Sundance Responses
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“My World Outside the Cutting Room Is Richer”: Editor Géraud Brisson on CODA
Siân Heder’s CODA is the tender story of Ruby (Emilia Jones), the sole hearing member of her deaf family. After joining her high school choir, she finds herself torn between pursuing her passion for singing and helping her family with their fishing business. Editor Géraud Brisson tells us why his team decided to leave some scenes in that may feel “awkward” for hearing audiences. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Brisson: I met Siân Heder, the director of […]
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“We Like the Poetic, Dreamy Quality”: DP Edu Grau on Passing
Rebecca Hall’s Passing is an adaptation of the Harlem Renaissance era novel by Nella Larsen of the same name. Starring Tessa Thompson and Ruth Negga as two mixed race women who “pass” for white in the 1920s, the film explores their acquaintanceship as one “pretends” to be white while the other lives life as a black woman. DP Edu Grau shares why they opted to film the Passing with a more vintage style. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Grau: […]
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“This Film Needed to Embody a Feminist Perspective”: Editor Kevin Klauber on Rita Moreno: Just a Girl Who Decided Go For It
Rita Moreno stands as one of the few entertainers to attain EGOT status. Mariem Pérez Riera intimate documentary on the West Side Story star the racism Moreno faced as a Puerto Rican immigrant with aplomb, featuring interviews other iconic entertainers such as Gloria Estefan, Whoopi Goldberg and Eva Longoria. Editor Kevin Klauber shares the importance of recontextualizing Moreno’s story through a feminist lens. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Klauber: I was contacted by Brent Miller after being recommended […]
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“The Resiliency of Youth Is Inspiring”: Editor Kristina Motwani on Homeroom
Homeroom, the final entry in Peter Nicks’ Oakland trilogy, couldn’t have come at a more bizarre time. Amid the early days of the pandemic and movements to defund the police, Oakland High School’s class of 2020 prepares to graduate into an unforgiving world fighting for justice. Kristina Motwani, one of the film’s co-editors, shares how the film’s arc changed but their goals remained the same as the world around them changed more and more. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired […]
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“There Is No Clear Main Character to Follow”: Editor Julia Drack on Human Factors
Ronny Trocker’s Human Factors follows a family whisked away to their seaside vacation home in an attempt to escape work. During their stay, burglars break into the house, which drives a wedge between parents Nina and Jan. Editor Julia Drack tells us how they achieved the film’s unique eschew of time, moving perspective to perspective between each family member. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Drack: Human Factors is the second feature film by director Ronny Trocker. I […]
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“I Wanted to Experience Intimacy With the People I Was Filming”: DP Jessica Beshir on Faya Dayi
Jessica Beshir’s feature debut Faya Dayi is all about khat, a plant native to Ethiopia harvested and known for its euphoric properties when chewed. On another level, the film is about khat’s cultural significance as a major cash crop, analyzing its role both economically, socially, and generationally. Beshir tells us why she decided to take on the role of DP for her own film. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Beshir: I started filming Faya Dayi as a very […]
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“It Was Important Always to Keep the Spirit of Dance”: DP Naiti Gámez on Ailey
Jamila Wignot’s Ailey explores the life of seminal choreographer Alvin Ailey in poetic manner. With a heartbeat as studied as Ailey’s jazz-dance that made him famous. DP Naiti Gámez tells us about the magic of capturing dance on film, and the ephemerality of shooting with no possibility of retakes. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Gámez: I’m not entirely sure, actually. I don’t remember. ;) Filmmaker: What were your artistic goals on this film, and how did you realize […]
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“It’s a Balance of Preserving Your Strength”: DP Sean Havey on Homeroom
Homeroom, the final entry in Peter Nicks’ Oakland trilogy, couldn’t have come at a more bizarre time. Amid the early days of the pandemic and movements to defund the police, Oakland High School’s class of 2020 prepares to graduate into an unforgiving world fighting for justice. DP Sean Havey details filming long school board meetings and the intimacy of camerawork. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Havey: I was the associate producer, assistant editor, second camera unit […]
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“It’s So Fun to Run and Gun”: Editor Daryl Wein on How it Ends
Daryl Wein and Zoe Lister-Jones’ How it Ends takes place on the eve of the Earth’s destruction. Followed by her younger self (Cailee Spaeny), Liza (played by Lister-Jones) tries to make it to a party despite the fact that her car has been stolen. Acting as co-DP (as well as co-editor and co-writer), Wein details the catharsis that came with editing his own film during the pandemic. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Wein: I co-edited the film […]
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“I Wanted to Create a Kind of Subtle, Candy-Coated Pop Aesthetic”: DP Daryl Wein on How it Ends
Daryl Wein and Zoe Lister-Jones’ How it Ends takes place on the eve of the Earth’s destruction. Followed by her younger self (Cailee Spaeny), Liza (played by Lister-Jones) tries to make it to a party despite the fact that her car has been stolen. Acting as co-DP (as well as co-editor and co-writer), Wein shares how he got close to the material as a consequence of the pandemic. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Wein: I chose to […]
