TIFF
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“With Viktor I Approached Sign Language Just Like Any Other Language”: Olivier Sarbil on His TIFF-premiering doc Viktor
Viktor
One of the cinematic highlights of this year’s TIFF, Olivier Sarbil’s Ukraine-set (and Darren Aronofsky-produced) Viktor follows the titular protagonist, a Kharkiv resident who lives with his widowed mother and faces a most unusual conundrum. Desperate to defend his country,… Read more
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“We Were Filming at a Time When Putin Was Arresting Opposition”: Sarah McCarthy on Her Telluride-Premiering Doc Short Anastasia
Sarah McCarthy is no stranger to navigating the myriad challenges posed by authoritarian states. Indeed, the Australian doc-maker has shot in precarious political places throughout the world, from the Philippines, to Saudi Arabia to Russia—where she’s returned time and time again. Nor is she a stranger to the Toronto International Film Festival, where following on the heels of feature-length works (The Sound of Mumbai, The Dark Matter of Love) she now debuts her latest short Anastasia; and the innocuous title, much like the film’s titular character, belies one powerful punch. Anastasia Shevchenko is a Russian civil rights advocate who’s been arrested […]
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“How can you be sure that everybody who had a K-15 in their hands was someone truly evil?”: Gian Cassini on his TIFF-Premiering Doc Comala
A son’s search for a father he never knew is an emotional and complicated journey in even the best of circumstances. When that dad is a smalltime hitman murdered in Tijuana who left behind another family, including a son who likewise embraced criminality and his own father who supposedly fought for Castro (and also worked for the CIA), that investigation can become something infinitely more complex. And if that child is a brave and thoughtful filmmaker like Monterrey-based Gian Cassini it transforms into a journey much greater than the sum of its tabloid-sensational parts: a study of intergenerational violence, machismo […]
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“We had no bulletproof vests, no armored jeep, just our smiles and good nature”: Mohammed Abugeth and Daniel Carsenty on their TIFF-Debuting Doc The Devil’s Drivers
Filmed over the course of nearly a decade The Devil’s Drivers is a modern-day “1970s car chase thriller” shot mainly from inside the weathered vehicles of human traffickers. But in Mohammed Abugeth and Daniel Carsenty’s edge-of-your-seat feature these daredevil smugglers prove a far cry from any Hollywood baddie. Zooming through the West Bank desert on their lawbreaking quest to transport desperate Palestinian workers across the border into Israel, the Bedouin drivers bravely dodge occupying forces day in and day out, risking serious jail time for a pittance. Bonded with their cargo in economic need, in the desire just to feed […]
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“Can a Psychopathic Institution Be Redeemed, or Should It Be Eliminated?”: Joel Bakan and Jennifer Abbott on Their TIFF-Premiering Doc The New Corporation: The Unfortunately Necessary Sequel
I can still recall my red pill moment while watching Jennifer Abbott and Mark Achbar’s 2003 documentary The Corporation with my best friend, at the (pre-financial crisis) time an analyst at a big bank. “Corporations are people? What the hell?” I practically shouted. “Yup,” he simply responded with a weary shrug. For many clueless progressives like myself, unaware that corporate power had been spreading like the coronavirus, silently hijacking all branches of our government for decades, The Corporation was both horror film and wakeup call. The real deep-state conspiracy. Since then we’ve endured the Great Recession and our current economic calamity/health catastrophe/racial injustice awakening. […]
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“The Privileged Life Can Also Come at a Price”: Eva Mulvad on her TIFF-Premiering Love Child
Having committed adultery and conceived a child out of wedlock, a couple is forced to choose between keeping secrets and family ties — or being true to love and residing in exile. Though that could be the plot of an old-fashioned romance novel (or modern-day soap opera), it’s actually the all-too-real situation the protagonists at the heart of Eva Mulvad’s documentary Love Child are forced to reckon with. Over the course of six years Mulvad (the Danish documentarian behind lighter dramatic fare such as the Grey Gardens-in-Portugal standout The Good Life, and more recently, A Cherry Tale and A Modern […]
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“I am Interested in Multiple Uses of Power and the Different Forms of Violence and Abuse That Take Place in Close Relationships”: Five Questions for Disco Director Jorunn Myklebust Syversen
Religious extremism and its cult-like symptoms are of intense interest to filmmaker Jorunn Myklebust Syversen, her two feature films, Hoggeren (The Three Feller) and Disco offering ample evidence of this. The two films portray cultural manipulation from the top down, with the hierarchies of religious institutions providing the confinements for their leading characters. Premiering at this year’s Toronto International Film Festival, Disco links professional shortcomings to a lack of belief in the holy spirit. Disco tells the story of 19-year-old Mirjam, a world champion freestyle disco dancer whose stepfather serves as pastor of the local church, Freedom. Once Mirjam’s success in […]
