Directors
Interviews - Directors
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Five Questions with Let The Fire Burn Director Jason Osder
Founded in 1972, the Philadelphia-founded black liberation group MOVE Organization (the capitals break down into an acronym) preached a return to nature, annoying their neighbors by having bullhorns broadcast their beliefs all night and letting garbage fester in their yard. On May 13, 1985, Wilson Goode — the city’s first black mayor — approved dropping a bomb on their house as part of an eviction effort. 11 MOVE members died, including 5 children, and destroyed 61 houses. Jason Osder’s documentary feature debut Let The Fire Burn resurrects the incident almost exclusively through archival footage of TV broadcasts, home movies and […]
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“You Think I Should Die?”: François Ozon on In the House
When François Ozon first started making features some 15 years ago, with films like Sitcom, Criminal Lovers and the Fassbinder adaptation Water Drops on Burning Rocks, he showed himself to be a raw, edgy and insistent talent. His ambition and style were at the fore in those early efforts, but over the years as he has continued to make movies — at the breakneck pace of almost one per year — he has visibly matured as a filmmaker. During his career he has done everything from colorful, large-scale retro musicals (8 Women) to bleak, formally rigorous relationship dramas (5×2) to lavish […]
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Five Questions for The Genius of Marian Directors Banker White and Anna Fitch
Banker White’s first feature, Sierra Leone’s Refugee All Stars, followed the titular group of musicians from a refugee camp in Guinea to their home and back again; his second feature, The Genius of Marian, is much closer to home. After his mother was diagnosed with early onset Alzheimer’s, White came back home to help with caretaking. In 2009 he began shooting conversations with his mother for therapeutic purposes, eventually realizing he was working on his next project. Shot over three years, the resulting film was co-directed by White’s wife (then-girlfriend) Anna Fitch. Arriving in New York in advance of the […]
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Five Questions with Big Men Director Rachel Boynton
Oil. We can’t live with it. We can’t live without it. For some, this is the major environmental predicament of our times. For a few countries in Africa, it’s an unexpected windfall, the consequences of which are still not entirely known. While researching what was to become her second feature Big Men, Rachel Boynton traveled to Nigeria to find out what exactly was going on in the oil fields there, only to discover that the story was much bigger than just one country or even one continent. It was a story that would take her to nearby Ghana all the […]
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Salman Rushdie and Deepa Mehta on Midnight’s Children
“You must tell him about the greeting cards,” Deepa Mehta said to Salman Rushdie the other day. The director and the writer were sitting next to one another in a book-lined room in a midtown Manhattan hotel, and as they prepared to field a few of my questions about their new film, she urged Rushdie to share an anecdote about the movie’s source material, his famed novel Midnight’s Children. Rushdie complied. “It’s sold millions of copies,” he said, sounding less like a boastful author than a man stating a simple fact. “And in India it’s sold zillions extra because there […]
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Five Questions with Herman’s House Director Angad Singh Bhalla
Angad Singh Bhalla uses film to bring us voices we rarely hear. After spending months with Indian villagers who had been resisting an alumina project backed by the Canadian company Alcan, he produced his first independent project U.A.I.L. Go Back. It was used widely as an organizing tool and helped pressure Alcan to end its involvement in the project. Passionate about using media as a tool for social change, Bhalla has since produced videos for groups including the Service Employees International Union, Human Rights Watch, and The Center for Constitutional Rights. His award-winning short on the lives of Indian street […]
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Which Way is the Front Line from Here? The Life and Time of Tim Hetherington Director Sebastian Junger
One great journalist salutes another in Which Way is the Front Line From Here? The Life and Time of Tim Hetherington, a moving combat documentary premiering Thursday, April 18 on HBO. The film is celebrated author-turned-director Sebastian Junger’s tribute to Hetherington, the British-American photojournalist who co-helmed the Oscar-nominated Restrepo with Junger, and tragically lost his life in 2011 while covering Libya’s civil war. Like Restrepo, which ditched political agendas to get at the human core of a platoon of soldiers stationed in Afghanistan, Which Way is the Front Line From Here? pins its focus on the heart and unquenchable drive […]
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Antiviral Director Brandon Cronenberg
Like the offspring of any revered icon, Brandon Cronenberg’s last name grabs hold of your attention. Indeed, the 33-year-old Canadian filmmaker is the son of David Cronenberg, genre cinema’s great auteur of psychodrama and body horror. And like his father, Brandon expresses a strong interest in the inextricable brain-body link, not to mention the dark crevices of society’s underbelly. Antiviral, Brandon’s feature debut as writer and director, is a sci-fi satire with a sharp conceit worthy of that unmistakable surname, and a stylistic strength that promises more compelling work from its maker. Uniquely skewering our ever-evolving (or devolving) obsessions with […]
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The Freeman Brothers on Cell Count, The Weather Outside and Indie Genre Filmmaking
Brothers Todd and Jason Freeman are a filmmaker duo who have been working together for more than 15 years. They collaborate closely during the creative process yet each writes and directs their own films. I caught them fresh off of completing two microbudget movies back-to-back. Jason’s feature, The Weather Outside, is a kind of noir drama which takes place over the Christmas holidays. Todd’s film, Cell Count, is a body horror flick about the side-effects of an experimental drug treatment. Filmmaker: How do you work as both brothers and a filmmaking team? Jason: Well, it starts early on. One of […]
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Five Questions with Arcadia Director Olivia Silver
Winner of the Crystal Bear at the 2012 Berlin Film Festival, Olivia Silver’s debut feature Arcadia puts a more intimate spin on the road movie. In the film, father Tom (the always excellent John Hawkes) takes his three kids, teenager Caroline (Kendall Toole), 12-year-old Greta (Ryan Simpkins) and nine-year-old Nat (Ty Simpkins) on a 3,000-mile cross-country road trip to California, saying that their mother will join them soon in their new home. However, as the journey progresses, it is clear that the situation is much different than it seems. To coincide with Arcadia‘s opening today at the reRun Theater, Brooklyn-based […]
