Directors
Interviews - Directors
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“One Cinematographer, Two Camera Operators and Three Cameras”: Albert Serra on Pacifiction
You might think of Pacifiction as a feature-length version of the shot of the boat in The Parallax View before it explodes—before you know it might explode, before you know anything for sure. A man in a white suit, De Roller (Benoît Magimel), makes his rounds on the Polynesian islands, presiding more like a benevolent impresario at a Euro nightclub than the nebulous political figure that he is (High Commissioner, it turns out). He hears out local power players, consults with Shannah (Pahoa Mahagafanau) and other underlings and associates and grows concerned about nuclear machinations by the French government. “It’s not […]
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“Someone Said I Should Be Publicly Executed”: Alex Phillips on All Jacked Up and Full of Worms
The psychedelic potency of fictional invertebrates is pure nightmare fuel in Alex Phillips’s feature debut All Jacked Up and Full of Worms. Yet worms alone don’t drive the film’s deviant characters past the brink of sanity. Rather, the creature’s hallucinogenic properties serve as unfortunate conduits for their most depraved intrusive thoughts. There’s no shortage of gross-out bodily functions and overtly taboo images on display here—milky vomit, slimy appendages, an infant sex doll which must have put Phillips or another crew member on some sort of watchlist. Yet somehow, Worms doesn’t feel like just another piece of dirtbag, edgelord cinema. It’s […]
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“I Made the Film Out of an Intuition”: Davy Chou on Return to Seoul
Freddie (Park Ji-min) doesn’t get what she wants, but it’s not quite clear what it is she does want. She’s in Seoul for the first time as an adult, a child of transnational adoption, someone who’s culturally French and trying to find something that feels indescribably correct about her sense of self, place, and time. That’s barely easily said, never mind done. She lashes out, she broods, she pulls in and pushes away new connections without consideration of the consequences. She’s adrift in a place that should be, by everyone else’s accounts, her homeland. Yet she remains unmoored, the camera […]
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“Punk Gave Me the Tools To Start Questioning Everything”: Michelle Garza Cervera on Huesera: The Bone Woman
Pre-natal anxieties and an entity from Mexican mythology are deftly and devastatingly woven together in Huesera: The Bone Woman, the feature debut from director Michelle Garza Cervera. Co-written by Garza Cervera and regular collaborator Abia Castillo, the film centers on Valeria (Natalia Solián), a young woman in Mexico City delighted to learn that she and her husband Raúl (Alfonso Dosal) are expecting their first child. This giddy sentiment is eclipsed by nerve-shredding terror when Valeria witnesses a neighbor commit suicide from her bedroom window. From that point on, she becomes the target of a strange entity with broken bones and […]
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“Everything Looks Better if You Throw Some Dirt and Blood on It”: Robbie Banfitch on The Outwaters
Microbudget independent horror is certainly having a moment. Kyle Edward Ball’s experimental haunted house flick Skinamarink has grossed $2 million to date on a $15,000 budget, and 17-year-old YouTuber Kane Parsons will turn his lo-fi viral series The Backrooms into a feature film for A24. Similarly reinvigorating a long-reliable medium for first-time horror filmmakers, Robbie Banfitch’s found footage gem The Outwaters defies genre expectations while showing seasoned gore hounds exactly what they want to see (and perhaps a few things they’ll probably wish they hadn’t). The film’s writer, director, cinematographer, editor and producer, Banfitch also stars as Robbie Zagorac, the camera-wielding […]
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“The Freedom To Find My Own Way Through Such a Personal Story”: Director-DP-Editor Sierra Urich on Joonam
In her personal documentary film Joonam, director, editor and DP Sierra Urich attempts to make sense of her complicated identity as an Iranian-American. Growing up in Vermont, the culture and homeland of her mother and grandmother has never been truly known to her—only through stories, cuisine and holidays has she been able to connect with her Iranian heritage. Particularly with the current political climate of Iran, the prospect of visiting seems all the more impossible. Urich briefly discusses shooting and editing her feature debut, touching on how instrumental supervising editor Maya Daisy Hawke was during the process. See all responses […]
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“The Process Is Similar to the One I Go Through When I Direct”: Editor Babak Jalali on Fremont
In Fremont, the latest film from Babak Jalali, Afghan refugee and former translator for the U.S. government Donya (Anaita Wali Zada) suffers from intense bouts of insomnia. Living in the Bay Area and working at a fortune cookie factory, she channels her loneliness and frustration into an odd outlet. She decides to insert a personalized fortune into a random cookie, curious and unsure of whose hands it will land in. Fremont director and co-writer Babak Jalali discusses the process of editing the film, a role he undertook due to a strong “gut feeling.” See all responses to our annual Sundance […]
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“The Gorgeous Light of LA Sunsets Always Seemed To Come Too Soon”: DP Derek Howard on The Tuba Thieves
The very real news story of tuba thefts occurring at a series of Southern California schools is the inspiration for The Tuba Thieves, visual artist Alison O’Daniel’s feature debut. Yet the film isn’t really about these odd crimes, focusing instead on abstract notions of sound and what is means to “listen,” particularly as it pertains to the d/Deaf and Hard of Hearing experience, a theme that has fueled much of O’Daniel’s artistic output. The film’s cinematographer, Derek Howard, discusses how being an outsider to LA helped him capture the city more honestly, the benefits of his documentary background and the […]
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“What Remains in the Body”: Maite Alberdi on The Eternal Memory
Oscar nominee and Sundance alum Maite Alberdi (with 2020’s surprisingly lighthearted The Mole Agent, which followed an endearing octogenarian with no private investigative skills on an undercover mission to expose retirement home elder abuse) returned to Park City this year with a much different follow-up. While The Eternal Memory likewise deals with both the joys and indignities of aging, Alberdi trains her lens this time on a dynamic duo who’ve been together for a quarter century, much of it in the media spotlight. Paulina Urrutia was (and still is) an actor and former State Minister, while Augusto Góngora was one of Chile’s most […]
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“We Underestimated the Violence of the Regime”: Lina on 5 Seasons of Revolution
Like most conflicts heavily documentedby Western media, the ongoing Syrian civil war is one in which nearly all nuance has been left on the cutting room floor. Fortunately, Lina’s 5 Seasons of Revolution, a revelatory Sundance debut from a Damascus video journalist who (for safety reasons) goes simply by her first name, shatters the trend. Currently based in Europe, Lina spent 2011-2015 filming her country’s path from high revolutionary hopes to ultimately shattered dreams. But even more importantly, she did so in the most personal and truthful way, by turning the camera on herself and four of her closest friends—all educated, […]
