6560 Results for “production”
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The Imposter, Searching for Sugar Man Top Cinema Eye Honors Noms
At an event hosted by the AFI Film Festival today, Cinema Eye Honors announced its Honors for Nonfiction Filmmaking. Bart Layton’s The Imposter (pictured) and Malik Bendjelloul’s Searching for Sugar Man led the pack, with five nominations each. Both films were nominated the group’s Outstanding Achievement in Nonfiction Filmmaking Award, joining fellow nominees Emad Burnat and Guy Davidi’s 5 Broken Cameras; Heidi Ewing and Rachel Grady’s Detropia; Matthew Akers’ Marina Abramovic The Artist is Present, and Jason Tippet and Elizabeth Mims’ Only the Young. Tippet and Mims, who Filmmaker selected for our 25 New Faces of 2012, had the most […]
by Scott Macaulay on Nov 3, 2012 -
Why 3D?
John has graciously given me a chance to tell people why I do 3D, why I ACTUALLY do 3D, to write something beyond the technical babble that typically highlights any in-depth discussion of 3D or the snark that informs any “3D, ugh” diatribe or the relative silence from my peers in the indie community. I’ll do my best to talk about 3D in a way that I haven’t heard often… less a technical piece (or 3D ugh-fest), more an honest ramble on independent artistic creation. An ode, if you will. It’s a shame to start like this, but to get […]
by Zack Lieberman on Nov 2, 2012 -
Game Changers Part 2: Funding and Casting
Game Changers is an indie film currently being shot in Buffalo, New York. In this second part of the interview with filmmakers Rob Imbs (director) and Benjamin Eckstein (cinematographer), they discuss funding a low-budget movie, how the budget effects the production, as well as casting and location scouting. Filmmaker: So you had a script, but then you had to fund the movie. How did you go about doing that? Imbs: Funding was always an Indiegogo thing. Just as I fell in love with Twitter, I also fell in love with the idea of Indiegogo. I really believe in supporting artists, […]
by Michael Murie on Nov 1, 2012 -
New Media, New Cuts
The future of editing may not lie in the tools editors use but the new formats that feature their work.
by Randy Astle on Nov 1, 2012 -
Adult Friend Finder: Writer/Director Sean Baker on Starlet
Dree Hemingway is a sweet porn star and Besedka Johnson — Best Actress winner at the 2012 SXSW Film Festival — is the mysteriously bitter older woman she befriends in Sean Baker’s sun-streaked relationship drama, Starlet. Interview by Scott Macaulay.
by Scott Macaulay on Nov 1, 2012 -
Five Questions with Girl Walk // All Day Director Jacob Krupnick
Director and photographer Jacob Krupnick was waiting for a spark to ignite a major creative project, and it came when he was listening to All Day, the 2010 album by mashup maestro Girl Talk. Krupnick’s debut feature, Girl Walk // All Day brilliantly utilizes the entirety of the album, using it as both soundtrack and inspiration for an epic, feature-length music video, the story of a young dancer (Anne Marsen) who escapes for the day to New York City, turning the great metropolis into one big, ever-moving stage. Along the way, she regularly crosses paths with both The Creep (John Doyle), a weirdo in […]
by Nick Dawson on Nov 1, 2012 -
Toronto International Film Festival 2012
The increased emphasis on red carpet and premiere status in Toronto seems to have left the festival with an identity crisis. Compared to festivals like Locarno and Rotterdam, which have hit their stride in promoting the new guard of international cinema, just a quick glance at this year’s program guide makes it clear that the “Festival of Festivals” is in the midst of redefining itself. Wavelengths, formerly a sidebar of avant-garde shorts programs, has expanded to include the section previously known as Visions. Many of the more interesting films in the festival could be found here, including the much-buzzed-about Leviathan […]
by Lori Donnelly on Nov 1, 2012 -
Wrapping Independent Film Week
Memorable movie moments may be made out of triumph — the winning of the big game, the getting of the girl — but a career in film rarely reaches its triumphant third act in 90 minutes. Even the most successful filmmakers spend years on their journey, and it is for them — those waiting and hustling for their breaks — that Independent Film Week exists. Founded in 1979 by IFP, the publisher of Filmmaker, Independent Film Week has mushroomed over the past 33 years into a one-of-a-kind event that connects emerging and established artists with the producers, financiers and executives that […]
by Mary Anderson Casavant on Nov 1, 2012 -
Bay Area Boom
When Ted Hope moved from New York to the Bay Area in September to take over as executive director of the San Francisco Film Society, he was stepping into an organization that, with the recent success of its vibrant and generous Filmmaker360 program, had already been making a substantial impact in the independent film world. In 2008, the late Graham Leggat, then the SFFS’s executive director, identified the need to reevaluate the organization’s ailing Film Arts Foundation, which had been in existence for more than 30 years but, despite having a robust fiscal sponsorship program, had dwindled in importance because […]
by Nick Dawson on Nov 1, 2012 -
Goodbye, New York
Ten years ago this summer, Good Machine, the film company responsible for helping launch the careers of such American auteurs as Nicole Holofcener, Ang Lee, Todd Field, Todd Solondz and many, many others, was absorbed by Universal Studios, effectively marking the end of an era in indie film. Good Machine co-president James Schamus would start Focus Features, the Universal subsidiary that he still oversees today (one of the last specialty distributors based in New York), while Ted Hope, the other co-president, started his own production company, This is That. But the company closed its doors in 2010 and now, Hope, […]
by Anthony Kaufman on Nov 1, 2012
