Access, access, access — be it physical, emotional, or preferably both — is the doc filmmaker’s equivalent of location. And Brazilian director Petra Costa manages to get it in spades. Currently streaming on Netflix, her Oscar-nominated epic The Edge of Democracy, the… Read more
The Oscars have released their shortlist of the 15 documentary features eligible for the Academy Award that have advanced to the next stage of consideration; the final five will be announced along with all other nominations on January 15. The… Read more
The Oscars are not generally considered a crucial event for genre lovers; the inclusion of such films is often limited, and often ghettoized, relegated to technical awards only. This year there are several films in requisite categories like Makeup and… Read more
Just announced were the nine films that will advance to the next round of voting in the Foreign Language Film category for the 85th Academy Awards®. (71 films had originally qualified in the category.) The list is a mixture of… Read more
This piece was originally printed in the Fall 2010 issue. 127 Hours is nominated for Best Picture, Best Actor (James Franco), Best Adapted Screenplay (Danny Boyle & Simon Beaufoy), Best Editing (Jon Harris), Best Original Score (A.R. Rahman) and Best Original Song. When director Danny Boyle first got in touch with d.p. Anthony Dod Mantle about 127 Hours, the film following their Academy Award-winning collaboration Slumdog Millionaire, Dod Mantle remembers him saying that “he was convinced that the only way to get through this [movie] would be to subject an actor to a pretty extraordinary physical experience in as intense […]
This piece was originally printed in the Fall 2010 issue. 127 Hours is nominated for Best Picture, Best Actor (James Franco), Best Adapted Screenplay (Danny Boyle & Simon Beaufoy), Best Editing (Jon Harris), Best Original Score (A.R. Rahman) and Best Original Song. When Werner Herzog made his 1982 true-life inspired tale of a Peruvian capitalist transporting a giant steamer across dry land, Fitzcarraldo, he famously replicated the ordeal, lugging with his crew an even bigger ship across the Amazon jungle in one of the most strenuous and demanding movie shoots of all time. Before its release, Francis Ford Coppola said […]
Originally posted online on August 11, 2010. Animal Kingdom is nominated for Best Supporting Actress (Jacki Weaver). Like his stunning short films Netherland Dwarf and Crossbow, David Michod’s terrific and terrifying feature debut, the 2010 Sundance World Dramatic Competition winner Animal Kingdom, is a smoothly photographed, moodily scored tale of a trapped, dim and docile young man who suffers at the hands of a careless and, in this case, criminal family. As in his previous work, Michod relies on an insistent voiceover to provide biting interiority while the unrelentingly grim working-class Melbourne milieu is strikingly depicted in slow-motion shots and […]
This piece was originally printed in the Spring 2010 issue. Winter’s Bone is nominated for Best Picture, Best Actress (Jennifer Lawrence), Best Supporting Actor (John Hawkes) and Best Adapted Screenplay (Debra Granik & Anne Rosellini). It’s not often a striking young girl makes it in Hollywood without accentuating her looks, but Jennifer Lawrence is not your typical 19-year-old actress. While many of her peers go for lightweight parts in bubblegum teen comedies, Lawrence has taken a more serious route, filled with dark roles that deal with issues well beyond her years. The Kentucky native left home for L.A. at 14 […]
This piece was originally printed in the Fall 2010 issue. Black Swan is nominated for Best Picture, Best Director (Darren Aronofsky), Best Actress (Natalie Portman), Best Cinematography (Matthew Libatique), Best Editing (Andrew Weisblum). Darren Aronofsky was developing a project based on Russian novelist Fyodor Dostoyevsky’s 1846 novella, The Double, when he happened to go to a production of another Russian work, Swan Lake, the 1875 ballet composed by Peter Tchaikovsky. Seeing the ballet’s White Swan and Black Swan played by the same ballerina, Aronofsky experienced what he called a “Eureka” moment, realizing that The Double’s themes of splintering identity and […]