6570 Results for “production”
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Winter Requiem: Jessica Oreck on Aatsinki: The Story of Arctic Cowboys
The uncompromising yet lovely vérité doc Aatsinki: The Story of Arctic Cowboys takes an unadorned, soulful look at a year in the lives of a pair of brothers who are among a collective of reindeer herders in rural Finland. A departure in many ways from the zany Beetle Queen Conquers Tokyo, Jessica Oreck’s new film is bloody and ice bound, showcasing a world of rustic north European life rarely glimpsed on screen. The grim slaughter of reindeer and the daily tribulations of running such an operation doesn’t escape the director’s eye; neither does the tenderness and decency of the people doing such work. […]
by Brandon Harris on Feb 3, 2014 -
Caveh Zahedi’s CineMart Diary
Filmmaker Caveh Zahedi attended the 2014 International Film Festival Rotterdam CineMart with a film seeking financing: The Sky is Blue Like an Orange, about the artist Joseph Cornell. For three days he and screenwriter Arnold Barkus met with assorted financiers. Zahedi’s diary is below. December 10, 2013 I receive an email informing us that our project about the artist Joseph Cornell’s relationship with a waitress in the early ’60s, has been accepted to Cinemart. January 21, 2014 We receive our list of meeting requests. We have 37 meetings scheduled over a three-day period. The last time I was at Cinemart […]
by Caveh Zahedi on Feb 2, 2014 -
Scared Straight: Trevor White on Jamesy Boy
Ostensibly based on a true story, Trevor White’s Jamesy Boy recounts the ascension, demise and redemption of James Burns, a cavalier gang member whose story is an all too American one — he fell into a life of crime on the streets of Baltimore as a 14 year old, did some hard time, and was, somewhat astoundingly given the unrepentantly punitive nature of our disenfranchisement factories known as prisons, the better for it. He’s played by a promising newcomer, Spencer LoFranco, who is joined by an accomplished cast including Ving Rhames, Mary-Louise Parker and James Woods, in a somewhat surprising turn, […]
by Brandon Harris on Jan 31, 2014 -
The Davey Foundation’s Short Film Grant
Created in honor of actor David Ross Fetzer, The Davey Foundation strives to promote emerging artists under the age of 35 in both theater and film. Submissions recently opened for the Foundation’s Short Film Grant, which awards a U.S. filmmaker $3500 for the production of a short-length script. Dustin Guy Defa, a board member of the Davey Foundation and a frequent collaborator of the late Mr. Fetzer (who AD-ed Bad Fever), generously shed some light on the inaugural competition: “We’ve elected to support the short format as opposed to the feature because of the Foundation’s intent to support new voices in […]
by Sarah Salovaara on Jan 31, 2014 -
Sundance MVP Alex Bickel on the Role of the Colorist
The post-production process is an often underestimated one, both in the amount of work it necessitates and in its shaping of the final product. From an outside perspective, viewers may assume that a film’s visuals are simply captured on-set, in camera, and transferred to screen without much alteration. In reality, color grading the camera’s images is an art form unto itself. Over at Hammer to Nail, Chad Hartigan, director of last year’s Sundance NEXT inclusion This is Martin Bonner, interviews his colorist Alex Bickel, whose fingerprints were on a whopping six titles in Park City earlier this month: Blue Ruin; Camp X-Ray; Kumiko, The […]
by Sarah Salovaara on Jan 30, 2014 -
Rotterdam Announces the 2014 CineMart Awards
The International Film Festival Rotterdam tonight announced the winners of its 2014 CineMart Awards. A feature project about the youth generation following the war in Bosnia and an Italian-French co-production setting personal stories in North-East Italy picked up the two top prizes, while three projects received €10,000 grants funded by the Global Film Initiative. Winning the Eurimages Co-Production Development Award for the best CineMart 2014 project with a European partner was Tabija, Igor Drljaco (Bosnia and Herzegovina), a production of SCCA/pro.ba. Said the jury in a statement, “This is a project with great urgency developed by a young team, in […]
by Scott Macaulay on Jan 29, 2014 -
Shooting in Africa with A Most Wanted Man Producer Andrea Calderwood
I recently met Andrea Calderwood at the Trinidad + Tobago Film Festival where she was in town to support Half of a Yellow Sun, helmed by Nigerian director Biyi Bandele. Originally from Scotland, the London-based Calderwood has long been a formidable presence in the U.K. film world, a BAFTA-award winner for Kevin MacDonald’s The Last King of Scotland, who even made Scottish news herself last year when The Herald named her to its list of the top 50 most influential women in the country. This year she’s busy as always. Our Kind of Traitor, an adaptation of the John le […]
by Lauren Wissot on Jan 28, 2014 -
Angular Visions: Vertical Cinema at Rotterdam
What would vertical cinema be like? It is a question that must have percolated in the minds of many a cinema enthusiast. After all, there is no rule decreeing that a film can be made only in horizontal format. But, of course, theaters, distributors and historical viewing practices have made us think of cinema in no other way. However, there could have been an alternate universe where films resembled portraits, not landscapes. At the 43rd International Film Festival Rotterdam (IFFR), underway right now, delegates got a peek into that alternate universe through a special section called Vertical Cinema. A Sonic […]
by Laya Maheshwari on Jan 28, 2014 -
Balancing the Autobiographical Documentary: Jason DaSilva on When I Walk
I remember the first time I saw Sherman’s March and realized how revealing autobiographical documentary could be. Filmmakers who turn the camera on themselves run a high risk of self-indulgence, but when done right their films can intimately show the resilience of the human spirit, especially when their challenges appear insurmountable, whether in situations as grandiose as in Ernest Shackleton and Frank Hurley’s South or as ostensibly mundane as Steven Ascher and Jeanne Jordan’s Troublesome Creek. The process of making autobiographical films can even be beneficial for the filmmakers, psychologically or otherwise, provided they place therapy on a backseat to […]
by Randy Astle on Jan 28, 2014 -
Girls Interrupted: Juliet Lammers and Lorraine Price on Last Woman Standing
When I met Canadian director Juliet Lammers during the Hot Springs Documentary Film Festival – where we served together on a sprawling panel – her film Last Woman Standing, which made the Hot Docs 2013 Netflix Audience Award top five, wasn’t even on my radar. But it certainly should have been. Co-directed by Lammers and Lorraine Price, Last Woman Standing is more than a riveting sports flick (though it’s that as well). Unique in approach, the doc focuses just as much on the relationship rift between Ariane Fortin and Mary Spencer, two of the world’s best boxers, as it does […]
by Lauren Wissot on Jan 27, 2014
