6583 Results for “production”
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Color Grading A Glimpse Inside the Mind of Charles Swan III, Part 1: Ryan Bozajian on the Art of the Pre-Grade
Like most motion pictures, Roman Coppola’s latest film, A Glimpse Inside the Mind of Charles Swan III was color graded in a DI theater at a post house. Unlike many films, this final grading only took two days; extensive “pre-grading” was done using Resolve Lite at American Zoetrope’s own facilities, while the final grade was performed at SPY using the full version of Resolve. With color grading taking place in two facilities and by two people, the facilities had to work together to calibrate equipment and create a consistent workflow. In part 1 of this series, VFX artist Ryan Bozajian […]
by Michael Murie on Mar 26, 2013 -
Tugg Co-Founder Nicolas Gonda on Curators, Brand Ambassadors and Artist Entrepreneurship
Celebrating its first anniversary at SXSW 2013 was Tugg, the web-based, theatrical-on-demand platform that allows movie fans to create their own theatrical events while also providing exhibition opportunities for both studio and indie films. The company used SXSW to launch its new website, which offers greater analytics tools for event promoters, and co-founder Nicolas Gonda was on hand to talk up some of Tugg’s recent milestones. Those include the theatrical run of Honor Flight, a doc about World War 2 veterans that, according to Tugg, scored 56% of its total theatrical box-office via the platform. After a limited theatrical run […]
by Scott Macaulay on Mar 26, 2013 -
Meet the Latest SFFS/KRF Filmmaking Grant Finalists (Part 1)
Last year on the Filmmaker website, we ran a series of pieces in which we profiled a group of finalists for the San Francisco Film Society’s Kenneth Rainin Foundation Filmmaking grant, run through the organization’s Filmmaker360 program. Now there’s a new set of finalists, and we are once again putting the spotlight on all those shortlisted for the grant. JOSEF WLADYKA, MANOS SUCIAS Synopsis: A desperate fisherman and a naive young man embark on a dangerous journey trafficking drugs up the Pacific coast of Colombia. Hidden beneath the waves, they tow a narco-torpedo filled with millions of dollars worth of cocaine. Together they […]
by Filmmaker Staff on Mar 25, 2013 -
FilmAid Launches Multimedia Doc, Dadaab Stories
Dadaab lies in eastern Kenya, not far from the Somali border. The area hosts the largest complex of refugee camps in the world, with over 474,000 people, primarily Somalis, living in the combined Dadaab and Alinjugur camps, making it larger than Atlanta, Miami, Oakland, or New Orleans. The sheer size of the camp makes life difficult, causing most residents to stay there long-term as well; the camp has just turned 20, and many children have never lived anywhere else. According to the United Nations High Commissioner for Refugees, events in Somalia since 2011 have forced many more people across the […]
by Randy Astle on Mar 25, 2013 -
What’s In My Instapaper: Jason Molina, Google Reader, Female Road Narratives and More
I discover the links for these weekly columns through one source: Google Reader. Well, last week, Google sent the beloved Google Reader to its graveyard. I didn’t initially understand how difficult it will be to replace Google Reader until listening to last week’s Accidental Tech Podcast, even as the show’s Marco Arment believes that Google’s departure from the RSS space will be a good thing in the long run. Still, the shutdown has prompted a lot of press, and not all in the tech field, questioning our dependence on Google given their penchant for launching and shuttering services. For Google […]
by Scott Macaulay on Mar 24, 2013 -
Five Questions with My Brother the Devil Writer/Director Sally El Hosaini
Sally El Hossaini’s My Brother the Devil finally arrives in U.S. theaters on the back of a celebrated festival run that started at Sundance 14 months ago, and continued throughout 2012, as the film picked up prizes not only in Park City but at the Berlin and London Film Festivals and also the British Independent Film Awards. This debut feature from Welsh-Egyptian writer/director El Hosaini, a former documentarian who’s been working in film for many years, is set in the East London neighborhood of Hackney and concerns the relationship between two first generation British Egyptian brothers, gang member Rashid (James Floyd) and […]
by Nick Dawson on Mar 22, 2013 -
Second Sun Valley Fest Wraps a Strong Edition
A place of unbelievable beauty that maintains a rustic, unassuming vibe, Sun Valley, Idaho, has long been a hideaway for the rich and famous, from the Shah of Iran to generations megawatt movie stars. Arnold Schwartznegger and Clint Eastwood have homes there; Bruce Willis and Demi Moore apparently split much of the surrounding area in their divorce. First brought to attention by Ernest Hemingway — who lauded it as prime fall hunting lands in the 30s, long frequenting the place with his buddy Gary Cooper and finishing his legendary For Whom the Bell Tolls in a second story suite in its signature […]
by Brandon Harris on Mar 22, 2013 -
The New Digital Storytelling Series: Hugues Sweeney
In the third part of Filmmaker‘s interview project with prominent figures from the world of transmedia, conducted through the MIT Open Documentary Lab, the executive producer of interactive production at the National Film Board of Canada, Hugues Sweeney, answers our questions. For an introduction to this entire series, check out “Should Filmmakers Learn to Code,” by MIT Open Documentary Lab’s Sarah Wolozin. MIT Open Documentary Lab: How do you see people making the transition to digital interactive storytelling? Sweeney: If you look at the music industry at the end of the 90s and the begin of 2000s, the smaller the labels/bands/publishers were, the faster they […]
by MIT Open Documentary Lab on Mar 21, 2013 -
Latest Round of SFFS/KRF Filmmaking Grant Finalists Announced
The San Francisco Film Society does a fine job supporting emerging talent through their Filmmaker360 program, and most notably the Kenneth Rainin Foundation grants. For success stories, you don’t have to look far: Destin Daniel Cretton’s Short Term 12, which was a recent KRF grant winner, just won SXSW, and the Oscar-nominated Beasts of the Southern Wild received multiple grants from Filmmaker360. (Cretton was recently profiled by the SFFS, which you can view here.) The latest group of KRF finalists have now been announced, and it includes Jonas Carpignano for his feature version of A Chjana, the stunning short that last year […]
by Nick Dawson on Mar 20, 2013 -
Five Different Routes to a Web Series
The web series can take many shapes, from a no-budget serial made in high-school media classes to Joss Whedon’s Dr. Horrible’s Sing-Along Blog to Netflix’s long-format House of Cards. These are just three of probably thousands of web series out there produced, written, and directed specifically for the Internet. But there are other roads to web series. Here are five of them. The Longish Short Film Repurposed into a Web Series Filmmaking partners Jacob Hensberry and Ken Cook had plan for their short film, Planet X, a stylized, modern romantic comedy with sci-fi leanings. “We were going to use the […]
by David Licata on Mar 19, 2013
