Filmmaking

ENTRIES ACCEPTED FOR RIDENHOUR DOC FILM PRIZE

The Nation Institute and the Fertel Foundation have partnered to launch the Ridenhour Documentary Film Prize, to be awarded to a film that embodies values of truth-telling, protecting the public interest, promoting social justice, or articulating the qualities of a more just society. The deadline is December 1, and the prize, which includes a $10,000 stipend, will be awarded this Fall. From the press release: October 8, New York City – The Nation Institute and The Fertel Foundation announced today the launch of the Ridenhour Documentary Film Prize. This new prize, which carries a $10,000 stipend, will be awarded alongside […]

By Scott Macaulay on Nov 10, 2010 Filmmaking
“WAR DON DON” AT STRANGER THAN FICTION

While introducing War Don Don at last night’s Stranger Than Fiction, SXSW programmer Janet Pierson said that while many great documentaries were submitted to last year’s festival, there were few with the “clarity” of Rebecca Richman Cohen’s directorial debut. It was a sentiment later echoed by Raphaela Neihausen, the executive director of Stranger than Fiction who praised Richman Cohen for her ability to “break down a complex issue” but still keep the “nuance.” Three years in the making, War Don Don follows the UN Special trial of Issa Sesay, one of the leaders of the RUF, an incredibly violent rebel […]

By Mary Anderson Casavant on Nov 10, 2010 Filmmaking
DOHA TRIBECA FILM FESTIVAL: LUCKY STARS

So much depends upon… the position in which one reclines. Seated next to me in the elite section of a flight to Doha, Qatar, an Indian financial wizard with rings on each slim finger nodded and looked thoughtfully out the plane window. Across the aisle, Harvey Weinstein, an overstuffed teddy bear in Qatar Airways pajamas, turned another page of “My Week with Marilyn” and growled for the stewardess. Upon touchdown, a phalanx of young stewards ushered a group of remarkably well-rested travelers into private cars and whisked us away to the second annual Doha Tribeca Film Festival. Could any film […]

By Livia Bloom Ingram on Nov 5, 2010 Filmmaking
REMEMBERING THE PASTS AND FUTURES OF “REQUIEM FOR A DREAM”

This blog post is part of the Requiem 102 experiment: on the occasion of the 10th anniversary of Darren Aronofsky’s Requiem for a Dream, different writers are each looking at the film through the prism of specific frames, one from each minute of the film. I’ve been assigned minute four. Follow all the responses here. For me, the most memorable scene in Darren Aronofsky’s Requiem for a Dream is not in the movie but in the script. I had read it before the film’s pre-production, and the scene in which dealers line up for a new shipment of drugs after […]

By Scott Macaulay on Nov 4, 2010 Filmmaking
A Talk with Red Hill Director Patrick Hughes

Starring True Blood‘s Ryan Kwanten, Red Hill is a suspenseful modern-day Western that uses Australia’s dramatic and vast landscapes to stage a drama of frontier justice with an antagonist right out of Halloween-style horror film. Kwanten plays a city cop assigned to a small outback town where he intends to raise a baby with his very pregnant wife. But his move coincides with the escape of Jimmy Conway (Tom E. Lewis) from the local jail. The indigenous Jimmy was wronged years ago, and his brand of frontier justice consists of non-stop mayhem. In my conversation with Hughes, he spoke about […]

By Scott Macaulay on Nov 4, 2010 Directing
“WO AI NI MOMMY” AT STRANGER THAN FICTION

While introducing Wo Ai Ni Mommy (I Love You Mommy) at last night’s Stranger Than Fiction, programmer Thom Powers thanked the Sadowsky family for allowing director Stephanie Wang-Breal to document their experiences adopting an eight-year-old girl from China, pointing out that “it’s not an easy thing to let a camera into your life.” Startlingly intimate, Wo Ai Ni Mommy follows the Sadowsky family as they struggle to incorporate their new daughter, who speaks no English, into their family. When the girl, Faith, demands to know why her parents would even want a Chinese daughter, her parents are shocked that multiculturalism is a concept […]

By Mary Anderson Casavant on Nov 3, 2010 Filmmaking
VOTE NOW FOR FIRST-EVER GOTHAM AUDIENCE AWARD

Voting is currently underway for the Gotham Independent Film Awards‘ first-ever Festival Genius Audience Award. The IFP and Slated have complied 26 titles from 50 U.S. and Canadian film festivals that will vie for the award, which will be announced during the Gotham Awards on November 29. They include Winter’s Bone, Fair Game, Waiting for ‘Superman’, Waste Land, The New Year and happythankyoumoreplease, to name a few. Voting for the five nominees of the award will close Nov. 7, then voting for the winner will open Nov. 9 and end the night of the event. And by voting you will […]

By Jason Guerrasio on Nov 2, 2010 Filmmaking
102 CELEBRATIONS OF REQUIEM FOR A DREAM

Nicholas Rombes, of The Rumpus’s 10/40/70 column and Filmmaker‘s Into the Splice, has launched an experimental project in film criticism — a Tumblr blog collecting 102 takes on Darren Aronofsky’s Requiem for a Dream. Tied to the film’s tenth anniversary (hey, where’s the features-packed new DVD?), the project consists of 102 contributors writing about 102 frames of the film — one for each minute of its running time. Writes Rombes: October 27 2010 marks the 10th anniversary of the release of Darren Aronofsky’s Requiem for a Dream, a movie that shook some foundations. To mark that and to extend the […]

By Scott Macaulay on Nov 2, 2010 Filmmaking
AN INTERVIEW WITH DOC NYC CREATIVE DIRECTOR, THOM POWERS

For most curators, programming the Toronto Film Festival would be a full plate, but Thom Powers’ appetite for documentary knows no bounds. In between programming and promoting Stranger than Fiction, his weekly documentary series at the IFC, he and Raphaela Neihausen, his wife and business partner, have co-founded DOC NYC, a New York based documentary festival. It’s a festival of riches for documentary lovers — five days of documentary screenings, panels and stars (Werner Herzog and Errol Morris will be in attendance). A celebration of documentary media of all kinds, in addition to the many screenings there are also panels […]

By Mary Anderson Casavant on Nov 1, 2010 Filmmaking
HAILING “INTO THE NIGHT”

Here’s the BBC’s Mark Kermode hailing as a “forgotten gem” John Landis’s Into the Night, starring Jeff Goldblum and Michelle Pfeiffer. It’s been years since I’ve seen this film but I’ve always remembered it fondly as well. To see if it holds up I’m going to put it on my Netflix queue.

By Scott Macaulay on Oct 31, 2010 Filmmaking

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