[PREMIERE SCREENING: Monday, Jan. 21, Noon — Temple Theatre, Park City] Sacrifice is an interesting word when you think about it in context of our film, Life According to Sam, because one of the main themes of the film is sacrifice. Our film is about a mother and father, Dr. Leslie Gordon and Dr. Scott Berns, who are trying to find a cure for a fatal disease that is rapidly aging their son, Sam. Progeria is one of the rarest diseases in the world and children rarely live past their teenage years. The film picks up with Sam’s mom, who […]
[PREMIERE SCREENING: Monday, Jan. 21, 6:0pm — Yarrow Hotel Theatre, Park City] I had a vision for our film. I always refer to it as ‘cow time’, a unique perspective on the world from a chilled bovine point of view. My vision was ultimately sacrificed. Making The Moo Man taught me a lot about the humble cow. This docile, semi-domesticated farm animal is easy to take for granted. However in reality they’re so much more aware and connected to mother nature than we could ever hope to be. Cows are social, they have friends, they like pop music (although they’re […]
[PREMIERE SCREENING: Sunday, Jan. 20, 11:59pm — Egyptian Theatre, Park City] Early on I decided to shoot the psychological horror In Fear without giving the actors the script and without them even knowing the story. They had absolutely no idea of what was coming. They didn’t know if they were going to die, live happily ever after or win the lottery. Every day when filming I put them in a certain situation, gave them some guide dialogue, we’d discuss their current state of mind and then we’d shoot. So what was the sacrifice? On the shoot without the actors performing […]
[PREMIERE SCREENING: Sunday, Jan. 20, 2:30pm — Prospector Square Theatre, Park City] My film, Which Way Is The Front Line From Here?, is about the death, in combat, of my good friend and colleague Tim Hetherington. In a sense the film would not exist without the tragedy of his death, but I don’t think that’s what you are asking. I pre-sold my film rather than financing it myself — as Tim and I were forced to do with Restrepo — and I was able to hire amazing people to work with. But making a film about Tim’s death took a […]
[PREMIERE SCREENING: Sunday, Jan. 20, 11:45pm — Library Center Theatre, Park City] We’ve never done an indie before, so the budget and time constraints were much more intense than any we’d experienced. That said, the freedom we gained made that sacrifice absolutely worth it. No committee-think in this movie — every line, every casting decision, everything — it’s all 100% ours (thank you darko). So we sacrificed money and gained autonomy. We will absolutely do it again. It was the most fun we’ve ever had, and probably the thing we’re most proud of. Also, Tom got in a swamp with […]
[PREMIERE SCREENING: Sunday, Jan. 20, 9:00pm — Egyptian Theatre, Park City] I made one no-budget film in 2008 called Luke and Brie are on a First Date. It was a great experience and had an okay life for itself, but I was adamant that I wouldn’t make a no-budget film again. In order to grow (or be perceived as growing), my next film would need to have a name actor and a budget of $250,000. I was confident This is Martin Bonner was that script and I took 18 months to figure out how to get that money or a […]
[PREMIERE SCREENING: Sunday, Jan. 20, 3:00pm — Temple Theatre, Park City] It’s strange to talk about making a film as a sacrifice. Of course we are always under enormous financial pressures and we’ve given up treasured time with family and friends to create this work. But to us it feels like a privilege — especially in these difficult times — to be able to make art, and even more so to be making it independently. The motto of Wisconsin and the last line of our film is “Forward;” as we head to Sundance, we aren’t looking back. Sundance Responses 2013
[PREMIERE SCREENING: Sunday, Jan. 20, 8:30pm — Library Center Theatre, Park City] Short of my personal relationships, I sacrificed everything for the film. Years of my life, my personal finances, all of my creative and professional resources. If I wasn’t willing do that, then what would be the point? If you’re not willing to sacrifice for what you love, than you don’t truly love it and if you don’t truly love film, you probably shouldn’t be an independent filmmaker. It’s too much of a challenge. You have to make sure to hold on to that initial spark that got you on to the film so tightly cause, […]
[PREMIERE SCREENING: Sunday, Jan. 20, 9:00pm — Temple Theatre, Park City] Our film wasn’t planned. As the events of Occupy Wall Street began to unfold, and Audrey [Ewell] and I decided to make a film around it, we basically went from working on other projects (our own follow-up film to Until The Light Takes Us, as well as the paying freelance work that pays our rent) to instantly being in production on an unbudgeted and risky film project that used an untested methodology to bring it to life, and that relied on the abilities and collaboration of people we’d never […]
[PREMIERE SCREENING: Sunday, Jan. 20, 12:15pm — Eccles Theatre, Park City] Talking about sacrifices when you’ve been given the means to actually make your movie seems a bit glib – but you make them all the same, and perhaps spend an exorbitant amount of time fretting about them late at night, hoping they don’t show up on screen. On this film, there were two forfeitures in particular that went hand in hand. First: for budgetary reasons, we couldn’t shoot our movie in Texas. As a filmmaker from the Lone Star State who enjoys making movies set therein, this was somewhat heartbreaking, and […]