The problem with so many horror films today is that you feel like you’ve seen them before. I’m not talking about their plots or characters because ghosts, vampires and serial killers have been and will be dramatized again and again. No, I’m talking about the feeling of watching these films, the internal clock that prepares you for this jolt by minute three, that one by minute 10 and a final shocker just before, or after, the closing credits. Among the many excellent qualities of writer-director Ti West’s filmmaking is its refusal to be straitjacketed by the more programmatic notions of […]
Below-The-Line Blues. By Anthony Kaufman
What If 5th Graders Ruled Your Storyworld? By Lance Weiler
A dark character study of a girl escaping a cult, Sean Durkin’s feature Martha Marcy May Marlene is an impressive debut that also highlights the talents of this year’s Sundance breakout actress,
Elizabeth Olsen. By Jason Guerrasio | Photograph by Henny Garfunkel
Though Lars von Trier’s mouth gets him into trouble, the Dane’s incredible story-telling talents are well under control. Melancholia, his latest, is a masterfully beguiling tale of sisters, depression and the end of the world. By Zachary Wigon
More Reports: Filmmaking in Afghanistan, L.A. Rebellion, Elinor Bunin Munroe Film Center amphitheater.
Holly Willis explains what film schools need to explore to stay relevant in the future.
Is independent filmmaking a calling, like a religion? The Rev. Megan Hollaway looks at the religious impulse in Todd Rohal’s priest comedy, The Catechism Cataclysm. Photograph by Henny Garfunkel
Welcome to the 14th edition of Filmmaker’s “25 New Faces of Independent Film.