It was 1973 and Peter Medak was a hot director on the rise. Following the success of The Ruling Class, which had earned Peter O’Toole an Academy Award nomination the previous year, United Artists offered him Death Wish. But when the studio insisted on casting Charles Bronson instead of Medak’s pick, Henry Fonda, Medak passed on the project. Back in London, Medak ran into his friend Peter Sellers, who asked him to direct his next film, Ghost in The Noonday Sun, which was set to be filmed on the island of Cyprus. Somehow the idea of filming a 17th-century pirate comedy aboard real ships on […]
by Paula Bernstein on Mar 21, 2016The countdown to Sundance 2016 has begun with a slew of recent announcements of film selections for the festival, which runs from January 21-31. Earlier this week, the crowdfunding platform unveiled the list of Kickstarter-funded works which made the cut for this year’s festival, including new documentary features from Dawn Porter (Trapped), Penny Lane (NUTS!) and Chris Hegedus and D.A. Pennebaker (Unlocking the Cage). Read the full blog post here and check out highlights below: This year at Sundance, we’ll be crossing our fingers for a great roster of docs and dramatic features in competition for major awards: NUTS!, Spa Night, Trapped, and When Two Worlds […]
by Paula Bernstein on Dec 15, 2015You’ve seen the abysmal statistics about women filmmakers, yet they still manage to shock. According to a recent study by the Center for the Study of Women in Television and Film at San Diego State University, the number of women directing the top 250 grossing films declined by 2% over the past 17 years. And that’s just one measurement. In 2013, Amy Hobby and Anne Hubbell launched Tangerine Entertainment with the express purpose of giving voice to more female directors. Now they are raising funds on Seed&Spark to support The Juice Fund, an annual award which recognizes women directors who have […]
by Paula Bernstein on Dec 9, 2015Producer Peter Phok (The Sacrament, The Innkeepers, V/H/S) is one of five professionals this morning at an IFP Screen Forward panel titled “Bridging the Gap after Crowdfunding.” The title of the panel is an interesting collision of terms as only recently has crowdfunding been factored into independent film financing equations alongside terms like “mezzanine,” “senior debt” and “tax credit monetization.” But, indeed, crowdfunding is part of many independent films’ financing schemes, and its success — or failure — has much to do with a film’s greenlight. Below, Phok answers questions about film and crowdfunding. Filmmaker: Your panel is called, “Bridging […]
by Scott Macaulay on Sep 23, 2015Emily Best is the founder and CEO of Seed&Spark, a crowdfunding and distribution platform for independent filmmakers. She’s also the publisher of Bright Ideas Magazine. Emily has raised hundreds of thousands of dollars in crowdfunding for film and contributed to over 300 campaigns to date through Seed&Spark. She brings experience from producing live theater and running restaurants to the film industry, and she lets us into the world of investors and film distribution. Emily travels to festivals and conferences around the world on the #stayindietour and was named one of the 2013 Indiewire Influencers, 2014 New York Women of Influence, […]
by Elaine Sheldon and Sarah Ginsburg on Jul 29, 2015At first, I viewed the Indiegogo campaign to help finish Orson Welles’ last film as a desperate attempt to solve a troubled situation. I was hauling in all my feelings about the Kickstarter saturation that has infected indie film culture. Everyone and their mother is crowdfunding their films — now the late Orson Welles? It felt like a violation against his legacy and made me incredibly sad. After all of this time, Orson Welles still can’t raise money the “normal” way?! But now, after much thought and digging, I see the campaign as a triumphant way to actively and symbolically help […]
by Peter Rinaldi on Jun 11, 2015Randy Mack is in the final three days of his Kickstarter for his New Orleans-set Laundry Day, and with roughly three grand to go, he lets loose with an acerbic howl against the indignities of crowdfunding that, he hopes, might make you think and, perhaps…. donate. People are the worst, and there’s nothing more humiliating than pandering to them. You became an artist to push back against sheeple’s sacred cows and conventional wisdom, and now technology has risen to empower… them. Not you. The Popular Ones. The last people on Earth who need empowering. Popular people, remember them? The ones […]
by Randy Mack on May 11, 2015The term ‘hybrid’ has become increasingly debatable when discussing the divide between fiction and nonfiction, though it’s a rather apt description of the French artist Pierre Bismuth’s cinematic inquiry, Where is Rocky II? Perhaps best known for his Oscar winning collaboration with Charlie Kaufman and Michel Gondry on the script for Eternal Sunshine of the Spotless Mind, Bismuth became obsessed with a fake rock, called Rocky II, that Ed Ruscha placed amongst its geological counterparts in the Mojave Desert around the release of the eponymous Stallone film in 1979. The pitch of Where is Rocky II?, Bismuth explained in an email, “is that a […]
by Sarah Salovaara on Feb 2, 2015Crowdsunite, a website that specializes in crowdfunding reviews like only a millennial startup could, recently compiled a list of the industry’s top 10 platforms based on user reviews. Weighing the funding success rate, customer support and user friendliness, Crowdsunite concluded that the niche hybrid Seed&Spark ranked higher than Kickstarter, while the likes of IndieGogo and GoFundMe didn’t even make the cut. A plausible reason for this is that the survey considered platforms that cater across several industries (publishing, medical), but the reasons behind their viability are nonetheless worth considering for your next campaign. While users have frequently taken issue with Kickstarter’s “all […]
by Sarah Salovaara on Aug 11, 2014“Red Letter Media is Creating Weird Internet Videos and Films” is the tagline for the Milwaukee-based collective’s page on online fundraising platform Patreon. It’s an appeal that has impressively generated the group almost $100,000 a year in fan donations. Red Letter Media is the home of various creators, including Mike Stoklasa, whose critical vivisections of George Lucas’s Star Wars prequels landed him on Filmmaker‘s 25 New Faces list in 2010. Offering reviews of films and video games alongside other content (like a comedic instructional feature film, How Not to Make a Movie), Red Letter monetizes itself through YouTube advertising, DVD […]
by Scott Macaulay on Aug 7, 2014