The non-fiction-centric awards body Cinema Eye Honors announced its nominees for 2018, ranging over 10 categories, such as directing, production, cinematography and, of course, Outstanding Achievement in Nonfiction Feature Filmmaking. Among the biggest recipients is Bing Liu’s Minding the Gap, which raked up a total of seven nominations — the most of any title this year. Others with multiple nominees include Robert Greene’s Bisbee ’17, RaMell Ross’ Hale County This Morning, This Evening and Sandi Tan’s Shirkers. The winners will be announced at the 2019 Honors Awards Ceremony on January 10, 2019, which will be held at the Museum of […]

The Cinema Eye Honors, which has been celebrating exceptional documentary filmmaking since 2007, wrapped its first decade tonight with its annual awards ceremony, hosted by documentary director Steve James, at the Museum of the Moving Image. Kirsten Johnson’s memoiristic meditation on documentary image-making, Cameraperson was the big winner, taking home three awards, including Outstanding Achievement in Nonfiction Filmmaking, Outstanding Achievement in Editing and Outstanding Achievement in Cinematography, while Ezra Edelman’s sprawling O.J.: Made in America won two: Outstanding Achievement in Directing and Outstanding Achievement in Production. Other winners included Laura Ricciardi and Moira Demos’s Netflix series Making a Murderer (Outstanding […]

Cinema Eye, the organization that recognizes outstanding accomplishments in nonfiction filmmaking, today announced their annual list of The Unforgettables, the most memorable nonfiction film subjects. The list, which features 18 individuals from 15 films, was determined by Cinema Eye’s nominations committee, which is comprised of some of the world’s top documentary film programmers and curators, as well as the 2016 filmmakers in the running for this year’s awards. “For the fourth year, we are proud to celebrate the collaborative process of documentary filmmaking by acknowledging the role that subjects play in creating many of the year’s best films,” said Cinema Eye Managing Director […]

Cinema Eye today announced the ten nonfiction short films that have been named as semi-finalists for the 2017 Cinema Eye Honor for Nonfiction Short Film. The announcement of the annual Cinema Eye “Shorts List” was made on the eve of the 2016 Camden International Film Festival (CIFF), a key festival partner and sponsor of the Cinema Eye Honors. For the third year in a row, all ten films will screen this weekend at CIFF on the coast of Maine. “In the past few years, the short form has been one of documentary’s most exciting modes to engage subjects and stories,” […]

Now entering its tenth year, Cinema Eye, the organization that recognizes outstanding work in nonfiction film, today announced the ten films that have been named as semifinalists for Outstanding Achievement in Nonfiction Filmmaking for Television. Films eligible for this award must have aired or broadcast between June 1, 2015 and May 31, 2016, which explains why O.J.: Made in America, Ezra Edelman’s stunning five-part documentary series for ESPN, which premiered June 11, didn’t make the list. Among the documentaries recognized this year are HBO Documentary Films’ Mapplethorpe: Look at the Pictures by documentary veterans Fenton Bailey and Randy Barbato, A&E’s Happy Valley, […]

Cinema Eye, the nonfiction film organization behind the annual Cinema Eye Honors, will present the 2016 Legacy Award to American Movie, Chris Smith’s 1999 chronicle of an independent filmmaker pursuing his passion project. Smith will accept the award on behalf of the film at the Cinema Eye Honors Lunch, on Tuesday, January 12, 2016 in Manhattan. Award-winning documentary filmmaker Steve James (Hoop Dreams, The Interrupters, Life Itself) will serve as host and master of ceremonies for the 2016 Cinema Eye Honors, which will be held Wednesday, January 13, 2016 at the Museum of the Moving Image in Astoria, Queens. Meanwhile, today marks the second day of […]

Cinema Eye, which presents the Cinema Eye Honors for Nonfiction Filmmaking as part of the annual Cinema Eye Week, today announced the five nominees for its annual Heterodox Award. The Heterodox Award honors a narrative fiction film that imaginatively incorporates nonfiction strategies, content and/or modes of production. The five films nominated this year for the Cinema Eye Heterodox Award are: Arabian Nights: Volume 1 —The Restless One directed by Miguel Gomes God Bless the Child directed by Robert Machoian and Rodrigo Ojeda-Beck Tangerine directed by Sean Baker Taxi directed by Jafar Panahi The Tribe directed by Myroslav Slaboshpytskiy With the announcement of […]

Here we have the full list of nominees for the 9th Annual Cinema Eye Honors for Nonfiction Filmmaking. Cartel Land leads the pack with five nominations; the winners will be announced at the 9th Annual Honors Ceremony on January 13, 2016 at the Museum of the Moving Image in New York City. For more information, visit the Cinema Eye Honors website. Outstanding Achievement in Nonfiction Feature Filmmaking Amy Cartel Land Democrats Listen to Me Marlon The Look of Silence The Wolfpack Outstanding Achievement in Direction Matt Heineman, Cartel Land Kim Longinotto, Dreamcatcher Laurie Anderson, Heart of a Dog Frederick Wiseman, In Jackson […]

“Eight years ago, the shortlist came out, and the Academy failed to recognize not just three or four good films. They left off all the good films,” began Laura Poitras, the first presenter and undisputed star of last night’s 8th Annual Cinema Eye Honors, held at Astoria’s Museum of Moving Image. Recounting a bit of the organization’s history before bestowing Finding Vivian Maier with Best Debut, Poitras remarked that Founding Director AJ Schnack forged a necessary “response to what was happening in the community” in creating this close-knit, nonfiction awards ceremony.  Cinema Eye Honors is always a pleasure to attend on account of that sense of “community,” […]

In a new annual lunchtime ceremony, Cinema Eye Honors awarded today the Filmmaker-sponsored Heterodox Award to Richard Linklater’s Boyhood and feted Jennie Livingston’s Paris is Burning with its Legacy Award. Linklater as well as Livingston and her collaborators were all on hand to accept their awards at midtown’s Etcetera Etcetera. Of the divide between documentary and fiction, Linklater, who was on hand to accept the award, said, “I don’t even call it ‘a blurry line’… I’ve never really drawn a particular line between documentary and fiction.” Continuing, he said, “[Boyhood] is not a documentary but it’s certainly a document. It’s […]