Leading up to our 18th birthday, I’ll be revisiting on the blog one issue of Filmmaker a day. Today’s is Summer, 1993. Summer, 1993 is another issue whose content didn’t make it over to WordPress. Our cover story was Alison Maclean’s Crush. Sande Zeig interviewed Sally Potter about her Orlando, which was just reissued by Sony Pictures Classics. John Woo, John Greyson, and Ross McElwee were all in the book along with an article tracking the development status of several beloved cult novels’ film adaptations. We also ran a great how-to by Strand Releasing’s Marcus Hu on guerilla marketing your […]
Marianna Palka’s Sundance Competition feature Good Dick has just premiered on Hulu. When he interviewed Palka for Filmmaker in 2008, Nick Dawson wrote: The intrepid Palka makes her big screen debut as writer, director and producer with Good Dick, an unusual and surprising film in which she also stars opposite Ritter. The pair play the movie’s lonely, unnamed protagonists, a sweet-natured, hapless video store clerk and an awkward, reclusive young woman who rents pornographic videos from him. Smitten, he forces himself into her life, determined make her love him despite her seeming ambivalence. The decidedly unconventional (non)relationship between these two […]
One of my favorite short films of the last few years is Moon Molson’s Pop Foul. I loved it so much I put Moon in our “25 New Faces” list of 2007. Wrote Brandon Harris, “Short films are rarely as devastating as Pop Foul, the lyrically mounted, subtly acted debut of Columbia University’s Moon Molson. The film tells the tale of a confused young boy who struggles with his reaction to a beating his father endures at the hands of a local thug following a Little League baseball game. Pop Foul stingingly depicts the emotional violence that follows the physical […]
Leading up to our 18th birthday, I’ll be revisiting on the blog one issue of Filmmaker a day. Today’s is Spring, 1993. For whatever reason, nothing from our third issue — Spring, 1993 — made it over when we ported to WordPress. Ted Hope had a lot of material in this issue: an interview with producer-turned-NYC film commissioner Richard Brick; a profile of up-and-coming d.p.’s; and a tutorial on how to break down a script. Also in this issue was Peter Bowen with our cover story on Nick Broomfield’s doc, Aileen Wuornos, a story that in its dramatic retelling would […]
Here’s a funny video satirizing the conversations going on between d.p.’s and producers around the subject of DSLR cinematography. While in the video the producer talks about how DSLR cinematography needs no grading and pretty much offers a perfect image out-of-the-box, that’s, of course, not true. In fact, this video gives me a good reason to link to something from our current issue that word-for-word is perhaps the most useful article in the book: an article on how Lena Dunham’s Tiny Furniture was shot by d.p. Jody Lee Lipes on the Canon 7D.
Leading up to our 18th birthday, I’ll be revisiting on the blog one issue of Filmmaker a day. Below is Winter, 1993. In our second issue of Filmmaker, attorney Robert Siegel interviewed Steven Starr, former head of the motion picture department at William Morris who left the agency to produce Tom DeCillo’s Johnny Suede (the first motion picture to star Brad Pitt) and direct his first feature, Joey Breaker. (Subsequently, Starr launched the web video site Revver and produced the documentary FLOW.) Peter Broderick interviewed Alex Cox, and I wrote the cover story on Abel Ferrara’s Bad Lieutenant, interviewing Ferrara, […]
Writer/director Michael Bilandic forwarded me this trailer for “a low-budget rave comedy executive produced by Abel Ferrara.” He writes, “It’s about a thirty-something owner of a struggling all-techno music record store who, in a last ditch effort to save his place, attempts to throw an ‘old school’ rave. It stars the comedian Tom McCaffrey and features Matt Pinfield! Cinematography by Sean Williams (Frownland, Beetle Queen Conquers Tokyo).” Check out the trailer below.
I was happy to see Adam Daniel Mezei on his new PMD for Hire blog respond to the work of the Sparrow Songs team of Alex Jablonski and Michael Totten from this year’s “25 New Faces” list. Like me, he found something special in the tone and execution of these monthly short documentary pieces. (Check out Mezei’s post for detailed musings on five of the episodes.) Now, Jablonski and Totten are launching a Kickstarter campaign to allow them to cover the expenses of the project and to shoot three particularly ambitious final episodes. Check out their work on their own […]
Here’s part five of the New Breed Los Angeles series looking at the creative filmmaking process through the eyes of several filmmakers attending this year’s Los Angeles Film Fest. Today’s episode focuses on the time-honored question of how to get people to notice your work. Speaking are Marwencol director Jeff Malmberg and The New Year director Brett Haley. NEW BREED LOS ANGELES – Episode 5 from Sabi Pictures on Vimeo.
As Filmmaker approaches its 18th birthday, I thought I’d fill the dog days of August with a series of posts taking you through our history. For the next few weeks I’ll be revisiting an issue a day, pointing towards significant pieces from our archive and commenting on interesting correspondences between independent film’s past and its present day. Of course I’ll start with our debut issue: Fall, 1992. Filmmaker was actually the spawn of two magazines, The Off-Hollywood Report and Montage. The OHR was the IFP’s publication, Montage was published by IFP/West (then IFP/Los Angeles and now Film Independent). The original […]