Is independent filmmaking a calling, like a religion? The Rev. Megan Hollaway looks at the religious impulse in Todd Rohal’s priest comedy, The Catechism Cataclysm. Photograph by Henny Garfunkel
Welcome to the 14th edition of Filmmaker’s “25 New Faces of Independent Film.

For Evan Glodell, surviving a bad breakup by making a movie wasn’t enough — he also built the camera it was shot on and the car featured in its story. Dubbed the mad scientist of this year’s Sundance, he takes Septien director Michael tully through the apocalyptic fever dream that is BELLFLOWER. Photograph by Henny Garfunkel
Both actor and bona fide Hollywood star, Mark Ruffalo has made a surprising directorial debut with Sympathy For Delicious, a bold fable about religion and rock & roll, betrayal and friendship. By Scott Macaulay
The Myth of the American Sleepover has seduced audiences from Austin to Cannes with the intimacy of its look at a group of teenagers during one long, magical summer night. Writer-director David Robert Mitchell and his team discuss the film’s journey to the screen. By James Ponsoldt
With his second feature, the Gotham Award-winning Littlerock, California native Mike Ott explores the dreams of a small California town through the eyes of a visiting pair of young Japanese tourists. By Ray Pride.
From a screenplay by Leslie Dixon, Neil Burger takes us on a pharmaceutical-fueled joyride through a conspiratorially intelligent New York business world in Limitless. By Scott Macaulay PLUS: Leslie Dixon on nurturing your inner Tarantino.
Winner of the Palme d’Or at this past year’s Cannes Film Festival, Apichatpong Weerasethakul’s Uncle Boonmee Who Can Recall His Past Lives is an enlightening journey graced with a fairytale feel that’s unlike anything you’ll see in theaters this year. By Howard Feinstein.
For Dana Adam Shapiro’s eerie and erotic relationship drama Monogamy, cinematographer Doug Emmett creates a voyeuristic visual style in line with the film’s conflicted protagonist. Here D.P. Eric Lin chats with Emmett about crafting the film’s unique look.