Interviews
Interviews
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“The Film Hits a Person’s Heart”: Colman Domingo on Sing Sing
A24’s Sing Sing follows a group of inmates participating in the Rehabilitation Through the Arts program, which offers incarcerated men the chance to produce theatrical productions while in prison. A true story developed by co-writers and producers Clint Bentley and Greg Kwedar (who also directed) and RTA alumni Clarence “Divine Eye” Maclin and John “Divine G” Whitfield, the film stars Oscar nominees Colman Domingo and Paul Raci alongside an ensemble of formerly incarcerated men who participated in the RTA program, including Maclin, who plays himself along with other RTA alumni. With incredible performances from Domingo (who earned his second consecutive […]
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“It Doesn’t Have to Always Cost $200 Million”: DP Lol Crawley on Shooting The Brutalist (Mostly) in VistaVision
In The Brutalist, a creatively uncompromising Hungarian-Jewish architect (Adrien Brody) immigrates to Pennsylvania after World War II and struggles to complete an ambitious project financed by a wealthy industrialist (Guy Pearce). Creating a three-hour epic in 34 days for under $10 million doesn’t allow the luxury of boundless obstinance, yet it’s easy to draw parallels between the protagonist’s unyielding artistry and a team of filmmakers that insisted on using the VistaVision format whose heyday ended more than 60 years ago. With the film, which is up for 10 Academy Awards, still in theaters and now also on VOD, Oscar-nominated cinematographer […]
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“I Made Sure My Presence and Camerawork Reflected the Difficult Position They Were Put In”: DP Amy Bench on Shooting The Librarians
With a style influenced by her work with documentary director Albert Maysles as well as shadowing DP Emmanuel Lubezki on The Tree of Life, Amy Bench wanted her work on Kim Snyder’s Sundance-premiering doc The Librarians, about a group of Texas librarians fighting censorship, “to shoot in the way that showed audiences the urgency, alarm, and fear felt by librarians and students in Texas.” Below, Bench, whose previous credits include the 2016 Sundance title Holy Hell and the 2015 Berlinale Silver Bear-winner Bad at Dancing, discusses those influences, anonymizing her subjects, and for what scene she brought in a second […]
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“The Final Film Often Grows From a Process of Letting Go of Preconceived Ideas…” Editor Stephania Dulowski on Bunnylovr
In Katarina Zhu’s Sundance Competition debut, Bunnylovr, a New York City-based Chinese American cam girl (played by the writer/director) navigates a number of fraught personal relationships (her ex, terminally ill father, artist best friend and one boundary-pushing client) while also caring for a white rabbit, a gift from said client. Working with Zhu to hone and focus these storylines was editor Stephania Dulowski, a Sundance veteran who cut Haley Elizabeth Anderson’s 2024 title, Tendaberry. Below, Dulowski talks about focusing on character, delineating the film’s final beats, and how working within a commercial house has influenced her approach to editing. Filmmaker: […]
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Nine Years of Storytelling: Seth and Pete Scriver on Endless Cookie
Sundance is capable of showing some fairly excruciating and/or formulaic comedy, but one alternative this year was the shaggy DIY delight of Endless Cookie. Tucked away in the World Cinema Documentary Competition, this Canadian animation from half-brothers Seth and Pete Scriver (who are white and indigenous, respectively) daisy-chains stories about their family history, from the far-flung Shamattawa First Nation community in Manitoba (where Pete lives) to 1980s downtown Toronto (where they logged time together). Stories from the past blur with the constant activity of the house and environs where Pete’s children and dogs live as Seth visits to record people’s […]
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“Being Clean with the Words Gave Me More Freedom than Anything”: Margo Martindale, Back To One, Episode 328
In movies like Million Dollar Baby, August: Osage County, Blow The Man Down, and series like The Americans, Justified, and Sneaky Pete, “esteemed character actress Margo Martindale” loves to play people much different from herself. And she’s been so good at it for so long that she only started to get truly recognized for her work in her 60s. Three Emmys later, she’s able to pick and choose what she wants to do. Her latest, the Amazon series The Sticky, finds her number one on the call sheet and having a blast playing the bombastic maple syrup farmer Ruth Landry. […]
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“…How To Put Myself in a Situation Where the Outside Pain Helps Me Reach the Inside Pain…”: Stefan Djordjevic on His IFFR-Premiering Wind, Talk to Me
German philosopher Ernst Bloch was noted for his introspection and study around what he termed the “utopian imagination.” He put forth the concept of simultaneous non-simultaneity: the possibility that people could live in different temporalities while inhabiting the same place at the same time. Moving image work, by its very nature, can illustrate this idea like no other art form can – even without special effects or CGI. From frame to frame, sequence to sequence, a collection of purpose-built images and sounds floats through their own unique space-time continuum, evoking an awakening, a recognition, creating a genre-defying ode to staying […]
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“Compassion Should Rule the Day, Not Punishment”: Director Cole Webley on His Sundance-Premiering Drama, Omaha
A family of four—an unnamed Dad (John Magaro), his children Ella and Charlie (Molly Belle Wright and Wyatt Solis), and their Golden Retriever—hit the road at the start of Omaha, towards Nebraska. We don’t get to know too much about them at first—just that they have an old car that needs a little push, and they’ve been evicted from their home, forced to collect their most treasured possessions quickly, like they are saving memorabilia during a fire. We don’t even know why they are heading there. Cole Webley’s deeply compassionate gut-punch of a movie, which premiered in the U.S. Dramatic […]
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“There Are No Good Harnesses, Clips and Clamps That Keep a GoPro on a Dog”: Heidi Ewing and Rachel Grady on Their Sundance Doc Premiere, Folktales
For Jesus Camp and Detropia directors Heidi Ewing and Rachel Grady, a film can be born from the most inconspicuous of things, like something they have overheard, or a phrase that stayed with them. Folktales, their stunning documentary set in a folk school in the snow-clad Northern Norway, was no exception. During the early days of Covid, Ewing was catching the end of a podcast when American dog sledder Blair Braverman was talking about her vocation, as well as what happens to your mind when you’re alone for 12 days with a pack of dogs. As a dog and nature […]
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“We Wanted to Get Across a Sense of the Overbearing Heat”: DP Rufai Ajala on Mad Bills to Pay
Mad Bills to Pay (or Destiny, dile que no soy malo) is director Joel Alfonso Vargas’s feature adaptation of his short film May it Go Beautifully for You, Rico. The film follows Rico, his family and his girlfriend as they adjust to the latter’s new pregnancy. The film is a 2025 Sundance Film Festival NEXT selection and was shot by Rufai Ajala, who also served as DP on the original short. Below, Ajala discusses translating New York’s summer heat into visuals and the advantages of shooting in New York City. Filmmaker: How and why did you wind up being the cinematographer […]
