Filmmaker: Why this movie? Why did you decide to do it? Smirnoff: Puzzle was a story about a woman. So after that, I was really interested in making a film about a man, putting [myself] in his skin. I know a lot of people, maybe me included, with emotional obstacles. And I think writing is a marvelous possibility to habit different human beings. All these things are related to the story of Lock Charmer. Exploring Sebastian, the main character from the film, was a wonderful exercise; I learned more about life. Always not judging but living with him. When you manage […]
Filmmaker: Why this movie? Why did you decide to do it? Iskander: Edet Belzberg’s film Children Underground was one of my favorite docs. When I went to meet her for the first time to talk about potentially working on her new film, I was simply excited to meet her and hear about her experiences as a documentary filmmaker. So I was thrilled to be have the opportunity to work with her on Watchers of the Sky. The prospect of traveling to Chad and working closely with Edet was very exciting. Filmmaker: Why do you think you were the right choice to D.P. each film? Iskander: […]
Filmmaker: Why this movie? Why did you decide to do it? Medalia: As boundaries between reality and the virtual become increasingly blurred, we are beginning to see how reality is compromised and people are losing their footing. When Shosh [Shlam, the other director of Web Junkie] told me about this story of China’s attempt to stem internet addiction among its youth, I was immediately captivated and felt that this it expressed a current and increasingly global dilemma. I began to wonder if I myself was an addict? Had I become overly dependent on technology? And would these techniques to break the addiction among […]
Filmmaker: Why this movie? Why did you decide to do it? Zwebner-Zaibert: Now more than ever, we need films that investigate and expose the side-effects of our relationship with technology. Internet overuse is a social issue around the globe that has only emerged in the past few years; we have no idea what effects it may have on us or what we will know about the phenomenon in the future. As such, we need to exercise caution when creating policies around it. Also, as a young mother, I spend a lot of time thinking about my daughter’s future and how the Internet will impact her […]
Katie Stern is that inexplicable combination of inviting, accessible, and tough as nails. When I went to photograph her at the color correction of the film she produced, Listen Up Philip, she was wearing all black, despite my suggesting filmmakers wear a splash of color. “It’s just what I’m used to wearing,” she says, a true New Yorker. “But I did wear lipstick – and that’s not normal for me.” In the color correction suite, Stern was the only woman in a small sea of men, including the film’s director, Alex Ross Perry. The film was on the big screen, […]
Filmmaker: Why this movie? Why did you decide to do it? Tragos: I made my first documentary Be Good, Smile Pretty after discovering a picture of my father the day he was killed in Vietnam. The film was well received and won the Emmy Award for Best Documentary in 2004. It was difficult to find another film project with such a deep connection – and then came motherhood. I wanted to give my daughters a different childhood than I had had – with a mom who was fully present. That was my choice then – but sometimes I wonder if I […]
At a private event featuring film screenings and a panel discussion, the Sundance Institute today announced the Sundance Institute Short Film Challenge, supported by the Bill and Melinda Gates Foundation. The Challenge intends to spur the production of documentary and narrative short films (three to eight minutes long) depicting the creativity of real people seeking solutions to the challenges of extreme hunger and poverty in their communities. Said Sundance Institute Executive Director Keri Putnam in a statement, “With the support of the Gates Foundation, we are proud to launch this short film challenge and support filmmakers around the world in […]
Filmmaker: Why this movie? Why did you decide to do it? Salomé: The movie picked me up. As I was working on Holy Motors, I started to collect bits and pieces, archives, anything that was part of Leos Carax’s universe. When I realized how much I had gathered, it became obvious that I couldn’t stop there. I dived right into his world… and without even noticing it, I started to make the film. It was exciting to unravel some of the mysteries surrounding him. Seeing all of his movies again was an extraordinary experience: they haven’t aged a bit. They may even be more […]
“So, is this exciting to you, or, like, totally normal by now?” director Desiree Akhavan asked her executive producer, Katie Mustard, when we three met over coffee just two weeks after their film, Appropriate Behavior, was accepted into Sundance’s NEXT section. While this is Akhavan and her London-based producer Cecilia Frugiuelle’s first time at Sundance, Mustard has had nine films there – seven features and two shorts. Mustard had been drawn to come on board Akhavan’s film because the script was “just so good” and so “fresh.” Akhavan, who stars in the film as an Iranian-American bisexual struggling to find […]
When I walked in to photograph Linda Moran at her office at Belladona Productions in Chelsea, she was on the phone making magic happen. Her film Cold in July, which she produced, was speedily getting picture locked for Sundance and her office, that she runs with fellow producer René Bastian, was abuzz with activity and inclusiveness: it has what I call the “Google Effect” – which is to say that the office is so cool and fun to work in, employees love coming to work. Linda promptly introduced me to the office mascots: her dogs Zombie and Coco who insisted on […]