One of the films I’m most anticipating at Sundance 2012 is Keep the Lights On from writer/director Ira Sachs (The Delta, 40 Shades of Blue). The film essays art, autobiography, and New York gay culture in the 1980s, ’90s and early aughts, and even before its arrival it has spawned a rich website that riffs on all of those themes. Just posted at that site is the film’s teaser trailer, embedded below. Keep The Lights On — Trailer from KTLO Movie on Vimeo.
For many years Welt am Draht, Rainer Werner Fassbinder’s 1973 three-and-a-half hour, made-for-TV science fiction opus was one of the late German directors’ most underscreened films. Dazzlingly stylish, and with narrative and thematic concerns anticipating the cyberpunk themes that would take root in science fiction more than a decade later, the film was only shown in America once in 1997 — that is, before it was restored and received a short run at MoMA in 2010. Fassbinder was quoted in MoMA’s catalogue as saying the film, translated as World on a Wire, is “a very beautiful story that depicts a […]
Second #2961, 49:21 “Do you like me?” Dorothy asks. “Yes,” says Jeffrey. “Do you like the way I feel?” These are simple, almost childlike questions and answers, tender, quiet exchanges of whispered words as if to replace the previous horrors with a new hope. In John Banville’s 1997 novel The Untouchable, Victor Maskell narrates the story of his transformation into and life as a double agent for the Soviet Union during the 1930s, 40s, and 50s in England: We were latter-day Gnostics, keepers of a secret knowledge, for whom the world of appearances was only a gross manifestation of an […]
One of the best things about the International Documentary Film Festival Amsterdam, which took place November 16th–27th, is how community-inclusive the fest is, with most activities, from interactive exhibitions to informal master classes, open to the public free of charge. (Indeed, it’s possible to get your cinephile fix on a daily basis without ever buying a movie ticket.) And one of this year’s truly informative events was a Meet the Makers discussion at the Escape Club on Rembrandtplein hosted by Canadian documentarian Peter Wintonick. IDFA guest Steve James, who was honored with a retrospective, was there that Saturday morning to […]
They moved me. Often deeply, in ways I failed to articulate to myself until much later. That is, of course, the whole reason I go to the movies, to have some sort of visceral, emotional (or intellectual) response, be it laughter or sadness or pain or empathy or disgust or profound understanding. Why else do it? Nothing, beside having those emotions, meets the criteria of entertainment, at least for me. See, I’m one of those lucky few that gets to travel the world just to see films. Crazy, I know, especially in this era of not so cheap oil, but it’s […]
(Codependent Lesbian Space Alien Seeks Same world-premiered in the “Park City At Midnight” section at the 2011 Sundance Film Festival. It opens for a one-week theatrical run at the reRun Gastropub in New York City on Friday, January 6, 2012. Visit the film’s official website to learn more.) “I have to make it clear that I hate all dramas,” Madeleine Olnek told me in an interview the other day. “I think making dramas is immoral, if you are capable of making a comedy.” Olnek is a New Yorker who writes and directs comedy films. Plays too. As she’s predominantly worked […]
Second #2914, 48:34 1. In the aftermath of the assault, Dorothy calls Jeffrey Don, her kidnapped husband’s name. Jeffrey tenderly corrects her. “No,” he says. She doesn’t seem to hear him: “Oh Don. Hold me.” Frank, Jeffrey, and Don, the three men circulating in Dorothy’s imagination. Don. Donny. “Little” Donny. The largely off-camera presence of the Donnys governs the logic of the film. 2. In David Mamet’s 1994 play The Cryptogram, Donny (“a woman in her late thirties”) has this exchange with Del (“a man of the same age”), in which she tells him that sometimes she wishes she was […]
Here’s the just issued press release announcing the nominees for the 2011 Heterodox Award, given by Cinema Eye Honors and sponsored by Filmmaker. New York – The Cinema Eye Honors for Nonfiction Filmmaking today announced the five nominees for its second annual Cinema Eye Heterodox Award, sponsored by Filmmaker Magazine. The 2012 Heterodox Award will be presented at the Cinema Eye Honors for Nonfiction Filmmaking on January 11 at the Museum of the Moving Image in Astoria, Queens, New York. The Cinema Eye Heterodox Award honors a narrative film that imaginatively incorporates nonfiction strategies, content and/or modes of production. These […]
The Kickstarter campaign for Iranian basketball documentary The Iran Job ends next Monday, but the project has already passed its ambitious $50,000 goal. In production for several years, The Iran Job (which is fiscally sponsored by IFP) is seeking finishing funds to prepare for a 2012 release. The documentary follows Kevin Sheppard, an American basketball player who has become an unlikely spokesperson for reform while playing ball in Iran. Per the project’s Kickstarter page: With tensions running high between Iran and the West, Kevin tries to separate sports from politics, only to find that politics is impossible to escape in […]
The world doesn’t need another list of the best films of the year, but after considering my own recent lists, I realized there were a handful of movies‹excellent independent work that has largely flown under the radar‹that even I initially overlooked. Here are seven bold American low-budget movies from 2011 that may have been forgotten in theatrical release, but should make for essential home viewing (if you haven’t seen them yet) in 2012. And I’ll be among the first in line to see where these young directors go next. 1. Silver Bullets. All I can say is that I […]