Interviews
Interviews
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“This Movie Could Only Happen at This Budget in New York City”: Vuk Lungulov-Klotz on Mutt
A breakout at Sundance, Berlinale and New Directors/New Films this year, Chilean-Serbian writer-director Vuk Lungulov-Klotz’s debut feature Mutt is as scrappy and charming as its canine title. Following a frenzied 24 hours in the life of New York trans man Feña (Lío Mehiel, the first trans actor to win the U.S. Dramatic Special Jury Award for Acting at Sundance), Mutt explores the constant micro-aggressions that trans people face daily—even in a supposedly hyper-tolerant locale, especially from loved ones—and the connections and community that make these encounters sting a little bit less. Even when Feña faces his capricious ex-boyfriend, moody tween […]
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The Adults Special Episode with Michael Cera, Sophia Lillis and Hannah Gross (Back To One, Episode 263)
These interviews were recorded prior to the SAG/AFTRA strike, in June 2023, as part of the Tribeca Festival. On this special episode of Back To One, actors Sophia Lillis, Hannah Gross and Michael Cera talk about their work in writer/director Dustin Guy Defa’s wonderful new film The Adults. We get a glimpse into each of their general preparation processes before doing a deep dive into their work on this actor-centric production. They each talk about how they built the reality of their complex sibling relationship, why the songs and dances that play such a big part in their characters’ past feel […]
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“Rules Stop Me from Daring”: Radu Jude on Do Not Expect Too Much from the End of the World
“Have you ever seen Romanian TikToks?” It’s a torrid afternoon in Locarno and Radu Jude and I are sitting in a container repurposed as an interview booth, a couple of days after the premiere of his latest, Do Not Expect Too Much from the End of the World. Social media play a prominent role in the film, an electrifying snapshot of life in the 21st century designed to both immortalize our back-to-front digital zeitgeist and dissect its textures. A collage straddling black comedy and road movie, Do Not Expect centers on Angela (Ilinca Manolache), an overworked production assistant whose company […]
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“We Didn’t Want an Audience Member To Be Able To Say, ‘Oh, That Was Just One Bad Cop’”: Stanley Nelson and Valerie Scoon on Sound of the Police
Stanley Nelson and Valerie Scoon’s Sound of the Police is an exhaustive exploration of the oppositional dynamics between African Americans and law enforcement, from slavery right up to today. Through a wealth of archival imagery, interviews with academics, authors and assorted deep thinkers of various backgrounds and colors as well as an ear-catching soundtrack (indeed the doc’s title is a nod to rapper KRS-One’s 1993 anti-police brutality anthem “Sound of da Police,” which serves as a sort of sonic exclamation point throughout the ABC News Studios doc), the veteran filmmakers make a compelling case that any relationship built on the […]
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Costume Designer Ruth E. Carter on Her Career and New Book
Ruth E. Carter is one of the best-known and most highly acclaimed costume designers working today. Since the very beginning of her 30-plus-year career, she’s had a creative partnership with Spike Lee, designing everything from the iconic streetwear of Do the Right Thing to the period looks of Malcolm X, Crooklyn and Summer of Sam. Carter’s resume also includes collaborations with directors like Steven Spielberg (Amistad) and Ava DuVernay (Selma). This year, she made history as the first Black woman to win two Oscars, when she took home the Best Costume Design statue for her beautifully bold work in Black […]
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“I Realized This Was a Film Not Necessarily About Things Seen…But Things Felt”: Elaine McMillion Sheldon on King Coal
Like many Filmmaker readers, I first encountered the work of Elaine McMillion Sheldon a decade ago, when the West Virginia native landed on our annual 25 New Faces of Independent Film list in 2013. She’d just completed Hollow, which began as a documentary about her home state’s struggling McDowell County, and ultimately transformed into a sprawling interactive project; and per Randy Astle’s profile, “a community portrait that includes about three hours of video — including a lot shot by members of the community — audio recordings, text, photographs and user-generated material via Instagram.” Sheldon then popped back onto my radar two […]
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“I Spent Nearly 14 hours Staring At That Lamp”: DP Paul Yee on Joy Ride
When you make your living in production, the relationship between work and time off can be a complicated one. After months of Fraturdays and Second Meal pizza at 2 a.m., you need to rest, decompress and resume the parts of your life that have been essentially paused during shooting. But stay off set too long and dread can fester—a fear of dwindling bank accounts, falling short on days for insurance and being usurped in your market’s hiring hierarchy. Cinematographer Paul Yee is acutely aware of that delicate balance and how it feels when the equilibrium becomes askew. He took a self-imposed […]
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“How Many Times Do I Have To Get Lucky To Survive?” Strike: A Special Episode of Back To One
On this special episode, I visit the picket line at each of the four SAG/AFTRA strike sites in New York City, in one continuous, unbroken audio “take.” Actors Michael Gaston, Clarissa Thibeaux, and others talk to me about what’s at stake, and en route to each location I share my own thoughts on the issues at hand, make some predictions, voice concerns, and offer up my total and complete solidarity to the cause, all supported by the loud and never-ending symphony of the New York City streets! Get ready for the strangest, but definitely most sonic-rich, episode of this podcast […]
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Riding in Cars with Boys: Gina Gammell, Riley Keough, Franklin Sioux Bob and Willi White on War Pony
Gaining access to an underrepresented community comes with a great amount of responsibility. There are countless examples of a director visiting a site for a few days, getting what they need, then hightailing it out only to use their subsequent press tour to emphasize the “raw grittiness” they observed while filming on location. It’s crucial to question who benefits from this exchange. Does the filmmaker gain authenticity for their work merely by virtue of who they put in front of the camera? Does the portrayed community benefit from being used to confirm an outsider’s predetermined perception? Gina Gammell and Riley […]
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“There Are Not Many Places in the World Better To Live Than Dublin Right Now”: Luke McManus on His Inner-City Doc North Circular
Regular Dublin folk, and the folk songs that have preserved their histories, guide viewers along the city’s North Circular in director Luke McManus’s first documentary feature. A three-and-a-half mile long loop separating Dublin’s inner city from its first hints of suburbia, the North Circular Road was laid in 1763 concurrently with the city’s South Circular Road, which now comprises residential homes and, until the early 19th century, largely ran through countryside. Due to its longstanding urban location, the North Circular has been synonymous with working class residents, leading to a broader public consensus that much of the road ran through […]
