Directors
Interviews - Directors
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“I Can’t Afford to Let Cliches Live in the Cinema I Make”: Leilah Weinraub on Shakedown
Leilah Weinraub’s 2018 Shakedown, which began playing Metrograph on June 17th (and has been held over through June 30th due to high demand), has been touted by Variety as the “the first-ever non-adult film” to be picked up by Pornhub. Yet it could also be called the sex site’s first-ever Berlinale-premiering and Tate/ICA/MoMA PS1/Whitney Biennial-screened acquisition. And likely the smut streamer’s first-ever labor of love release as well. Indeed, Shakedown is a film that defies any easy categorization. Ostensibly a longform cinematic exploration (crafted over 15 years starting in 2002) of the titular, mid-city, Los Angeles, Black lesbian strip club, the doc […]
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“We Shot Seven Parties in 20 Days in an Abandoned Mall”: Cooper Raiff on Cha Cha Real Smooth
Titled after the hit party song no child of the early 2000s could escape, Cooper Raiff’s second feature, Cha Cha Real Smooth, originated as a love letter to parents of disabled children. Inspired by the perserverance of his own family (Raiff’s younger sister does not possess the ability to walk nor speak), Raiff’s screenplay eventually grew to become the story of Andrew (Raiff), a 22-year-old Tulane University graduate who moves back in with his brother (Evan Assante), mom (Leslie Mann), and her lover (Brad Garrett) in Livingston, New Jersey. Working a dead-end job and with his girlfriend in Barcelona on […]
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“Whenever Cinema is in Chaos, You Can Do a New Irma Vep“: Olivier Assayas on His New HBO Series
In the early 1990s, French director Olivier Assayas was invited to develop a remake of a classic work of French cinema for television. “I hadn’t known where to start until I remembered [Louis] Feuillade’s Vampires,” he remembered in 1996, referring to the 1915 silent serial in which Musidora played the costumed criminal Irma Vep. “I spent a few weeks considering the possibility, then I decided that, attractive as it was, I couldn’t take it any further. Somehow, my heart wasn’t in it.” A few years later, another invitation: this time to join Claire Denis and Atom Egoyan in the sort […]
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“I Never Saw This as a ‘True Crime’ Series”: Nanfu Wang on HBO Docuseries Mind Over Murder
One of the more surprising revelations in the provocatively titled six-part docuseries Mind Over Murder has nothing to do with the sad tale presented onscreen of the “Beatrice Six,” as the three men and three women convicted (and ultimately absolved) of killing a beloved grandma in Beatrice, Nebraska back in 1985 came to be known. Instead, the surprise comes when the end credits disclose the story is being revisited by none other than critically-acclaimed director Nanfu Wang (In the Same Breath, One Child Nation), not exactly a usual suspect for the sensationalist true crime genre. Then again, Wang doesn’t seem much interested […]
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“Cinema Doesn’t Heal or Cure You of Anything”: Dario Argento on “the Pleasure of Terrible Ceremonies” and His 20-Film Retrospective
The day before the start of his 20-film retrospective at Film at Lincoln Center, Dario Argento talked with film historian Rob King in front of a small delegation at the Italian Cultural Institute. King started by pointing out that the director has now directed giallo films for 53 years, or “four years longer than John Ford made westerns.” Asked what the genre means, Argento said he’s been asked this question thousands of times and that “once more” he will answer—“I don’t know.” Asked if his approach to directing giallo has changed, he also answered as he always has—No. He simply […]
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Shooting NBA Players and Philadelphia for Authenticity: Jeremiah Zagar on Hustle
The NBA Finals have just concluded, but the most popular film on Netflix remains Jeremiah Zagar’s basketball drama, Hustle. Adam Sandler (continuing his Happy Madison Productions partnership with the streamer) is Stanley Sugerman, a jetlagged international scout for the Philadelphia 76ers. In Spain, Sugerman discovers an exciting new talent, Bo Cruz (Juancho Hernangomez), dominating local competition on an outdoor court. Convincing this raw talent that he’s a star in the making, Sugerman brings Cruz to Philadelphia to prepare for the NBA Draft Combine. Unfortunately, greedy team owners, spiteful American prospects (including Minnesota Timberwolves star Anthony Edwards, giving a “I’m going […]
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“A Giant Greenscreen Marvel Movie, Except We Couldn’t Afford the Greenscreens”: Andrew Bujalski on There There
“We’re not sure how to describe it,” Bujalski told the Cambridge Day‘s Tom Meek of his seventh feature, the Tribeca premiere There There. “We’re just gonna put it on the screen and let everybody else tell us what we did.” That promised a strange film, and There There delivers. After a disorientingly shot-at-home sax solo from musician Jon Natchez (whose quarantine-vibes solo sets provide interludes between segments), There There begins the first of six narrative sequences centered around pairs of unnamed characters with Lennie James and Lili Taylor, who’ve spent the night together for the first time. They’re introduced in rigorously locked-off shots […]
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“I Heard Shots Behind Me, Turned Back and Saw Killers Approaching”: Lesya Kalynska on Tribeca Premiere A Rising Fury
In Ukraine, Russian disinformation has finally met its lie-dismantling match in the information warfare sphere—which, ironically, within the larger landscape of our head-spinning, 24-hour news cycle, only serves to muddy the waters of “truth” even further. Fortunately, the besieged nation has a thriving documentary scene with a habit of taking the patient and longterm vérité approach. Out of that tradition comes Lesya Kalynska and Ruslan Batytskyi’s feature debut A Rising Fury, world-premiering at Tribeca Festival, the culmination of an often fraught, messily complicated eight-year filmmaking journey. This breathtakingly cinematic explainer of current events follows the young patriotic Pavlo, a soldier from the Donbas […]
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“This is a Transgressive Force that Springs from the Imagination”: Rodrigo Reyes on his Tribeca-Premiering Doc Sansón and Me
The latest from “25 New Faces” alum Rodrigo Reyes, who we last spoke with for 2020’s Tribeca-selected 499, might also be his most personal and potentially fraught. The journey to Sansón and Me began a decade ago, when the Mexican-American filmmaker’s day job as a Spanish court interpreter in rural California took a turn for the tragically unexpected. Sansón Noe Andrade was a “quiet and super-polite” 19-year-old who was behind the wheel when his (even younger) brother-in-law decided to open fire on a rival from the passenger side of Sansón’s car. As a result, both teens were charged with murder. And Sansón, perhaps […]
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“We Decided To Rewrite All of Our Consent Releases So That They Were More Favorable to Participants”: Jennifer Tiexiera and Camilla Hall on Their Tribeca-Premiering Doc Subject
“Catnip for the cinephile” boasts the program synopsis for Jennifer Tiexiera and Camilla Hall’s Subject, which makes its world debut on June 11 in the Documentary Competition at this year’s Tribeca Festival. It’s a pretty spot-on claim for a doc that probes the post-screen afterlives and reflective minds of some of nonfiction cinema’s most recognizable stars. By juxtaposing contemporary interviews with characters from Capturing the Friedmans, Hoop Dreams, The Staircase, The Wolfpack, and The Square as well as interviews with acclaimed documentary directors (though smartly, none behind any of the aforementioned), academics and various experts on non-fiction ethics, a bigger and deeper picture […]
