Back to One
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Back to One, Episode 62: Michael Kelly
Through six seasons on House of Cards and multiple Emmy nominations, Michael Kelly has brilliantly embodied the character of Doug Stamper, navigating him through the highs and lows of loyalty, devotion, and dark-heartedness, culminating with a new layer of antagonism in the final season. It was a tour de force performance. In this episode he sits down to talk about the nuts and bolts of his craft, his meticulous and elaborate script breakdown process, how David Fincher knocked him off his game, and why he will never stop worrying about the next job no matter what awaits him post-Stamper. Back […]
by Scott Macaulay on Jun 11, 2019 -
Back to One, Episode 60: Lindsay Burdge
Lindsay Burdge is one of the bravest and best actors working in indie film this decade. Her breakout role in Hannah Fidell’s A Teacher brought her raves for her intense performance of destructive obsession. Bold choices continued in movies like Nathan Silver’s Thirst Street, Karyn Kusama’s The Invitation, and Joe Swanberg’s Netflix show Easy. Now she’s taken on the role of Mandy, in the long-awaited second season of Caveh Zahedi’s acclaimed The Show About The Show, after the real Mandy (Zahedi’s wife) left the show mid-production. She talks about the unique experience of working with Zahedi under these conditions, how […]
by Peter Rinaldi on May 28, 2019 -
Back to One, Episode 58: Asia Kate Dillon
Asia Kate Dillon is a true trailblazer. They are the first non-binary (gender non-conforming) actor to play a non-binary character on a television show (Taylor on Showtime’s Billions). That itself is noteworthy, but Dillon also happens to be an amazing actor who brings such depth and life to characters, making representation even more powerful. Now, In John Wick: Chapter 3, Dillon calmly commands attention as a mysterious character called The Adjudicator. Dillon talks about sliding into that role and what it takes to slide out of a role like Brady, the skinhead inmate, in Orange Is The New Black, plus […]
by Peter Rinaldi on May 14, 2019 -
Back to One, Episode 57: Paul Calderon
Paul Calderon is New York acting royalty. A list of his collaborators and co-stars, in numerous plays, films and television, reads like a who’s who of legends: Pacino, De Niro, Scorsese, Lumet, Burstyn, Tarantino, to name a few. Not to mention Abel Ferrara, whose many films he’s graced (he also co-wrote Bad Lieutenant). He was made a member of the Actors Studio in 1984, and eight years later was one of the founding members of LAByrinth Theater Co., where as writer/director he helped mentor such talent as Philip Seymour Hoffman, David Zayas, and Sam Rockwell. For many years he’s been […]
by Peter Rinaldi on May 7, 2019 -
Back to One, Episode 56: Dominic West
Dominic West is best known for playing Jimmy McNulty on The Wire, Noah Solloway on The Affair, and gay activist Jonathan Blake in the film Pride. Now he’s taken on the classic role of Jean Valjean in the new 6-episode BBC version of Les Misèrables, currently on PBS. He also happens to be British, which seems to continually surprise people, probably because he’s mastered his American accents. He talks about that and many other nuts and bolts in his impressive approach to the craft. Back To One can be found wherever you get your podcasts, including iTunes, Google Play, and […]
by Peter Rinaldi on Apr 30, 2019 -
Back to One, Episode 55: Lake Bell
She’s wonderful in comedies like Man Up and dramas like No Escape, but Lake Bell shines brightest in material she writes and directs herself, like her indie hit In A World. Now the mega-talented multi-hyphenate has joined forces with Liz Meriwether (New Girl) on the ABC sit-com Bless This Mess. We talk about the benefits and challenges of writing, directing and starring in a network show; knowing when to land the joke slightly off the landing pad; and doing it all as a mom. Back To One can be found wherever you get your podcasts, including iTunes, Google Play, and […]
by Peter Rinaldi on Apr 23, 2019 -
Back to One, Episode 53: Michael K. Williams
The actor Michael K. Williams died yesterday at the age of 54. We are revisiting here his 2019 interview with Peter Rinaldi, in which he spoke about many things, including his first time auditioning for The Wire and the role of Omar. R.I.P. Michael K. Williams. — Editor He brought to life one of the most iconic TV characters this century, Omar Little on the acclaimed series The Wire. Then Michael K. Williams went on to work with some of the great directors of our day (Steve McQueen, Paul Thomas Anderson, Ava DuVernay, Todd Solondz) and turned in powerful work […]
by Peter Rinaldi on Apr 9, 2019 -
Back to One, Episode 52: Caitlin FitzGerald
I first took note of Caitlin FitzGerald in one of the great showcases of incredible acting in recent indie film — Sophia Takal’s Always Shine. You might know her from Masters of Sex where she played Libby Masters, or the third season of the cult hit series Unreal. Her latest film, just released on DVD and Blu Ray, is The Man Who Killed Hitler and Then The Bigfoot. In this half hour she generously opens up about the epiphanies and frustrations she’s experienced as a working actor in this business, how good directors help her process, and how she deals […]
by Peter Rinaldi on Apr 2, 2019 -
Back to One, Episode 47: Shea Whigham
Shea Whigham could easily be in the running for the hardest working actor in show business. In just this past year, he was in First Man, Beirut, Vice, and brilliantly played Thomas Carrasco, the Department of Defense bureaucrat tasked to investigate Julia Roberts’ character, in the series Homecoming. He’s worked with Martin Scorsese, Werner Herzog, David O. Russell, Terrence Malick, and is probably best known for playing corrupt mob brother Eli Thompson on Boardwalk Empire. In this half hour he talks extensively about his preparation process, what he’s learned from the greats, and much more. The constant room noise you […]
by Peter Rinaldi on Feb 26, 2019 -
Back to One, Episode 45: Josh Hamilton
If I ever need to cry on cue, I can just picture the expression on Josh Hamilton’s face, in Eighth Grade, when Elsie Fisher hugs him. It’s a beautiful, wordless culmination of his incredible performance, which landed him a Spirit Award nomination this year. We discuss that scene, and he shares some of what he’s learned from jumping from the New York stage to the big and small screens and back again over the past 25 years. He talks about the importance of syncing with the director’s vision, being off-book before rehearsals, and why he’s a self described “take whore.” […]
by Peter Rinaldi on Feb 12, 2019
