Directors
Interviews - Directors
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Five Questions with Carny Director Alison Murray
Throughout her career, Alison Murray has excelled in the filmic exploration of subculture. Her films, both docs and a narrative feature, burrow deep inside groups situated outside of mainstream culture and capture not only their social dynamics but also the very human stories contained within them. Her first doc, Train on the Brain, looked at the teenage culture of “train jumpers.” Her feature Mouth to Mouth starred Ellen Page in a story of a teenager who runs away and joins a European youth cult. And now her latest, Carny, which premieres this week at Hot Docs, finds Murray on the […]
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Jeff Nichols, Shotgun Stories
The North Carolina School of the Arts film program has, during its relatively short existence, produced a wealth of cinematic talent. Prominent alums includes writer-directors David Gordon Green, Craig Zobel, Michael Tully, Aaron Katz, Jody Hill and Nate Meyer, actors Danny McBride and Paul Schneider (who is also a writer-director), DPs Tim Orr and Adam Stone — and to that list one must now add another notable talent, Jeff Nichols. A native of Little Rock, Arkansas, Nichols graduated from the school in 2001 and has to date written and directed six short films in addition to working on Gary Hawkins’ […]
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Carnal Knowledge
Over the course of eight feature films, Olivier Assayas has built a solid international reputation as a director of stylish, naturalistic thrillers and social dramas that team with sensuality. Assayas is a boundlessly resourceful director and in his most recent film, Boarding Gate, a lower key, appealingly absurd riff on the same erotic, globalization-era techno thriller he first brought us in 2002’s explosive Demonlover, the fifty-two year old French filmmaker uses his signature loose, montage-y style to tell what is essentially a lurid and oblique crime story, full of people with secrets and double agendas, whose longings to fulfill the […]
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A Child’s Journey
Though her short-film and documentary projects have a clearly articulated social conscience, director Patricia Riggen says she prefers to make moving films that tell a story with “big emotions.” Born in Guadalajara, Mexico, Riggen began writing scripts for television after a stint in the world of newspaper journalism, and eventually became vice chairman of short-film production at the Mexican Film Institute. In 1998, she moved to New York City and attended Columbia University’s MFA program in film studies, focusing on screenwriting and directing. While still a student, she made La Milpa, a 27-minute narrative short set during the Mexican Revolution, […]
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“A Lot of People Settle for the Vanilla”: George A. Romero on Diary Of The Dead
With the passing yesterday of legendary horror auteur George Romero, we’re reposting Nick Dawson’s 2008 interview with the director on the release of the penultimate chapter of his zombie series, Diary of the Dead. R.I.P. George Romero. No matter how you look at it, George A. Romero will always be remembered as the godfather of the zombie movie. Born in 1940 in New York City, Romero graduated from Carnegie Mellon in the early 60s and stayed in Pittsburgh to set up a commercial production company. In 1968, he segued into features with his seminal debut, Night of the Living Dead, […]
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The Mountain and the Music
Leading up to the Oscars on Feb. 24, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Nick Dawson interviewed Beaufort co-writer-director Joseph Cedar for our Web Exclusives section of the Website. Beaufort is nominated for Best Foreign Language Film. This was a particularly exceptional year for Israeli cinema. Dror Shaul’s Sweet Mud won the World Cinema Grand Jury Prize at Sundance; Shira Geffen and Etgar Keret’s Jellyfish took away two prizes, including the coveted Caméra d’Or, at Cannes; and Eytan Fox’s The Bubble played to great acclaim […]
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Speak, Memory
Leading up to the Oscars on Feb. 24, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Scott Macaulay interviewed Away From Her director Sarah Polley for the Spring ’07 issue. Away From Her is nominated for Best Lead Actress (Julie Christie) and Best Adapted Screenplay (Sarah Polley). Whether it is as the paralyzed survivor in Atom Egoyan’s The Sweet Hereafter or the zombie apocalypse heroine in Zack Snyder’s remake of Dawn of the Dead, Sarah Polley brings something fascinating yet almost indescribable to all of her roles. […]
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Senior Moments
Leading up to the Oscars on Feb. 24, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Ray Pride interviewed The Savages writer-director Tamara Jenkins for the Fall ’07 issue. The Savages is nominated for Best Lead Actress (Laura Linney) and Best Original Screenplay (Tamara Jenkins). Note-perfect, Tamara Jenkins’s The Savages was one of Sundance 2007’s stellar surprises. Where another unlikely gem from the festival, Once, was bittersweet in its simple romance, Jenkins’s long-in-coming sophomore directorial entry (after 1998’s Slums of Beverly Hills) is a complex mesh of […]
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New Beginnings
Leading up to the Oscars on Feb. 24, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Jason Guerrasio interviewed The Kite Runner director Marc Forster for our Web Exclusives section of the Website. The Kite Runner is nominated for Best Original Score (Alberto Iglesias). When Khaled Hosseini sat down to write his first novel he imagined a story that would shed light on the culture, beauty and history of his home country and have people see it in a different light than its usual portrayal on the […]
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The Inside Man
Leading up to the Oscars on Feb. 24, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Scott Macaulay interviewed The Diving Bell and the Butterfly director Julian Schnabel for the Fall ’07 issue. The Diving Bell and the Butterfly is nominated for Best Director (Julian Schnabel), Adapted Screenplay (Ronald Harwood), Editing (Juliette Welfling) and Best Cinematography (Janusz Kaminski). Most films draw us in with some promise of possibility. Buy a ticket, sit back and have your world expanded for a couple of hours. Be someone new and […]
