In the midst of the global COVID-19 pandemic and the ever-present, centuries-long war on Black bodies, I’m writing to you about a niche, indie webseries called The Retreat. Why? Because it’s our show, and it matters. When the protests simmer, you may ask yourself, how can I help NOW? What can I do in the in-between? In those days, weeks, months when racial tensions aren’t dominating the headlines, in the the moments when the revolution isn’t televised for the mainstream…How can I become a proactive force in amplifying Black voices? Naturally, dismantling systems of oppression is monstrously daunting in scope, […]
In the early days of the global shutdown, even before the canceled NAB would’ve taken place, Blackmagic Design had some product announcements that ended up being very appropriately timed: Updates to their Pocket Cinema cameras and the ATEM Mini, and the release of the brand new ATEM Mini Pro. I had a chance to chat with Bob Caniglia, Director of Sales Operations in North America for Blackmagic Design, about the new updates, as well as some thoughts on the new ATEM Mini Pro after using it for a few weeks. Turning Cinema Cameras Into Broadcast Cameras Working our way down […]
Critic and programmer Pamela Cohn recently published her first book, Lucid Dreaming, a collection of extremely thoughtful and probing interviews with boundary-pushing non-fiction filmmakers. (Read an excerpt of the book’s conversation with Donal Foreman here.) And now an extension of the book, the Lucid Dreaming podcast, has just launched. The first guest is Penny Lane, well-known to Filmmaker readers for films like Our Nixon and Hail, Satan?, as well as for her occasional Notes on Real Life column. You can listen to Lane’s interview and subscribe so you don’t miss future episodes here.
With the rallying cry of its hashtagged title, Tom Gilroy’s #WaynesvilleStrong is a darkly comic and scarily plausible vision of a very near future in which low-wage work, enforced patriotism and the panoptic powers of the internet combine to create a pandemic hellscape that one laid-off meatpacking worker must delicately navigate, one videocall prompt at a time. The short was made quickly, in May and during quarantine, with everyone appropriately socially distanced, and to its great credit that what was political satire just two months ago is now turning into, with the current battles over “reopening,” political reality. The short […]
Premiering today here at Filmmaker is #WaynesvilleStrong, a short film by Tom Gilroy (The Cold Lands, Spring Forward) starring Nick Sandow (Orange is the New Black) that, with dystopic wit, speaks directly to today’s arguments around workplace reopening during the pandemic. Set in a distressingly-possible near future, Sandow is a quarantined worker who has fallen afoul of the government’s official “reopen, rejoice and rebuild” policy. Stuck in a videochat hellhole of automated prompts, Sandow’s worker becomes increasingly agitated as the contours of a new, neoliberal form of pandemic-fueled social control becomes apparent. Gilroy describes the film as “a kind of […]
My first two recommendations this week are two excellent thrillers from last year that are newly available on DVD, The Whistlers and The Room. The Whistlers, which premiered in competition at the 2019 Cannes Film Festival, is a gleefully twisty, darkly hilarious Romanian crime film that recalls movies like Stanley Kubrick’s The Killing and Quentin Tarantino’s Reservoir Dogs in its jigsaw structure and fluid loyalties but finds a unique tone all its own thanks to director Corneliu Porumboiu’s approach. He adopts a whimsical attitude toward his eccentric group of cops playing both sides of the law and the criminals they’re […]
I made a microbudget movie called #LIKE. Amazingly it is wrapped, posted and on the festival circuit, and it has been receiving glowing reviews like this: “Writer/director Sarah Pirozek’s teenage noir #Like pulses with the energy of a ’70s thriller.” Discouraged by stats on Hollywood hiring and women directors — a 2015 DGA report reported that 84% of first-time scripted TV directors were white men — and inspired by the work of independent female filmmakers like Marielle Heller, Laurie Weltz and Anja Marquardt, I decided to stop waiting for permission to make my first feature. Instead of making a short-film calling […]
Cinematographer Laura Merians-Gonçalves shot Pacified in the favelas of Rio de Janeiro. Directed by Paxton Winters, the film won awards at the 2019 San Sebastián International Film Festival, the Aruanda Film Festival in Brazil, and the Sao Paolo International Film Festival. Merians-Gonçalves received the Best Debut Cinematography at the 2019 Camerimage in Toruń. Merians-Gonçalves spoke to Filmmaker from Los Angeles in May. Filmmaker: Where were you when the lockdown began? Merians-Gonçalves: I was here in Los Angeles. I had just wrapped a project that I shot for writer/director John Ridley in March, while simultaneously prepping a new movie. We were […]
It’s often hard for me to avoid using superlatives when writing about the work done by the Criterion Collection, and they’ve made it even more difficult with their new Blu-ray set Bruce Lee: His Greatest Hits, a seven-disc package that ranks with the company’s best releases – which means it’s one of the best Blu-ray releases ever, period. The box contains the four features martial arts icon Lee made at the height of his powers (The Big Boss, Fist of Fury, Way of the Dragon, and Enter the Dragon) as well as two films cobbled together after his premature death […]
In April, as we began to put together the Summer, 2020 issue of Filmmaker, we asked directors, cinematographers, editors and other film workers to send us their thoughts on the quarantine and their own creative lives. The responses printed here were collected from April through mid-June — personal statements that speak variously to individual filmmaking practices, films halted mid-production, politics, art and life. Read all the responses here. — Editor During the two months of lockdown in Paris, I lived alone in my painting studio. All the paintings I have made for the last 30 years are there, waiting patiently to […]