Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? The Green Prince […]
Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? Making Whiplash was […]
Each year, Filmmaker asks the Sundance Film Festival feature directors a question about their filmmaking process. We then compile any and all of the directors’ feedback and bring it to our readers courtesy of our “Sundance Responses.” This year we asked: Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see […]
The most exciting film festival in America gets underway next week. The prestigious Sundance Film Festival will unspool more than 120 new features, shorts, documentaries and innovative media projects in Park City, Utah from January 16th to 26th — showcasing, as always, a hefty slate of LGBT films for the edification of the citizens of Utah and the visiting masses. With the Sundance stamp of approval chances are good that you’ll be seeing many of these have some kind of release in 2014 (whether at your own local LGBT film fest, art house theater, digital platform or else on DVD). […]
Sundance has snuck in a few late additions to its slate (Clerks, Wish I Was Here, Lambert & Stamp) and now comes the final of these, which is also arguably the most exciting: Richard Linklater’s Boyhood. The film, also known as “The Twelve Year Project,” was shot over a dozen years (2002 to 2013) with a small cast and covers the progression from youth to adulthood of a family and, principally, the children Mason (Ellar Coltrane) and Samantha (Lorelei Linklater). The parents are played by Ethan Hawke and Patricia Arquette. Linklater has for some time insisted that Boyhood would not remain the […]
10 years after Garden State‘s bow, Zach Braff will return to Sundance with his follow-up, Wish I Was Here. The plot line may sound familiar: Aidan Bloom, a 35-year old struggling actor, father and husband, aimlessly gropes for purpose in his life after the death of his father. If you’ll recall, Braff raised over $3 million on Kickstarter to fund the film this past April, spurring the heated debate over whether or not celebrities should crowdsource. In addition to Wish I Was Here, Sundance also announced a special screening of Kevin Smith’s Clerks, as a “From The Collection” selection, alongside Steve James’ seminal Hoop Dreams. Synopses from […]
At the 2013 Sundance Film Festival, Filmmaker magazine asked a series of directors to talk about the films they were excited about at this year’s event. Here Andrew Sensenig, the actor who plays The Sampler in Shane Carruth’s Upstream Color, offers his recommendations.
At the 2013 Sundance Film Festival, Filmmaker magazine asked a series of directors to talk about the films they were excited about at this year’s event. Here Frances Bodomo, writer/director of the short Boneshaker, offers her recommendation.
At the 2013 Sundance Film Festival, Filmmaker magazine asked a series of directors to talk about the films they were excited about at this year’s event. Here Hannah Fidell, writer/director of A Teacher, talks about the films she is looking forward to seeing.
At the 2013 Sundance Film Festival, Filmmaker magazine asked a series of directors to talk about the films they were excited about at this year’s event. Here James Ponsoldt, director of The Spectacular Now, offers his recommendations.