Directors
Interviews - Directors
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Sophia Takal, Green
In Sophia Takal’s Green, a couple of young, New York sophisticates travel upstate in order to research a book on sustainable farming, but when a working-class local woman becomes the object of their affection, jealousy and sexual gamesmanship threaten to ruin their relationship. Mining the insecurities that persist amongst young lovers is not necessarily new ground, but Takal, working with her fiance Lawrence Levine and roommate Kate Lyn Sheil, invests the storytelling with a moody disquiet, an emotional honesty and a jarring sense of foreboding that elevate the film above so many of its predecessors. Widely deploying the color of envy in […]
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Damon Russell & Curtis Snow on Snow on Tha Bluff
After debuting at the Slamdance Film Festival in 2011, Damon Russell’s Snow on Tha Bluff had a small theatrical release earlier this year. Writing about it then, Filmmaker’s own Brandon Harris described the film as “An incredible combination of found footage, no-budget narrative ingenuity and pulled-from-the-streets doc immediacy, [which] discovers in its incredibly charismatic and troubled protagonist, Curtis Snow, an American life many of us would probably rather forget about.” Since becoming available through such platforms as iTunes and Netflix Watch Instantly, Snow on Tha Bluff has found a new and highly engaged audience which has discovered and been electrified […]
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Directors Rachel Grady and Heidi Ewing on Detropia
In Detropia, the new documentary from directing partners Rachel Grady and Heidi Ewing, a gleaming sun rises over a handsome stretch of metal and glass, yet much of the landscape it kisses is neglected, overgrown, and decaying. This is the dichotomous portrait of Detroit delivered by the filmmakers, whose breakthrough film, Jesus Camp, likely rattled your core. With similar attention paid to stirring emotional heft, Grady and Ewing’s latest uncovers the splendor and squalor of a very American metropolis, whose all-time-low state of disrepair is punctuated by glimmers of its former — and, perhaps, future — glory. Painstakingly researching their […]
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Director Jamie Travis on For a Good Time, Call…
Journalists are often privy to inside information when a film deal goes down at a festival, but rarely do they take place on the other end of my dinner table. Nor do they generally concern one of my friends, as was the case at a certain dinner party on a snowy night at this year’s Sundance Film Festival. Actually, until now, that has never happened. My friend is director Jamie Travis, and it was during a cast and crew dinner at a fancy pop-up steak restaurant when his little, low-budget indie, For a Good Time, Call…, was picked up for […]
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How I Rediscovered My Passion for Film with Blood Brother
Once I had a dream to make a documentary in some sort of third world or developing third world country setting. I had no direction, no story and no clear vision, so unfortunately that dream died. Nearly a decade later, I had moved on to building a career in the music video and commercial world. By this time I had no desire to travel to any third world country, but my best friend Rocky Braat did. After sharing an apartment and parallel lives for about seven years, Rocky had gone off on a much different path. He had stumbled upon […]
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Kleber Mendonca Filho, Neighboring Sounds
One of the year’s most startling debuts, Kleber Mendonça Filho’s Neighboring Sounds is a queasily effective portrait of a society undergoing dynamic change. Unfolding over the course of a few weeks in the perpetually sunny Brazilian metropolis of Recife, the film centers on several families in one upscale block which is surrounded by new development. Yet the perpetual noise of high rise construction isn’t the only thing haunting the denizens of this seemingly comfortable and manicured urban space. Fear of crime and just-under-the-surface racial tension takes its toll on everyone in unspoken ways. Even as fading reminders of Brazil’s ever-present […]
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Chris Kenneally on Side by Side
Over the past few decades, film’s iron-clad grip on the motion industry has gradually been chipped away by emerging digital technology. Yet it hasn’t necessarily been a smooth transition. Traditional celluloid film has gone largely unchanged as a medium for a century and has been the canvas for works from Casablanca and Apocalypse Now to this summer’s blockbuster The Dark Knight Rises. As the saying goes: old habits die hard. In this case, for good reason, a film produces a picture quality, texture, and dynamic range unparalleled by digital. But digital technology has continued to make leaps and bounds in […]
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Marjane Satrapi and Vincent Paronnaud, Chicken with Plums
Chicken with Plums focuses on a deeply sensitive Iranian musician named Nasser Ali (Mathieu Amalric), and the film, from writer-directors Marjane Satrapi and Vincent Paronnaud, makes clear from the start that viewers shouldn’t be expecting anything like a storybook ending. Having watched helplessly as his violin is smashed before his eyes, Nasser decides he’s had it with this life. And so into bed he climbs, determined to die, lest he face another year with Faranguisse (Maria de Medeiros), the wife he’s never loved. As the days go by, his mind wanders from the past to the present, and to the […]
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Richard Trank, It Is No Dream: The Life of Theodor Herzl
Studiously researched, It Is No Dream: The Life of Theodore Herzl reveals the life that informed Austro-Hungarian journalist-playwright Theodor Herzl’s creation of the Zionist Movement, which ultimately led to the founding of the state of Israel. Directed by Richard Trank, the film uses Herzl’s diaries and photographs, correspondence and drama, as well as a limited but effective pool of other historical artifacts to recreate the dynamic world of central European Jewry that Herzl sprang from, while explaining the rapid development of his politic cause in a way that will resonate with both laymen and history buffs alike. Narrated by Ben […]
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Director Aurora Guerrero on Mosquita Y Mari
Though Aurora Guerrero made Filmmaker magazine’s “25 New Faces of Independent Film” list in 2006, the director behind this year’s Sundance-premiering, award-winning Mosquita y Mari – which most recently took both Outstanding First U.S. Dramatic Feature Film, as well as Outstanding Actress in a U.S. Dramatic Feature Film for its lead Fenessa Pineda, at Outfest – was a welcome new face to me when I caught the film earlier this year. A tale of two Chicanas coming of age in working-class L.A., Guerrero’s feature debut is breathtaking in its understatement, less your typical “queer flick” than a continuation of the […]
