Production
Filmmaking - Production
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Kit: 10 Favorite Tech Innovations of 2014 (And Perhaps 2015)
I fall into that category of independent filmmaker who, as the need exists, writes, produces, directs, shoots, records sound, edits, even grades their own footage. (What we used to call color correction.) Then again, often times I’m “just” the DP. 2014 was my busiest year ever, and at some point I found myself taking on each of these basic roles. As a result, the scope of my “kit” is necessarily broad, encompassing both production and post. (Kit is a Britishism for one’s working collection of gear, a name I intend to lend to a series of brief tech reviews in […]
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At Sundance Producers Brunch, Mark and Jay Duplass Offer Ten Pieces of Advice for Making Movies Today
Keynote speakers at today’s Producers Brunch at the Sundance Film Festival, independent powerhouses Jay and Mark Duplass issued a passionate and witty call to all the producers in the jam-packed house: keep making small movies. At an event that saw their own producing partner, Stephanie Langhoff, receive the Sundance Institute Red Crown Producers Award, they told producers to learn from their own decision to stay invested in the independent sector after receiving a measure of larger Hollywood success. Along with Sundance Dramatic Competition entry The Bronze, which Langhoff produced, the Duplass Brothers have, as executive producers,two other productions at the […]
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Has Rode Solved the Curse of Wireless Mics?
I’ve been using wireless microphones for years. Even if you’re doing an interview with someone ten feet away from the camera, it’s just so much easier to use a wireless mic than have to deal with cables running everywhere. But one of the dirty secrets of wireless mics has been that they have been using open spectrum which wasn’t officially designated for that purpose. Fifteen years ago, when I bought my first wireless system, it was a Sony unit operating in the 700 MHz spectrum. Then in 2007, with the transition to digital television, the FCC went and reorganized the […]
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What Everyone Does on a Film Set
For those new to physical production, here is a list of film set departments, with notes on their staff positions, responsibilities, benefits and attractions. PRODUCTION Personnel: Production Manager, Production Coordinator, Office PAs, Assistants to Directors and Producers. Responsibilities: Organization, preparation, taking care of actors, producers and director. Join this department if you like: Working on a movie without being chained to a set, knowing everything that’s going on, fielding constant complaints. Favorite Game: Choosing a new person to hate every day. ASSISTANT DIRECTOR DEPARTMENT Personnel: 1st AD, 2nd AD, 2nd 2nd AD, Key PA, On Set Interns. Responsibilities: […]
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Producers, Rework Your Budgets: SAG-AFTRA Ups Low-Budget Contracts 25%
For low-budget filmmakers, the cost of hiring SAG actors has just gotten higher. Yesterday, as reported by Deadline, the SAG-AFTRA national board of directors approved a new contract paying actors working under three low-budget agreements a 25% raise. The ultra-low-budget agreement, for films under $200,000 dollars, such as Dan Mirvish’s Between Us (pictured above), now requires producers to pay actors $125 a day, up from $100. The modified low-budget agreement now has a daily minimum of $335 and weekly rate of $1,166 (up from $268 and $933, respectively). And the low-budget contract, covering films less than $2.5 million sees rates […]
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What Revised U.S.-Cuba Relations Could Mean for Film
My knowledge of Cuban cinema is limited to a handful of films — one or two native productions and works by foreigners like Wim Wenders’ Buena Vista Social Club and Michael Rubbo’s Waiting for Fidel. So my interest was aroused when President Obama announced his administration’s change in policy regarding Cuba. The political ramifications of the President’s policies are, of course, extremely personal for Cuban-Americans, and discussions about the politics of the announcement and human-rights issues in Cuba are occurring across the nation(s). While not disregarding these discussions, I wanted to take a moment to look at the possibilities normalized relations might create […]
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Watch Burst, Celine Tran’s Bid to Become an Action Star
It’s fascinating to watch how DIY production possibilities are changing the nature of the resume and showreel. A couple of months ago we posted this video by Lawrence Rebeiro about how he was able to use a small crew to pre-viz a fight scene. Now, via James Marsh at Twitch comes this impressive fight scene produced by French/Vietnamese performer Celine Tran (formerly the adult actress Katsuni and featured in Gaspar Noe’s episode of Destricted) showcasing her knife-fighting and martial arts abilities. It’s just one of several videos created as standalones showcasing assorted fighting styles and intended to launch her as […]
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How to Find a Producer for Your Independent Film
“How do I find a producer?” It’s a question asked by many first-time independent writer/directors, and there’s good reason this seemingly simple query is so vexing. Screenwriters selling commercial screenplays and directors seeking employment on Hollywood pictures are guided by standard, usually market-based protocols. But it’s not so easy for budding independent auteurs — those without agents, managers or box-office track records. For them, partnering with a producer is as much about building a personal relationship as scoring a business transaction. At least, that’s what a number of producers interviewed here likened it to. Mary Jane Skalski (Very Good Girls, […]
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Red Giant’s Shooter Suite: Video Acquisition and Image Processing Software
Red Giant have been expanding their software offerings. Well known for their easy-to-use color correction tools Magic Bullet and Colorista, they’ve also built up a wide collection of tools for keying and effects. Their latest suite consists of some new tools and some updated ones and is geared towards content acquisition and initial image manipulation. The Red Giant Shooter Suite consists of the following applications: OffLoad, BulletProof, and PluralEyes, as well as the plug-ins Denoiser II, Frames, Instant 4K and Lut Buddy. I was most interested in the two acquisition tools, Offload and BulletProof, but it’s worth running down the […]
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Watch: Behind Interstellar’s Sound Design
Deborah Stratman’s bewitching short film Hacked Circuit, which premiered at Sundance earlier this year, presents a roving, unbroken look inside the foley post-production process at an LA studio. Along those lines, this featurette with Interstellar‘s Supervising Sound Editor and Sound Designer, Richard King, provides perspective into the blockbuster’s unusually naturalistic and practical sound effects. To capture the essence of a dust storm, King and his team built a sand gun and fired it against a rusty car; to convey a car ripping through a cornfield, they built a rig and did it for themselves. Just as Nolan eschews green screens, he refrains from the use […]
