’s cool is that filmmakers can read the book for free and score their trailer to original music by Gang of Four’s Andy Gill. From the site of Hall’s […]
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ON DIGITAL PRINTS AND THE HOLLYWOOD SHUFFLE
Over the last century, as Hollywood matured as an industry, it grew increasingly more conservative. The movie business evolved from a maverick entrepreneurial venture, then an innovator introducing groundbreaking new technologies like sound and color, and finally to an evermore-cautious enterprise. One example of this conservatism is the studios’ reactions to the transition from analog to digital media. Last year, a coalition led by the Motion Picture Association of America (MPAA), the music industry and a handful of digital rights holders, including games companies Sony and Nintendo, launched a major campaign to fight “piracy” by restricting the Internet. However, in […]
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LAURA POITRAS AND OUR POLITICS OF BORDER CROSSINGS
I remember when I first typed documentary filmmaker Laura Poitras as one cool customer. I was interviewing her on the phone about her 2010 documentary, The Oath — for my money the best of the year. The film is about two Yemeni brothers-in-law, one a low-level driver for Osama bin Laden and the other a soldier who became an al-Qaida member and one of bin Laden’s personal bodyguards. But only one was sent to Guantanamo Bay — the driver, not the bodyguard who, at the film’s start, is seen driving a cab through Yemen and discussing jihad with the young […]
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LAUREL NAKADATE’S “WOLF KNIFE” AT IFC AND IN THE BELIEVER
Playing at New York’s IFC Center tonight — and on newsstands now in the current issue of The Believer — is Laurel Nakadate’s The Wolf Knife, one of Filmmaker‘s Best Film Not Playing at a Theater Near You Gotham Award nominees for 2010. Tonight’s screening is at 9pm, and will feature an on-stage Q&A between Nakadate and novelist Rick Moody (The Ice Storm). Additionally, all ticket-buyers will receive the new issue of The Believer containing the DVD. The video and photography artist’s second feature, The Wolf Knife is a mysterious parable of female adolescence, following two teenage girls who ditch […]
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ALESIA WESTON NAMED NEW HEAD OF JERUSALEM FILM CENTER
Alesia Weston, who many filmmakers know from her work as Associate Director of the Sundance Institute’s Feature Film Program, has been named the new Executive Director of the Jerusalem Film Center. She will begin her new job mid-June and will oversee all of the center’s artistic and educational programs, including the upcoming Jerusalem International Film Festival, the organization wrote in a press release. From the press release: “I am thrilled to be associated with this great team, especially Lia van Leer, and I am looking forward to expanding the vision she set in motion as founding director. The vibrant Israeli […]
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The Blue Velvet Project, #100
Second #4700, 78:20 “Donny! Donny! Donny, no! No! Donny mommy loves you!” This is moments after Frank has said, in reference to Dorothy, “Let Tits see her kid.” The tenderness of her hand upon the door molding. A glimpse of a woman in pink in the room with Donny. “What the real world is: that is a very difficult problem” (Haruki Murakami, IQ84). The two lamps in the corner of the room. Who puts two lamps in the same space? Dorothy’s hand, again, the elegant length of her fingers, and the hands of the woman sitting beneath the light switches. […]
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SUNDANCE ANIMATORS IN ACTION
The third in Mike Plante’s Home Movie Show is ten minutes of calm as three animators just draw. With Brent Green (Gravity Was Everywhere Back Then), Julia Pott (Belly), Kataneh Vahdani (Avocados).
