Today is round two of the Sundance announcements, comprised of Spotlight (notable festival films that premiered in 2012), Park City at Midnight (midnight movies) and New Frontiers, the experimental strand of the fest, which includes both films and installations. We now have a few days to parse the program announcements from the past two days, and the lineups for the Premieres & Documentary Premieres and Shorts sections will be announced Monday and Tuesday of next week. SPOTLIGHT Regardless of where these films have played throughout the world, the Spotlight program is a tribute to the cinema we love. Fill […]
David Lynch is a very popular director the world over, but perhaps no place more than Poland. His work is greeted with the same fanfare as the latest disposable, multiplex-bound spectacle in this central European country, his rock star status never more in evidence than at the 20th annual Plus Camerimage. The international film world’s most significant festival focusing mainly on the work of cinematographers (they headline the competition here and are the subjects of press conferences, interviews, workshops, tributes), it moved two years ago from its former host city of Lodz (pronounced “Wod-ge”), home of the national film school […]
Online video’s come a long way in the seven-and-a-half years since the launch of YouTube, but it’s no secret that the landscape’s still constantly changing for filmmakers, both independents and studios. The big question, still, is how to best monetize online viewing, as a few recent developments have illustrated. Karin Chien has a great piece in the current issue of Filmmaker (available for subscribers here) about how some YouTube stars have built up massive audiences that have, in turn, supported them financially and empowered them to deal with Hollywood on favorable terms. But we all know that going viral can […]
So, I am in Amsterdam, attending my first IDFA, a fest I’ve been dreaming of attending since I first started working in documentary. IFP has 11 films in the fest, and four works in progress in the Forum, so I’m here for moral support, promotion of IFP, and reconnaissance. What is happening in documentary in the rest of the world? In advance of my arrival, I was most anticipating being a part of the Forum, “IDFA’s international co-financing and production market, Europe’s most important breeding ground for new documentary work.” The Forum presents works in progress to the international funding […]
Following on from the Bay Area Boom article about the San Francisco Film Society’s Filmmaker360 program, we are profiling the 13 finalists for the SFFS’s Kenneth Rainin Foundation Filmmaking grant. The winners of this award will be announced on December 8. RYAN COOGLER, FRUITVALE Synopsis: Based on a true story, Fruitvale follows Oscar Grant, a 22-year-old Bay Area resident, who crosses paths with friends, enemies, family, and strangers on New Year’s Eve 2008. Bio: Ryan Coogler is a 26-year-old filmmaker based in the Bay Area. He earned his MFA at the University of Southern California School of Cinematic Arts in 2011, where he made several short […]
If you have a confession, then you have a conviction. At least that was the open-and-shut premise at the heart of the Central Park Jogger case, a crime story that inflamed racist paranoia in late ’80s New York City, stoking sensationalistic media coverage and frenzied outrage in the era of Bernard Goetz, Tawana Brawley, and the Bensonhurst murder, when the city was gripped with tensions that seemed ready to combust at any moment. After a white Wall Street banker from the Upper East Side was raped, beaten, and left for dead on April 19, 1989, while out for her nightly […]
Bernie Tiede was the popular person in Carthage. We know this because the small East Texas town residents tell us themselves. They sit on lawns and in office chairs and talk to the camera in Richard Linklater’s new film Bernie, nominated for Gotham Awards for Best Feature and Best Ensemble Performance. This ensemble collectively tells of how Bernie (played in flashback by Jack Black) first came to town in 1985 as an assistant funeral director. Soon, they say, he led Carthaginians through the local church choir, town theater productions, and Little League, even helping people with their tax returns. He […]
The central metaphor of Virginia Woolf’s A Room of One’s Own, as I remember it, is the university; she talks about the vast number of people who participate in its creation – from those who fund & design it to those who actually build it – the result of which is a single (male) student being able to sit and write. Woolf’s point is to illuminate the gendered nature of the systems and structures on which scholarship is built, but the scale of resources that go into the screening of any one film – especially one overseas, in the context […]
Editing is older than motion pictures. The ordering and pacing of dialogues, scenes, entrances and exits to build conflict and resolution have long defined Western theater, from Aeschylus’s Oresteia to Wagner’s The Ring of the Nibelung [Der Ring Des Nibelungen]. It was the insertion of first-person thoughts into dialogue and plot that modernized 18th- and 19th-century novels and clever sequencing of mechanically animated magic lantern glass slides that thrilled Victorian audiences to popular epics like Ben-Hur.
Nine years ago, I walked into Sound One on my first run at my first internship. This summer, I walked out of Sound One having completed post-production on my first feature, B-Side, less than six months after we began pre-production. It wasn’t just a feature debut for me as a director, but also for our producer, DP, editor, 1st AD, and leading lady. Now rest assured, I could tell you dozens of things we would do differently. Free sample: Don’t shoot anything that will go in a movie’s first five minutes on the first day of shooting. And we have […]