Columns
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“We Had to Come Up with Whole New Protocols”: DP Jeremy Mackie on Making Zoom-Recorded Pandemic Film Language Lessons
On a microbudget feature with a skeleton crew, you often end up wearing multiple hats. But a different metaphor is required to describe cinematographer Jeremy Mackie’s contribution to Language Lessons. It’s more like Mackie made the hats from scratch, then mailed them to the actors with instructions on how to wear them. The film stars Mark Duplass as a grieving Angeleno who platonically bonds with his Costa Rican tutor (Natalie Morales, who also directed) via Zoom during weekly Spanish immersion lessons. Though the movie—which debuted at this year’s Berlin International Film Festival before playing South by Southwest—never mentions Covid, it’s […]
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Back to One, Episode 169: Dominic Burgess
When Dominic Burgess is not stealing scenes as a guest star, he’s getting raves as Jerry Summers in Dr. Death, Ember in The Magicians, and Victor Buono in the Ryan Murphy miniseries Feud. On this episode, he talks about why the vibe on a set is a big factor in his work, his struggles lately gauging what exactly “gay” means as a descriptor in heteronormative projects, why he appreciates when actors don’t let their unsettling methods infect others on the set, and how nearly every golden opportunity he’s had recently can be traced back to something that will forever force […]
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From the Filmmaker Newsletter: Spending Time with Raúl Ruiz and Caveh Zahedi
Each week I write a free Filmmaker newsletter that’s normally not published on this site. Letters range from links and recommendations to longer-form pieces and article first passes. Here’s a newsletter that was sent out June 18 that received a lot of response. With Caveh Zahedi finishing his Kickstarter campaign with a 24-hour telethon, and Jaime Grijalba’s Ruiz Diaries continuing, I thought I’d post it here. You can subscribe to the Filmmaker newsletter at the link. — SM I’ve recently been spending time each day with Raúl Ruiz and Caveh Zahedi. Not literally, of course — Raúl died in 2011, […]
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Back to One, Episode 168: John Pollono
John Pollono is a playwright, screenwriter, and actor. You know him from Mob City and This is Us. He wrote the film Stronger and the play Small Engine Repair, which had successful runs in Los Angeles and New York. The filmed version, which he also stars in and directs, is about to open after Covid delayed its release. It co-stars Jon Bernthal and Shea Whigham. In this episode, he talks in-depth about working with those guys, the changes that needed to be made from stage to screen that served to enrich the experience, and the factors that played a part […]
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Back To One Episode 167: Deragh Campbell
Her riveting and revelatory performance in Kazik Radwanski’s Anne At 13,000 Ft. is the latest in a run of risky work by the Canadian indie phenom Deragh Campbell. In this hour, she talks about the process of sinking into Anne as the production went on and the great benefits and humorous backfires of immersing with non-professional actors in some scenes. Blending non-fiction into her performances is something she does often, particularly in collaboration with director Sofia Bohdanowicz. She talks about the character they created together, Audrey Benac, and the interesting ways performing as her has evolved over five projects. Plus […]
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Back to One, Episode 166: Jurnee Smollett
When it comes to her characters, Emmy nominee Jurnee Smollett is guided by truth. In this episode, the Lovecraft Country star talks about how painting in the tiny details helps her know how to live in a character, and why she doesn’t need to know what her character doesn’t know. She talks about why actors shouldn’t be afraid to speak up when they are not getting what they need, and why she needs to express herself through acting for her very survival. Plus we go off on a pretty cool Al Pacino tangent, and much more! Back To One can […]
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“15 Terabytes of Data Per Day”: Neill Blomkamp on Making Demonic with Volumetric Capture Technology
I’ve always had an affinity for tales of Roger Corman’s frugal resourcefulness. If the legendary filmmaker had a standing set and a “name” actor with a few surplus days left on a contract, you can bet Corman was going to expediently craft a movie to fit those puzzle pieces. Outside of a shared fondness for social commentary within genre, the films of Oscar nominated writer/director Neill Blomkamp (District 9, Elysium)—with their cutting-edge special effects and ample budgets – don’t typically bear much resemblance to Corman’s drive-in heyday. However, Blomkamp’s latest effort, Demonic, was constructed with a similarly enterprising spirit. When […]
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“Multitasking in Film is Quite Stressful”: Sean Penn and DP Daniel Moder on Flag Day
Ever since his directorial debut with The Indian Runner in 1991, Sean Penn has been intent on keeping a certain tradition of American cinema alive: the tradition of directorially self-effacing, behavior-driven movies for adults in which complicated men and women find themselves unable to get out of their own and each other’s way. It’s the school of filmmaking practiced by John Cassavetes, Hal Ashby and Bob Rafelson, on whose work Penn builds with movies that fuse character and landscape to get at something unique and complex about American identity and culture. His latest film, Flag Day, stands alongside The Indian […]
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“It Pays to Already Be a Good Diver”: Ian Seabrook on His Career as an Underwater Cameraman
Ian Seabrook is an aquatic Zelig for film franchises. He crossed paths with Deadpool, RoboCop, Godzilla and the Blair Witch. He joined the Pirates of the Caribbean, X-Men and Mission: Impossible. He sat ringside for Freddy vs. Jason, Aliens vs. Predator and Batman v Superman. So it’s understandable if he can’t quite recall which Hellraiser sequel served as his baptism as an underwater cameraman. “I think it was four or five, I don’t even know what number they’re up to at this point,” said Seabrook. What he does remember about that job is an enduring lesson of underwater photography—you may only get […]
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Back to One, Episode 165: Daveed Diggs
Actor, rapper, writer, producer: Daveed Diggs loves wearing many hats, often at the same time. Hamilton made him a star. He won a Tony for it. Now he’s nominated for an Emmy for his incredible work in the filmed version of the musical. In this episode, he talks about his need to find the character somewhere in his body, and why attending editing sessions for his new show Blindspotting on breaks from acting in the television series Snowpiercer was the opposite of overwhelming. He paints us a picture of his creative life in the lead-up to the life-changing experience of […]
